Um pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneo

Detalhes bibliográficos
Ano de defesa: 2020
Autor(a) principal: Cruz, Anna Carolina Cheles lattes
Orientador(a): Ramos, Rosangela Patriota lattes
Banca de defesa: Davino, Glaucia Eneida lattes, Ramos, Alcides Freire lattes
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Presbiteriana Mackenzie
Programa de Pós-Graduação: Educação, Arte e História da Cultura
Departamento: Centro de Educação, Filosofia e Teologia (CEFT)
País: Brasil
Palavras-chave em Português:
​cinema sueco
teoria da Imagem complexa
social-democracia
estética
política
Área do conhecimento CNPq:
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
Link de acesso: https://dspace.mackenzie.br/handle/10899/28553
Resumo: This research intends to comprehend in which way the Swedish director Roy Anderson's work, specially his Living Trilogy and, in particular, the movie ​A Pigeon Sat On Branch Reflecting on Existence ​ , functions as a political assertion in opposition to the totalitarian movements in Sweden, and all over the world. Therefore, Andersson's biography will be elaborated from the point of view of his relationship with art, cinemaandpolitics,relyingon various researchers for it. Andersson will also be confronted by the referencesinArtHistory and in Philosophy, he used in order to build his own aesthetics, called ​The Language of Complex Image ​ , an aesthetic theory set upon the director's socio-political concerns as aform of resistance to the deterioration of the currentstageof SwedenSocialDemocracy,aprocess that finds its echoes all around the world. Roy Andersson's work will also dialogue with Theodor Adorno, Walter Benjamin, MartinBuberandMariaRitaKhel,whotriedtodiagnose the evils of contemporary society and its relationships with totalitarianism. Finally, we will reflect about the modernist avant-gardes' influences on the director, and also about the challenges faced by Andersson in coming to terms with the affiliations between art, politics and the market
id UPM_a7daefea7d904ea8887abeb9e1ae1c46
oai_identifier_str oai:dspace.mackenzie.br:10899/28553
network_acronym_str UPM
network_name_str Biblioteca Digital de Teses e Dissertações do Mackenzie
repository_id_str
spelling 2021-12-18T21:38:46Z2021-12-18T21:38:46Z2020-02-17CRUZ, Anna Carolina Cheles. Um pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneo. 2020. 122 f. Dissertação (Mestrado em Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo, 2020.https://dspace.mackenzie.br/handle/10899/28553This research intends to comprehend in which way the Swedish director Roy Anderson's work, specially his Living Trilogy and, in particular, the movie ​A Pigeon Sat On Branch Reflecting on Existence ​ , functions as a political assertion in opposition to the totalitarian movements in Sweden, and all over the world. Therefore, Andersson's biography will be elaborated from the point of view of his relationship with art, cinemaandpolitics,relyingon various researchers for it. Andersson will also be confronted by the referencesinArtHistory and in Philosophy, he used in order to build his own aesthetics, called ​The Language of Complex Image ​ , an aesthetic theory set upon the director's socio-political concerns as aform of resistance to the deterioration of the currentstageof SwedenSocialDemocracy,aprocess that finds its echoes all around the world. Roy Andersson's work will also dialogue with Theodor Adorno, Walter Benjamin, MartinBuberandMariaRitaKhel,whotriedtodiagnose the evils of contemporary society and its relationships with totalitarianism. Finally, we will reflect about the modernist avant-gardes' influences on the director, and also about the challenges faced by Andersson in coming to terms with the affiliations between art, politics and the marketA pesquisa procura compreender de que modo a obra do cineasta sueco Roy Andersson, em particularsuaTrilogiadoSerHumano ,comdestaqueparaUmPomboPousou num Galho Refletindo Sobre a Existência, realiza-se como afirmação política contrária aos movimentos totalitários na Suécia e ao redor do mundo, em um momento pós-vanguardas. Para tanto, a