Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos)
Ano de defesa: | 2022 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | , , , |
Tipo de documento: | Tese |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Santa Maria
Centro de Artes e Letras |
Programa de Pós-Graduação: |
Programa de Pós-Graduação em Letras
|
Departamento: |
Letras
|
País: |
Brasil
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://repositorio.ufsm.br/handle/1/27376 |
Resumo: | The present study, which is based on the theoretical-methodological foundations of Discourse Analysis (DA) of french line and brazilian continuity, aims to reflect on the subjectivation processes of subjects who are in a prison and on the discursive positions they assume. For that, we work with excerpts from the documentary O Prisioneiro da Grade de Ferro (auto-retratos), directed by Paulo Sacramento, which constitute our research corpus and were established according to our objective. This documentary presents the daily life of subjects in the former Carandiru Penitentiary Complex, before its deactivation and demolition. Discursively, we understand O Prisioneiro da Grade de Ferro (auto-retratos) as a text constructed by what is also of the visual order, as a unit of discourse analysis, open to different possibilities of reading that reveal the process of textualization of the discourse. In our movement of analysis, we observe a subject, crossed by ideology and the unconscious, who counter-identifies with the discursive formation that strongly interpellates him in Carandiru – as a Repressive State Apparatus that also works ideologically, assuming differents subject-positions and showing the establishment of the contradiction within the discursive formation, the arising of an enunciative event, its non-uniqueness and fragmentation. From this, we think about the form of subjectivation that we understand as terceira margem, which refers to the constitutive heterogeneity of ideology, discursive formation and the subject. |
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2022-12-16T14:10:10Z2022-12-16T14:10:10Z2022-06-21http://repositorio.ufsm.br/handle/1/27376The present study, which is based on the theoretical-methodological foundations of Discourse Analysis (DA) of french line and brazilian continuity, aims to reflect on the subjectivation processes of subjects who are in a prison and on the discursive positions they assume. For that, we work with excerpts from the documentary O Prisioneiro da Grade de Ferro (auto-retratos), directed by Paulo Sacramento, which constitute our research corpus and were established according to our objective. This documentary presents the daily life of subjects in the former Carandiru Penitentiary Complex, before its deactivation and demolition. Discursively, we understand O Prisioneiro da Grade de Ferro (auto-retratos) as a text constructed by what is also of the visual order, as a unit of discourse analysis, open to different possibilities of reading that reveal the process of textualization of the discourse. In our movement of analysis, we observe a subject, crossed by ideology and the unconscious, who counter-identifies with the discursive formation that strongly interpellates him in Carandiru – as a Repressive State Apparatus that also works ideologically, assuming differents subject-positions and showing the establishment of the contradiction within the discursive formation, the arising of an enunciative event, its non-uniqueness and fragmentation. From this, we think about the form of subjectivation that we understand as terceira margem, which refers to the constitutive heterogeneity of ideology, discursive formation and the subject.O presente estudo, que está ancorado nos pressupostos teórico-metodológicos da Análise de Discurso (AD) de linha francesa e continuidade brasileira, tem como objetivo refletir sobre os processos de subjetivação de sujeitos que se encontram em uma prisão e sobre as posições discursivas que assumem. Para tanto, trabalhamos com recortes do documentário O Prisioneiro da Grade de Ferro (auto-retratos), de direção de Paulo Sacramento, os quais constituem nosso corpus de pesquisa e foram estabelecidos a partir de nosso objetivo. Esse documentário mostra o cotidiano de sujeitos no antigo Complexo Penitenciário do Carandiru, antes de sua desativação e demolição. Discursivamente, compreendemos O Prisioneiro da Grade de Ferro (auto-retratos) como um texto construído pelo que é da ordem também do visual, como uma unidade de análise do discurso, aberta a diferentes possibilidades de leitura que dão a ver o processo de textualização do discurso. Em nosso movimento de análise, observamos um sujeito que, atravessado pela ideologia e pelo inconsciente, se contraidentifica com a formação discursiva que lhe interpela fortemente no Carandiru – enquanto Aparelho Repressivo de Estado que funciona também ideologicamente, assumindo diferentes posições-sujeito e dando a ver o estabelecimento da contradição no interior desse domínio de saber, a emergência de um acontecimento enunciativo, a sua não unicidade e fragmentação. A partir disso, pensamos na forma de subjetivação que entendemos como terceira margem, a qual se refere à heterogeneidade constitutiva da ideologia, da formação discursiva e do sujeito.