O ser e o outro: agenciamentos programáticos em territórios que provoquem arquiteturas do acontecimento

• Ano de defesa: 2013
• Autor(a) principal: Silva, Simone Sousa
• Orientador(a): Abascal, Eunice Helena Sguizzardi
• Banca de defesa: Guatelli, Igor , Peixoto, Nelson Brissac
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Presbiteriana Mackenzie
• Programa de Pós-Graduação: Arquitetura e Urbanismo
• Departamento: Arquitetura e Urbanismo
• País: BR
• Palavras-chave em Português: infraestrutura; urbanismo; agenciamentos programáticos
• Palavras-chave em Inglês: infrastructure; urbanism; programmatic joints
• Área do conhecimento CNPq: CNPQ::CIENCIAS SOCIAIS APLICADAS::ARQUITETURA E URBANISMO
• Link de acesso: http://dspace.mackenzie.br/handle/10899/25937

This research seeks to study the changes undergone in recent decades the city, the public spaces in permanent publication, to put yourself open to otherness and architecture as a result of factors such as globalization, the third urban revolution, technological development, leading to investigation by other experiences projetuais in an urban space that relies on the justaposition of dissociated territory and tensions between situations. The characterization of urban mobility and interactions between users of the subway in São Paulo with the artwork installed and the space station, the city and its art design processes of mediation that have assumed the importance of promoting micro urban formed disintegrate the movement of contagion and the architecture itself from one place to an increase infrastructural support, be that builds and strengthens with joints, with a beyond himself to be strengthened by the public , ie, the city and its inhabitants, noting its urban dimension. This paper aims to elaborate on the production categories contemporary urban space and its pragmatic results, focusing on event, disjunction and reframing. The method was chosen selection of some of the subway stations of São Paulo, between them, the stations Cathedral Tamanduateí and Sumaré, whose spaces acquire other meanings from the multitude of spatial experience, as evidenced by the interaction with other media, such as the Underground Art Project. It seeks to understand these spatialities as key to an understanding of the relationships between architectural and urban dimensions, and issues that are reflected by its characteristic urban articulators. In disciplinary analysis in the light of experience of confronting urban, developed by some authors, philosophers, sociologists and planners considering its conflicts, possibilities, assemblages, a concept developed by Gilles Deleuze and Félix Guatari (1999) which corresponds to a geography of relations , gives consistency and unite heterogeneous elements and their relationships, working symbiosis, but always assuming territories. The city has always been linked to forms of public expression, so that the disappearance of the public environment is also disappearing urban life. For Flusser (1983), São Paulo is not a real city, it lacks, next to the private (oikos) and the politician (now), the cultural dimension, as in the synthesis of these three determinations is urban life. Urban art is a form of public communication, catalyst active and confrontational discourse, an important achievement in producing this environment; the architecture should stand as critical practice, as a productive force of interaction and foster the development of new forms of space public and experiences.