Dançografia em processo de criação: uma docência artista em dança

Detalhes bibliográficos
Ano de defesa: 2018
Autor(a) principal: Manzoni, Daniela Minello lattes
Orientador(a): Oliveira, Marilda Oliveira de lattes
Banca de defesa: Zanella, Andrisa Kemel lattes, Valle, Flávia Pilla do lattes, Cardonetti, Vivien Kelling lattes, Baldi, Neila Cristina lattes
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Santa Maria
Centro de Educação
Programa de Pós-Graduação: Programa de Pós-Graduação em Educação
Departamento: Educação
País: Brasil
Palavras-chave em Português:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.ufsm.br/handle/1/15703
Resumo: Study developed in the Line of Research in Education and Arts, LP4, of the Graduate Program in Education, at Federal University of Santa Maria, RS, in which an artistic teaching in dace, has been problematized through a creation process. As method, bricolage was used, anchored on the studies of Kincheloe and Berry (2007). As a research problem the following question has been elaborated: what can the territories of education and research in education learn ‘with’ a creation process in dace? As a theoretical framework, the approaches of Greiner (2005), Fernandes (2006, 2013) and Baldi (2017) have been used in relation to body and writing in dace; Salles (2009), Rocha (2016) and Ostrower (1977) were used on the process of creation; and Loponte (2015), to think the concept of artistic teaching in educative processes. The studied theory allowed an articulation among the concepts of body, process of creation, ad artistic teaching. In the writing of this dissertation, Dancegraphy figures as a poetic license to think of a writing with dance, notion conceived in this study as what is inscribed into the body that dances, and a body that dances and is performed by writing. As findings, compositions elaborated within a process of creation in Dancegraphy that overflew into teaching and a writing process performed by both are presented.
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spelling 2019-02-21T12:45:14Z2019-02-21T12:45:14Z2018-07-30http://repositorio.ufsm.br/handle/1/15703Study developed in the Line of Research in Education and Arts, LP4, of the Graduate Program in Education, at Federal University of Santa Maria, RS, in which an artistic teaching in dace, has been problematized through a creation process. As method, bricolage was used, anchored on the studies of Kincheloe and Berry (2007). As a research problem the following question has been elaborated: what can the territories of education and research in education learn ‘with’ a creation process in dace? As a theoretical framework, the approaches of Greiner (2005), Fernandes (2006, 2013) and Baldi (2017) have been used in relation to body and writing in dace; Salles (2009), Rocha (2016) and Ostrower (1977) were used on the process of creation; and Loponte (2015), to think the concept of artistic teaching in educative processes. The studied theory allowed an articulation among the concepts of body, process of creation, ad artistic teaching. In the writing of this dissertation, Dancegraphy figures as a poetic license to think of a writing with dance, notion conceived in this study as what is inscribed into the body that dances, and a body that dances and is performed by writing. As findings, compositions elaborated within a process of creation in Dancegraphy that overflew into teaching and a writing process performed by both are presented.Estudo desenvolvido na Linha de Pesquisa ‘Educação e Artes’, LP4, no Programa de Pós-Graduação em Educação, da Universidade Federal de Santa Maria, RS, no qual buscou-se problematizar uma docência artista em dança, a partir de um processo de criação. Como método, utilizou-se da bricolagem, ancorado nos estudos de Kincheloe e Berry (2007). Como problema de pesquisa enunciou-se à seguinte questão: o que o território da educação e da pesquisa em educação pode aprender 'com' um processo de criação em dança? Como base teórica utilizou-se os aportes de Greiner (2005), Fernandes (2006, 2013) e Baldi (2017) no que se refere ao corpo e escrita em dança; Salles (2009), Rocha (2016) e Ostrower (1977) sobre processos de criação; e, Loponte (2015), para pensar o conceito de docência artista nos espaços educativos. A teoria estudada permitiu uma articulação entre os conceitos de corpo, processo de criação e docência artista. Na escrita da tese, a Dançografia figura como uma licença poética para pensar uma escrita com a dança, noção concebida neste estudo como o que se inscreve no corpo que dança, e um corpo que dança é performado pela escrita. Como resultado, apresenta-se as composições elaboradas entre um processo de criação em Dançografia, que respingou na docência, e uma escrita que foi performada por ambas.porUniversidade Federal de Santa MariaCentro de EducaçãoPrograma de Pós-Graduação em EducaçãoUFSMBrasilEducaçãoAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessCorpoProcesso de criaçãoEducaçãoDocência artistaDançografiaCNPQ::CIENCIAS HUMANAS::EDUCACAODançografia em processo de criação: uma docência artista em dançaDançografia and process of creation: a teaching artist in danceinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisOliveira, Marilda Oliveira