Aspectos identitários em músicas de intervenção cabo-verdiana entre 1935-1975

• Ano de defesa: 2012
• Autor(a) principal: Arruda, Ludmila Jones
• Orientador(a): Brito, Regina Helena Pires de
• Banca de defesa: Hanna, Vera Lúcia Harabagi , Martin, Vima Lia de Rossi
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Presbiteriana Mackenzie
• Programa de Pós-Graduação: Letras
• Departamento: Letras
• País: BR
• Palavras-chave em Português: Cabo Verde; identidade; linguística; música de intervenção
• Palavras-chave em Inglês: Cape Verde; identity; music; linguistics
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
• Link de acesso: http://dspace.mackenzie.br/handle/10899/25294

The present paper aims to analyse some issues related to the Cape Verdean identity during the last century of colonization, between 1935-1975, in the period of the Estado Novo (New State) in Portugal. It is known that Portuguese colonization and its impositions, led the colonies to fight for their independence. Suppressed by the strictness of the Portuguese government, the colonies seek strength to fight against the impositions in order to regain their identity. Cape Verde, object of the present study, demonstrates in its cultural productions, its most characteristic values, such as miscegenation and some linguistic aspects. Aiming to regain its identity, expands its literary as well as other cultural productions, gives prominence to what is originally African and actually part of its culture. Considering factors as geographic location, famine, drought, and poverty, matters always present in every production emerged in the Islands in this colonial period, it is intended to study these determinants and their influence on the identity reconstruction through musical productions written before the independence. The Cape-Verdean music is known worldwide and it is one of the most appreciated cultural aspects of the country.