Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos)

Detalhes bibliográficos
Ano de defesa: 2022
Autor(a) principal: Fernandes, Andressa Brenner lattes
Orientador(a): Scherer, Amanda Eloina lattes
Banca de defesa: Medeiros, Caciane Souza de, Sousa, Lucília Maria Abrahão e, da Silva Daltoé, Andréia, Lisowski, Carolina Salbego
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Santa Maria
Centro de Artes e Letras
Programa de Pós-Graduação: Programa de Pós-Graduação em Letras
Departamento: Letras
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.ufsm.br/handle/1/27376
Resumo: The present study, which is based on the theoretical-methodological foundations of Discourse Analysis (DA) of french line and brazilian continuity, aims to reflect on the subjectivation processes of subjects who are in a prison and on the discursive positions they assume. For that, we work with excerpts from the documentary O Prisioneiro da Grade de Ferro (auto-retratos), directed by Paulo Sacramento, which constitute our research corpus and were established according to our objective. This documentary presents the daily life of subjects in the former Carandiru Penitentiary Complex, before its deactivation and demolition. Discursively, we understand O Prisioneiro da Grade de Ferro (auto-retratos) as a text constructed by what is also of the visual order, as a unit of discourse analysis, open to different possibilities of reading that reveal the process of textualization of the discourse. In our movement of analysis, we observe a subject, crossed by ideology and the unconscious, who counter-identifies with the discursive formation that strongly interpellates him in Carandiru – as a Repressive State Apparatus that also works ideologically, assuming differents subject-positions and showing the establishment of the contradiction within the discursive formation, the arising of an enunciative event, its non-uniqueness and fragmentation. From this, we think about the form of subjectivation that we understand as terceira margem, which refers to the constitutive heterogeneity of ideology, discursive formation and the subject.
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spelling 2022-12-16T14:10:10Z2022-12-16T14:10:10Z2022-06-21http://repositorio.ufsm.br/handle/1/27376The present study, which is based on the theoretical-methodological foundations of Discourse Analysis (DA) of french line and brazilian continuity, aims to reflect on the subjectivation processes of subjects who are in a prison and on the discursive positions they assume. For that, we work with excerpts from the documentary O Prisioneiro da Grade de Ferro (auto-retratos), directed by Paulo Sacramento, which constitute our research corpus and were established according to our objective. This documentary presents the daily life of subjects in the former Carandiru Penitentiary Complex, before its deactivation and demolition. Discursively, we understand O Prisioneiro da Grade de Ferro (auto-retratos) as a text constructed by what is also of the visual order, as a unit of discourse analysis, open to different possibilities of reading that reveal the process of textualization of the discourse. In our movement of analysis, we observe a subject, crossed by ideology and the unconscious, who counter-identifies with the discursive formation that strongly interpellates him in Carandiru – as a Repressive State Apparatus that also works ideologically, assuming differents subject-positions and showing the establishment of the contradiction within the discursive formation, the arising of an enunciative event, its non-uniqueness and fragmentation. From this, we think about the form of subjectivation that we understand as terceira margem, which refers to the constitutive heterogeneity of ideology, discursive formation and the subject.O presente estudo, que está ancorado nos pressupostos teórico-metodológicos da Análise de Discurso (AD) de linha francesa e continuidade brasileira, tem como objetivo refletir sobre os processos de subjetivação de sujeitos que se encontram em uma prisão e sobre as posições discursivas que assumem. Para tanto, trabalhamos com recortes do documentário O Prisioneiro da Grade de Ferro (auto-retratos), de direção de Paulo Sacramento, os quais constituem nosso corpus de pesquisa e foram estabelecidos a partir de nosso objetivo. Esse documentário mostra o cotidiano de sujeitos no antigo Complexo Penitenciário do Carandiru, antes de sua desativação e demolição. Discursivamente, compreendemos O Prisioneiro da Grade de Ferro (auto-retratos) como um texto construído pelo que é da ordem também do visual, como uma unidade de análise do discurso, aberta a diferentes possibilidades de leitura que dão a ver o processo de textualização do discurso. Em nosso movimento de análise, observamos um sujeito que, atravessado pela ideologia e pelo inconsciente, se contraidentifica com a formação discursiva que lhe interpela fortemente no Carandiru – enquanto Aparelho Repressivo de Estado que funciona também ideologicamente, assumindo diferentes posições-sujeito e dando a ver o estabelecimento da contradição no interior desse domínio de saber, a emergência de um acontecimento enunciativo, a sua não unicidade e fragmentação. A partir disso, pensamos na forma de subjetivação que entendemos como terceira margem, a qual se refere à heterogeneidade constitutiva da ideologia, da formação discursiva e do sujeito.