A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível

Detalhes bibliográficos
Ano de defesa: 2018
Autor(a) principal: Padilha, Jéssica Coimbra lattes
Orientador(a): Grzibowski, Silvestre lattes
Banca de defesa: Fabri, Marcelo lattes, Furtado, José Luiz lattes
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Santa Maria
Centro de Ciências Sociais e Humanas
Programa de Pós-Graduação: Programa de Pós-Graduação em Filosofia
Departamento: Filosofia
País: Brasil
Palavras-chave em Português:
Arte
Invisível
Vida
Fenomenologia
Subjetividade
Imanência
Palavras-chave em Inglês:
Art
Invisible
Life
Phenomenology
Subjectivity
Immanence
Área do conhecimento CNPq:
CNPQ::CIENCIAS HUMANAS::FILOSOFIA
Link de acesso: http://repositorio.ufsm.br/handle/1/15872
Resumo: This work presents the aesthetics in Michel Henry, in order to demonstrate that art is the revelation of the invisible life through a phenomenological perspective. For Michel Henry, art does not imitate life, it unveils what is invisible from the sensible. In order to demonstrate this, the author has as influence and inspiration Kandinsky, who affirmed that the laws of painting occur in life and not in the representation or imitation thereof by the objectivity. Thus Michel Henry, with his phenomenology of life and subjectivity, believes that art is an inner resonance, free from the figure of a particular object. Thus, the place of development of aesthetics is the invisible life. In this sense, life, because it is invisible, experiences itself, because that is its essence, to feel itself in full subjectivity through the body. Thus, it is in the theoretical writings of the painter Kandinky that the author has substance to carry out his phenomenological aesthetics.
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spelling 2019-03-12T12:14:09Z2019-03-12T12:14:09Z2018-07-13http://repositorio.ufsm.br/handle/1/15872This work presents the aesthetics in Michel Henry, in order to demonstrate that art is the revelation of the invisible life through a phenomenological perspective. For Michel Henry, art does not imitate life, it unveils what is invisible from the sensible. In order to demonstrate this, the author has as influence and inspiration Kandinsky, who affirmed that the laws of painting occur in life and not in the representation or imitation thereof by the objectivity. Thus Michel Henry, with his phenomenology of life and subjectivity, believes that art is an inner resonance, free from the figure of a particular object. Thus, the place of development of aesthetics is the invisible life. In this sense, life, because it is invisible, experiences itself, because that is its essence, to feel itself in full subjectivity through the body. Thus, it is in the theoretical writings of the painter Kandinky that the author has substance to carry out his phenomenological aesthetics.A presente dissertação apresenta a estética em Michel Henry, com o intuito de demonstrar que a arte é a revelação da vida invisível através de uma perspectiva fenomenológica. Para Michel Henry, a arte não imita a vida, ela desvenda o que é invisível a partir do sensível. Para demonstrar isso, o autor tem como influência e inspiração Kandinsky, que afirmou que as leis da pintura se dão na vida e não na representação ou imitação dessa pela objetividade. Assim, Michel Henry, com sua fenomenologia da vida e da subjetividade, acredita que a arte é uma ressonância interior, livre da figura de um objeto em particular. Sendo assim, o lugar de desenvolvimento da estética é a vida invisível. Neste sentido, a vida, por ser invisível, se autoexperimenta, porque essa é sua essência, sentir-se em plena subjetividade por intermédio do corpo. Sendo assim, é nos escritos teóricos do pintor Kandinky que o autor tem substancialidade para realizar a sua estética fenomenológica.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de Santa MariaCentro de Ciências Sociais e HumanasPrograma de Pós-Graduação em FilosofiaUFSMBrasilFilosofiaAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessArteInvisívelVidaFenomenologiaSubjetividadeImanênciaArtInvisibleLifePhenomenologySubjectivityImmanenceCNPQ::CIENCIAS HUMANAS::FILOSOFIAA fenomenologia estética em Michel Henry: a arte como revelação da vida invisívelThe phenomenological aesthetics in michel henry: art as a revelation of invisible lifeinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisGrzibowski, Silvestrehttp://lattes.cnpq.br/6586514798766408Fabri, Marcelohttp://lattes.cnpq.br/9122803302644811Furtado, José Luizhttp://lattes.cnpq.br/4594835506556261http://lattes.cnpq.br/0422327767029517Padilha, Jéssica Coimbra7001000000046008859a599-814b-47b1-a5eb-b8a17569c7cad88b3e61-eba5-4f34-99d0-b4bd09d033a5a90fd54a-a0ed-42e6-9f38-36bf7c8a0a1d569df552-1b64-401c-b400-2362978d2be3reponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALDIS_PPGFILOSOFIA_2018_PADILHA_JESSICA.pdfDIS_PPGFILOSOFIA_2018_PADILHA_JESSICA.pdfDissertação de Mestradoapplication/pdf1046715http://repositorio.ufsm.br/bitstream/1/15872/1/DIS_PPGFILOSOFIA_2018_PADILHA_JESSICA.pdf376fe1c40a0a6c0f80f68d7c1119ab00MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; 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dc.title.por.fl_str_mv A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível
