Os modos de crer e agir na arte de dizer nordestina: uma análise hermenêutico-religiosa em poemas de cordel de 1860 a 1920

• Ano de defesa: 2009
• Autor(a) principal: Sales, Marco André Oliveira
• Orientador(a): Caldas Filho, Carlos Ribeiro
• Banca de defesa: Pereira, João Baptista Borges , Manzatto, Antonio
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Presbiteriana Mackenzie
• Programa de Pós-Graduação: Ciências da Religião
• Departamento: Religião
• País: BR
• Palavras-chave em Português: história cultural; hermenêutica; literatura de cordel; religiosidade
• Palavras-chave em Inglês: cultural history; hermeneutics; cordel literature; religiousness
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS
• Link de acesso: http://dspace.mackenzie.br/handle/10899/25707

Excluding the confessional-theological systematic approach and literary-cricticism speech analysis, this paper proposes a dialogue link between theology and literature, in the field of the sciences of religion, through a hermeneutic analysis with an anthropologic approach, trying to understand the beliefs and behavior of Brazil‟s Northeast religiosity inside the roman-catholic Christian tradition, and elects the cordel poems written between 1860 and 1920 as a path of this interface some of them literally transcripted in the commemorative work 100 Cordeis Historicos segundo a Academia Brasileira de Literatura de Cordel, Gonçalo Ferreira da Silva (org.), Mossoró: Queima-Bucha, 2008. Based upon Michel de Certeau‟s theory (1925-1986) quotidian logic and formality in the ways of telling which realizes and searchs the survival tactics adopted by the ordinary man inside the tales and popular legends, this work considers two main points: first, cordel literature is the file, the record and the translator of a popular way of telling the ordinary man‟s beliefs and experiences in the Brazilian Northeast and, second, those beliefs and experiences may be analyzed and described as religiousness pictures in a larger social and cultural environment, beyond the borders of a religious faith or tradition. Thereafter the purpose is to enrich the records of existing works about the Brazilian religousness subject the understanding related to the beliefs and experiences of the ordinary man, whether in town or in the wilderness.