biografia de Anderssonseráelaboradaapartirdopontodevistadesuasligações com o cinema, a arte e o político, contando com vários pesquisadores para essa elaboração. Andersson também será confrontado pelas suas próprias referências artísticas da História da Arte, quanto suas referências filosóficas, na elaboração de uma estética autoral nomeada de Teoria da Imagem Complexa, fundamentada, sobretudo, em suas preocupações sócio-políticas, como resposta de resistência à deterioração do atual estado da social-democracia sueca que reverbera mundialmente. A obra de Andersson dialogará, também, com autores como Theodor Adorno, Walter Benjamin, Martin Buber e Maria Rita Kehl, que buscaram ou buscam diagnosticar os males da sociedade contemporânea e suas relações com o totalitarismo. Por último, será feita, a partir de Peter Bürger, uma reflexão a respeito das influência das vanguardas modernistas sobre o diretor e também acerca dos desafios enfrentados por Andersson no trânsito entre arte, política e mercado.Coordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Presbiteriana MackenzieEducação, Arte e História da CulturaUPMBrasilCentro de Educação, Filosofia e Teologia (CEFT)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccess​cinema suecoteoria da Imagem complexasocial-democraciaestéticapolíticaCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::CINEMAUm pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisRamos, Rosangela Patriotahttp://lattes.cnpq.br/8434935867197930Davino, Glaucia Eneidahttp://lattes.cnpq.br/9376577557864810Ramos, Alcides Freirehttp://lattes.cnpq.br/4887520444879981http://lattes.cnpq.br/4482819175828979Cruz, Anna Carolina Chelesswedish cinemathe language of complex imagesocial democracyaestheticspoliticsreponame:Biblioteca Digital de Teses e Dissertações do Mackenzieinstname:Universidade Presbiteriana Mackenzie (MACKENZIE)instacron:MACKENZIECC-LICENSElicense_urlapplication/octet-stream49https://dspace.mackenzie.br/bitstream/10899/28553/1/license_url4afdbb8c545fd630ea7db775da747b2fMD51license_textapplication/octet-stream0https://dspace.mackenzie.br/bitstream/10899/28553/2/license_textd41d8cd98f00b204e9800998ecf8427eMD52license_rdfapplication/octet-stream0https://dspace.mackenzie.br/bitstream/10899/28553/3/license_rdfd41d8cd98f00b204e9800998ecf8427eMD53LICENSElicense.txttext/plain2108https://dspace.mackenzie.br/bitstream/10899/28553/4/license.txt1ca4f25d161e955cf4b7a4aa65b8e96eMD54ORIGINALANNA CAROLINA CHELES CRUZ.pdfAnna Carolina Cheles Cruzapplication/pdf5485799https://dspace.mackenzie.br/bitstream/10899/28553/5/ANNA%20CAROLINA%20CHELES%20CRUZ.pdfd85b2863dedb6a4c53a7fd609474c8e6MD55TEXTANNA CAROLINA CHELES CRUZ.pdf.txtANNA CAROLINA CHELES CRUZ.pdf.txtExtracted texttext/plain262409https://dspace.mackenzie.br/bitstream/10899/28553/6/ANNA%20CAROLINA%20CHELES%20CRUZ.pdf.txt4542bef62b4236143b12fb8f5ee37259MD56THUMBNAILANNA CAROLINA CHELES CRUZ.pdf.jpgANNA CAROLINA CHELES CRUZ.pdf.jpgGenerated Thumbnailimage/jpeg1121https://dspace.mackenzie.br/bitstream/10899/28553/7/ANNA%20CAROLINA%20CHELES%20CRUZ.pdf.jpgc9ed01c10cacf00eaa6b6c47701ab6c0MD5710899/285532021-12-19 03:01:30.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Biblioteca Digital de Teses e Dissertaçõeshttp://tede.mackenzie.br/jspui/PRI
dc.title.por.fl_str_mv Um pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneo
title Um pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneo
spellingShingle Um pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneo
Cruz, Anna Carolina Cheles
​cinema sueco
teoria da Imagem complexa
social-democracia
estética
política
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
title_short Um pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneo
title_full Um pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneo
title_fullStr Um pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneo
title_full_unstemmed Um pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneo
title_sort Um pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneo
author Cruz, Anna Carolina Cheles
author_facet Cruz, Anna Carolina Cheles
author_role author