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de Santa MariaCentro de Artes e LetrasPrograma de Pós-Graduação em LetrasUFSMBrasilLetrasAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessAnálise de discursoDocumentárioSujeitoDiscursoPrisãoDiscourse analysisDocumentarySubjectDiscoursePrisonCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASAutorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos)Self-portrait, portrait, another portrait: a discursive approach about o prisioneiro da grade de ferro (auto-retratos)info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisScherer, Amanda Eloinahttp://lattes.cnpq.br/0683532681929143Medeiros, Caciane Souza deSousa, Lucília Maria Abrahão eda Silva Daltoé, AndréiaLisowski, Carolina Salbegohttp://lattes.cnpq.br/4660248277733168Fernandes, Andressa Brenner800200000001600600600600600600600e1d75d5a-c36f-4808-87ee-4214a27c0ebea364ab67-69ca-49ce-a405-879b1d6fe3e922f1e421-3b53-4fa9-aa34-1eccc252e7a20976ed48-3b7d-4b20-823d-e48de95dd34de4e6ad4c-7671-4457-8c4f-c5cd86226ed0052d0f45-e1a9-4072-a6bb-d26e73242b34reponame:Biblioteca Digital de Teses e Dissertações do UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALTES_PPGLETRAS_2022_FERNANDES_ANDRESSA.pdfTES_PPGLETRAS_2022_FERNANDES_ANDRESSA.pdfTeseapplication/pdf2846956http://repositorio.ufsm.br/bitstream/1/27376/1/TES_PPGLETRAS_2022_FERNANDES_ANDRESSA.pdf6593dc2312c350ced40a797e63d45281MD51LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos)
dc.title.alternative.eng.fl_str_mv Self-portrait, portrait, another portrait: a discursive approach about o prisioneiro da grade de ferro (auto-retratos)
title Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos)
spellingShingle Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos)
Fernandes, Andressa Brenner
Análise de discurso
Documentário
Sujeito
Discurso
Prisão
Discourse analysis
Documentary
Subject
Discourse
Prison
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
title_short Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos)
title_full Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos)
title_fullStr Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos)
title_full_unstemmed Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos)
title_sort Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos)
author Fernandes, Andressa Brenner
author_facet Fernandes, Andressa Brenner
author_role author
dc.contributor.advisor1.fl_str_mv Scherer, Amanda Eloina
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/0683532681929143
dc.contributor.referee1.fl_str_mv Medeiros, Caciane Souza de
dc.contributor.referee2.fl_str_mv Sousa, Lucília Maria Abrahão e
dc.contributor.referee3.fl_str_mv da Silva Daltoé, Andréia
dc.contributor.referee4.fl_str_mv Lisowski, Carolina Salbego
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/4660248277733168
dc.contributor.author.fl_str_mv Fernandes, Andressa Brenner
contributor_str_mv Scherer, Amanda Eloina
Medeiros, Caciane Souza de
Sousa, Lucília Maria Abrahão e
da Silva Daltoé, Andréia
Lisowski, Carolina Salbego
dc.subject.por.fl_str_mv Análise de discurso
Documentário
Sujeito
Discurso
Prisão
topic Análise de discurso
Documentário
Sujeito
Discurso
Prisão
Discourse analysis
Documentary
Subject
Discourse
Prison
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
dc.subject.eng.fl_str_mv Discourse analysis
Documentary
Subject
Discourse
Prison
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
description The present study, which is based on the theoretical-methodological foundations of Discourse Analysis (DA) of french line and brazilian continuity, aims to reflect on the subjectivation processes of subjects who are in a prison and on the discursive positions they assume. For that, we work with excerpts from the documentary O Prisioneiro da Grade de Ferro (auto-retratos), directed by Paulo Sacramento, which constitute our research corpus and were established according to our objective. This documentary presents the daily life of subjects in the former Carandiru Penitentiary Complex, before its deactivation and demolition. Discursively, we understand O Prisioneiro da Grade de Ferro (auto-retratos) as a text constructed by what is also of the visual order, as a unit of discourse analysis, open to different possibilities of reading that reveal the process of textualization of the discourse. In our movement of analysis, we observe a subject, crossed by ideology and the unconscious, who counter-identifies with the discursive formation that strongly interpellates him in Carandiru – as a Repressive State Apparatus that also works ideologically, assuming differents subject-positions and showing the establishment of the contradiction within the discursive formation, the arising of an enunciative event, its non-uniqueness and fragmentation. From this, we think about the form of subjectivation that we understand as terceira margem, which refers to the constitutive heterogeneity of ideology, discursive formation and the subject.
publishDate 2022
dc.date.accessioned.fl_str_mv 2022-12-16T14:10:10Z
dc.date.available.fl_str_mv 2022-12-16T14:10:10Z
dc.date.issued.fl_str_mv 2022-06-21
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/doctoralThesis
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url http://repositorio.ufsm.br/handle/1/27376
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dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
Centro de Artes e Letras
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Letras
dc.publisher.initials.fl_str_mv UFSM
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Letras
publisher.none.fl_str_mv Universidade Federal de Santa Maria
Centro de Artes e Letras
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