dehttp://lattes.cnpq.br/7835230852202032Bellochio, Cláudia Ribeirohttp://lattes.cnpq.br/8653053694824805Zanella, Andrisa Kemelhttp://lattes.cnpq.br/0179070058662351Valle, Flávia Pilla dohttp://lattes.cnpq.br/5436932725167026Cardonetti, Vivien Kellinghttp://lattes.cnpq.br/1649742737541059Baldi, Neila Cristinahttp://lattes.cnpq.br/2745371733382115http://lattes.cnpq.br/6744794341253568Manzoni, Daniela Minello700800000006600567fa4c7-e562-456d-88f0-79d3d23e0c33b6f689cd-217a-4974-8a0b-6ea1770a77e3f7c5ad16-476b-441c-94ea-82b6d97c055c7b4929fc-6d25-4d7c-bf66-a88446bb64c8f17f0fe6-ceb6-4415-bb76-c5024eb68ed453ba1d67-c131-443d-9f06-c3f67da9ba017dc0199e-96d7-4d78-b682-aa74f8511bfbreponame:Biblioteca Digital de Teses e Dissertações do UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALtese.mp4tese.mp4Vídeo da teseapplication/octet-stream805422752http://repositorio.ufsm.br/bitstream/1/15703/1/tese.mp49b459a968279743af05b94b42a2e1b14MD51TES_PPGEDUCACAO_2018_MANZONI_DANIELA_MINELLO.pdf.pdfTES_PPGEDUCACAO_2018_MANZONI_DANIELA_MINELLO.pdf.pdfTese de Doutoradoapplication/pdf3680702http://repositorio.ufsm.br/bitstream/1/15703/2/TES_PPGEDUCACAO_2018_MANZONI_DANIELA_MINELLO.pdf.pdf84a72d69fc74616d8795436901a729f1MD52LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv Dançografia em processo de criação: uma docência artista em dança
dc.title.alternative.eng.fl_str_mv Dançografia and process of creation: a teaching artist in dance
title Dançografia em processo de criação: uma docência artista em dança
spellingShingle Dançografia em processo de criação: uma docência artista em dança
Manzoni, Daniela Minello
Corpo
Processo de criação
Educação
Docência artista
Dançografia
CNPQ::CIENCIAS HUMANAS::EDUCACAO
title_short Dançografia em processo de criação: uma docência artista em dança
title_full Dançografia em processo de criação: uma docência artista em dança
title_fullStr Dançografia em processo de criação: uma docência artista em dança
title_full_unstemmed Dançografia em processo de criação: uma docência artista em dança
title_sort Dançografia em processo de criação: uma docência artista em dança
author Manzoni, Daniela Minello
author_facet Manzoni, Daniela Minello
author_role author
dc.contributor.advisor1.fl_str_mv Oliveira, Marilda Oliveira de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/7835230852202032
dc.contributor.advisor-co1.fl_str_mv Bellochio, Cláudia Ribeiro
dc.contributor.advisor-co1Lattes.fl_str_mv http://lattes.cnpq.br/8653053694824805
dc.contributor.referee1.fl_str_mv Zanella, Andrisa Kemel
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/0179070058662351
dc.contributor.referee2.fl_str_mv Valle, Flávia Pilla do
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/5436932725167026
dc.contributor.referee3.fl_str_mv Cardonetti, Vivien Kelling
dc.contributor.referee3Lattes.fl_str_mv http://lattes.cnpq.br/1649742737541059
dc.contributor.referee4.fl_str_mv Baldi, Neila Cristina
dc.contributor.referee4Lattes.fl_str_mv http://lattes.cnpq.br/2745371733382115
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/6744794341253568
dc.contributor.author.fl_str_mv Manzoni, Daniela Minello
contributor_str_mv Oliveira, Marilda Oliveira de
Bellochio, Cláudia Ribeiro
Zanella, Andrisa Kemel
Valle, Flávia Pilla do
Cardonetti, Vivien Kelling
Baldi, Neila Cristina
dc.subject.por.fl_str_mv Corpo
Processo de criação
Educação
Docência artista
Dançografia
topic Corpo
Processo de criação
Educação
Docência artista
Dançografia
CNPQ::CIENCIAS HUMANAS::EDUCACAO
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS HUMANAS::EDUCACAO
description Study developed in the Line of Research in Education and Arts, LP4, of the Graduate Program in Education, at Federal University of Santa Maria, RS, in which an artistic teaching in dace, has been problematized through a creation process. As method, bricolage was used, anchored on the studies of Kincheloe and Berry (2007). As a research problem the following question has been elaborated: what can the territories of education and research in education learn ‘with’ a creation process in dace? As a theoretical framework, the approaches of Greiner (2005), Fernandes (2006, 2013) and Baldi (2017) have been used in relation to body and writing in dace; Salles (2009), Rocha (2016) and Ostrower (1977) were used on the process of creation; and Loponte (2015), to think the concept of artistic teaching in educative processes. The studied theory allowed an articulation among the concepts of body, process of creation, ad artistic teaching. In the writing of this dissertation, Dancegraphy figures as a poetic license to think of a writing with dance, notion conceived in this study as what is inscribed into the body that dances, and a body that dances and is performed by writing. As findings, compositions elaborated within a process of creation in Dancegraphy that overflew into teaching and a writing process performed by both are presented.
publishDate 2018
dc.date.issued.fl_str_mv 2018-07-30
dc.date.accessioned.fl_str_mv 2019-02-21T12:45:14Z
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dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
Centro de Educação
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Centro de Educação
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