dc.title.alternative.eng.fl_str_mv The phenomenological aesthetics in michel henry: art as a revelation of invisible life
title A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível
spellingShingle A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível
Padilha, Jéssica Coimbra
Arte
Invisível
Vida
Fenomenologia
Subjetividade
Imanência
Art
Invisible
Life
Phenomenology
Subjectivity
Immanence
CNPQ::CIENCIAS HUMANAS::FILOSOFIA
title_short A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível
title_full A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível
title_fullStr A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível
title_full_unstemmed A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível
title_sort A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível
author Padilha, Jéssica Coimbra
author_facet Padilha, Jéssica Coimbra
author_role author
dc.contributor.advisor1.fl_str_mv Grzibowski, Silvestre
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/6586514798766408
dc.contributor.referee1.fl_str_mv Fabri, Marcelo
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/9122803302644811
dc.contributor.referee2.fl_str_mv Furtado, José Luiz
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/4594835506556261
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/0422327767029517
dc.contributor.author.fl_str_mv Padilha, Jéssica Coimbra
contributor_str_mv Grzibowski, Silvestre
Fabri, Marcelo
Furtado, José Luiz
dc.subject.por.fl_str_mv Arte
Invisível
Vida
Fenomenologia
Subjetividade
Imanência
topic Arte
Invisível
Vida
Fenomenologia
Subjetividade
Imanência
Art
Invisible
Life
Phenomenology
Subjectivity
Immanence
CNPQ::CIENCIAS HUMANAS::FILOSOFIA
dc.subject.eng.fl_str_mv Art
Invisible
Life
Phenomenology
Subjectivity
Immanence
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS HUMANAS::FILOSOFIA
description This work presents the aesthetics in Michel Henry, in order to demonstrate that art is the revelation of the invisible life through a phenomenological perspective. For Michel Henry, art does not imitate life, it unveils what is invisible from the sensible. In order to demonstrate this, the author has as influence and inspiration Kandinsky, who affirmed that the laws of painting occur in life and not in the representation or imitation thereof by the objectivity. Thus Michel Henry, with his phenomenology of life and subjectivity, believes that art is an inner resonance, free from the figure of a particular object. Thus, the place of development of aesthetics is the invisible life. In this sense, life, because it is invisible, experiences itself, because that is its essence, to feel itself in full subjectivity through the body. Thus, it is in the theoretical writings of the painter Kandinky that the author has substance to carry out his phenomenological aesthetics.
publishDate 2018
dc.date.issued.fl_str_mv 2018-07-13
dc.date.accessioned.fl_str_mv 2019-03-12T12:14:09Z
dc.date.available.fl_str_mv 2019-03-12T12:14:09Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://repositorio.ufsm.br/handle/1/15872
url http://repositorio.ufsm.br/handle/1/15872
dc.language.iso.fl_str_mv por
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dc.rights.driver.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
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rights_invalid_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
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dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
Centro de Ciências Sociais e Humanas
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Filosofia
dc.publisher.initials.fl_str_mv UFSM
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Filosofia
publisher.none.fl_str_mv Universidade Federal de Santa Maria
Centro de Ciências Sociais e Humanas
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instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Manancial - Repositório Digital da UFSM
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