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de Santa MariaCentro de Artes e LetrasPrograma de Pós-Graduação em LetrasUFSMBrasilLetrasAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessAnálise de discursoDocumentárioSujeitoDiscursoPrisãoDiscourse analysisDocumentarySubjectDiscoursePrisonCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASAutorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos)Self-portrait, portrait, another portrait: a discursive approach about o prisioneiro da grade de ferro (auto-retratos)info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisScherer, Amanda Eloinahttp://lattes.cnpq.br/0683532681929143Medeiros, Caciane Souza deSousa, Lucília Maria Abrahão eda Silva Daltoé, AndréiaLisowski, Carolina Salbegohttp://lattes.cnpq.br/4660248277733168Fernandes, Andressa Brenner800200000001600600600600600600600e1d75d5a-c36f-4808-87ee-4214a27c0ebea364ab67-69ca-49ce-a405-879b1d6fe3e922f1e421-3b53-4fa9-aa34-1eccc252e7a20976ed48-3b7d-4b20-823d-e48de95dd34de4e6ad4c-7671-4457-8c4f-c5cd86226ed0052d0f45-e1a9-4072-a6bb-d26e73242b34reponame:Biblioteca Digital de Teses e Dissertações do UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALTES_PPGLETRAS_2022_FERNANDES_ANDRESSA.pdfTES_PPGLETRAS_2022_FERNANDES_ANDRESSA.pdfTeseapplication/pdf2846956http://repositorio.ufsm.br/bitstream/1/27376/1/TES_PPGLETRAS_2022_FERNANDES_ANDRESSA.pdf6593dc2312c350ced40a797e63d45281MD51LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos) |
dc.title.alternative.eng.fl_str_mv |
Self-portrait, portrait, another portrait: a discursive approach about o prisioneiro da grade de ferro (auto-retratos) |
title |
Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos) |
spellingShingle |
Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos) Fernandes, Andressa Brenner Análise de discurso Documentário Sujeito Discurso Prisão Discourse analysis Documentary Subject Discourse Prison CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos) |
title_full |
Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos) |
title_fullStr |
Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos) |
title_full_unstemmed |
Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos) |
title_sort |
Autorretrato, retrato, outro retrato: um olhar discursivo sobre o prisioneiro da grade de ferro (auto-retratos) |
author |
Fernandes, Andressa Brenner |
author_facet |
Fernandes, Andressa Brenner |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Scherer, Amanda Eloina |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0683532681929143 |
dc.contributor.referee1.fl_str_mv |
Medeiros, Caciane Souza de |
dc.contributor.referee2.fl_str_mv |
Sousa, Lucília Maria Abrahão e |
dc.contributor.referee3.fl_str_mv |
da Silva Daltoé, Andréia |
dc.contributor.referee4.fl_str_mv |
Lisowski, Carolina Salbego |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4660248277733168 |
dc.contributor.author.fl_str_mv |
Fernandes, Andressa Brenner |
contributor_str_mv |
Scherer, Amanda Eloina Medeiros, Caciane Souza de Sousa, Lucília Maria Abrahão e da Silva Daltoé, Andréia Lisowski, Carolina Salbego |
dc.subject.por.fl_str_mv |
Análise de discurso Documentário Sujeito Discurso Prisão |
topic |
Análise de discurso Documentário Sujeito Discurso Prisão Discourse analysis Documentary Subject Discourse Prison CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
Discourse analysis Documentary Subject Discourse Prison |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
The present study, which is based on the theoretical-methodological foundations of Discourse Analysis (DA) of french line and brazilian continuity, aims to reflect on the subjectivation processes of subjects who are in a prison and on the discursive positions they assume. For that, we work with excerpts from the documentary O Prisioneiro da Grade de Ferro (auto-retratos), directed by Paulo Sacramento, which constitute our research corpus and were established according to our objective. This documentary presents the daily life of subjects in the former Carandiru Penitentiary Complex, before its deactivation and demolition. Discursively, we understand O Prisioneiro da Grade de Ferro (auto-retratos) as a text constructed by what is also of the visual order, as a unit of discourse analysis, open to different possibilities of reading that reveal the process of textualization of the discourse. In our movement of analysis, we observe a subject, crossed by ideology and the unconscious, who counter-identifies with the discursive formation that strongly interpellates him in Carandiru – as a Repressive State Apparatus that also works ideologically, assuming differents subject-positions and showing the establishment of the contradiction within the discursive formation, the arising of an enunciative event, its non-uniqueness and fragmentation. From this, we think about the form of subjectivation that we understand as terceira margem, which refers to the constitutive heterogeneity of ideology, discursive formation and the subject. |
publishDate |
2022 |
dc.date.accessioned.fl_str_mv |
2022-12-16T14:10:10Z |
dc.date.available.fl_str_mv |
2022-12-16T14:10:10Z |
dc.date.issued.fl_str_mv |
2022-06-21 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
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doctoralThesis |
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publishedVersion |
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http://repositorio.ufsm.br/handle/1/27376 |
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http://repositorio.ufsm.br/handle/1/27376 |
dc.language.iso.fl_str_mv |
por |
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por |
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800200000001 |
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600 600 600 600 600 600 600 |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Centro de Artes e Letras |
dc.publisher.program.fl_str_mv |
Programa de Pós-Graduação em Letras |
dc.publisher.initials.fl_str_mv |
UFSM |
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Brasil |
dc.publisher.department.fl_str_mv |
Letras |
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Universidade Federal de Santa Maria Centro de Artes e Letras |
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