A moda se diz de muitos modos: o campo da moda entre ontologia e estética

• Ano de defesa: 2021
• Autor(a) principal: Acom, Ana Carolina Cruz
• Orientador(a): Moraes, Denise Rosana da Silva Moraes
• Banca de defesa: Silva, Regina Coeli Machado e , Alves, Fabio Lopes , Vasques, Ronaldo Salvador , Cidreira, Renata Pitombo
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Estadual do Oeste do Paraná; Foz do Iguaçu
• Programa de Pós-Graduação: Programa de Pós-Graduação em Sociedade, Cultura e Fronteiras
• Departamento: Centro de Educação Letras e Saúde
• País: Brasil
• Palavras-chave em Português: Campo da moda; Ser da moda; Filosofia; Estética
• Palavras-chave em Inglês: Field of fashion; Being of fashion; Philosophy; Aesthetics
• Área do conhecimento CNPq: CIENCIAS HUMANAS::FILOSOFIA
• Link de acesso: http://tede.unioeste.br/handle/tede/5293

This thesis presents the conception of Fashion Field, a research field constituted in the multiplicity of disciplines whose studies are related to the Being of Fashion. The objective here is the systematization of this field, defining its object and the way of knowing it. The definition of Field of Fashion is proposed from its interdisciplinary perspective, bordering philosophy and material culture. The research procedure refers to a method of anthropophagic fabulation and writing, which absorbs authors and translates them into a new work. The method used is Moulage, which sews theories and authors to form a unique conceptual dress. In this way, an ontology of the Being of Fashion is proposed and defined as: all relationships of a human body dressed or adorned, of a body without clothes, or of clothes without bodies. The thesis affirms that the body in the absence of clothes is defined as naked by this lack and the clothes without a body are defined by the presence of an incompleteness. This conceptual research is based on the Deleuzian principle that it is the function of philosophy to create concepts. Thus, the Being of Fashion is thought of as a metaphor of the Science of Being as Being. The composition of the Field is engendered in the consideration of material culture as philosophy, which underlies the Being of Fashion constituted of body and artifact, that is, between naturalia and artificialia. Regarding the contact with this Being, the Fashion Field implies its own knowledge theory, which is presented as aesthetic epistemology. The cognitive process of the objects at Field of Fashion is allegorical to the Cabinet of Curiosities: it is on the border with the cognition of art objects and in the awe caused by anthropological, archaeological, technological, fictitious or monstrous objects. In this way, relationships with artistic vanguards, works that provoked thinking about what defines art and beauty, are considered: confronting the elements that cause changes in aesthetic status of art and fashion, such as anti-fashion, controversial stylists of the 1980s and 1990s, until the thought about beauty in otherness that make up the 2000s.