dc.contributor.advisor1.fl_str_mv Ramos, Rosangela Patriota
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/8434935867197930
dc.contributor.referee1.fl_str_mv Davino, Glaucia Eneida
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/9376577557864810
dc.contributor.referee2.fl_str_mv Ramos, Alcides Freire
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/4887520444879981
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/4482819175828979
dc.contributor.author.fl_str_mv Cruz, Anna Carolina Cheles
contributor_str_mv Ramos, Rosangela Patriota
Davino, Glaucia Eneida
Ramos, Alcides Freire
dc.subject.por.fl_str_mv ​cinema sueco
teoria da Imagem complexa
social-democracia
estética
política
topic ​cinema sueco
teoria da Imagem complexa
social-democracia
estética
política
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
description This research intends to comprehend in which way the Swedish director Roy Anderson's work, specially his Living Trilogy and, in particular, the movie ​A Pigeon Sat On Branch Reflecting on Existence ​ , functions as a political assertion in opposition to the totalitarian movements in Sweden, and all over the world. Therefore, Andersson's biography will be elaborated from the point of view of his relationship with art, cinemaandpolitics,relyingon various researchers for it. Andersson will also be confronted by the referencesinArtHistory and in Philosophy, he used in order to build his own aesthetics, called ​The Language of Complex Image ​ , an aesthetic theory set upon the director's socio-political concerns as aform of resistance to the deterioration of the currentstageof SwedenSocialDemocracy,aprocess that finds its echoes all around the world. Roy Andersson's work will also dialogue with Theodor Adorno, Walter Benjamin, MartinBuberandMariaRitaKhel,whotriedtodiagnose the evils of contemporary society and its relationships with totalitarianism. Finally, we will reflect about the modernist avant-gardes' influences on the director, and also about the challenges faced by Andersson in coming to terms with the affiliations between art, politics and the market
publishDate 2020
dc.date.issued.fl_str_mv 2020-02-17
dc.date.accessioned.fl_str_mv 2021-12-18T21:38:46Z
dc.date.available.fl_str_mv 2021-12-18T21:38:46Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv CRUZ, Anna Carolina Cheles. Um pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneo. 2020. 122 f. Dissertação (Mestrado em Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo, 2020.
dc.identifier.uri.fl_str_mv https://dspace.mackenzie.br/handle/10899/28553
identifier_str_mv CRUZ, Anna Carolina Cheles. Um pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneo. 2020. 122 f. Dissertação (Mestrado em Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo, 2020.
url https://dspace.mackenzie.br/handle/10899/28553
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Presbiteriana Mackenzie
dc.publisher.program.fl_str_mv Educação, Arte e História da Cultura
dc.publisher.initials.fl_str_mv UPM
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Centro de Educação, Filosofia e Teologia (CEFT)
publisher.none.fl_str_mv Universidade Presbiteriana Mackenzie
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações do Mackenzie
instname:Universidade Presbiteriana Mackenzie (MACKENZIE)
instacron:MACKENZIE
instname_str Universidade Presbiteriana Mackenzie (MACKENZIE)
instacron_str MACKENZIE
institution MACKENZIE
reponame_str Biblioteca Digital de Teses e Dissertações do Mackenzie
collection Biblioteca Digital de Teses e Dissertações do Mackenzie
bitstream.url.fl_str_mv https://dspace.mackenzie.br/bitstream/10899/28553/1/license_url
https://dspace.mackenzie.br/bitstream/10899/28553/2/license_text
https://dspace.mackenzie.br/bitstream/10899/28553/3/license_rdf
https://dspace.mackenzie.br/bitstream/10899/28553/4/license.txt
https://dspace.mackenzie.br/bitstream/10899/28553/5/ANNA%20CAROLINA%20CHELES%20CRUZ.pdf
https://dspace.mackenzie.br/bitstream/10899/28553/6/ANNA%20CAROLINA%20CHELES%20CRUZ.pdf.txt
https://dspace.mackenzie.br/bitstream/10899/28553/7/ANNA%20CAROLINA%20CHELES%20CRUZ.pdf.jpg
bitstream.checksum.fl_str_mv 4afdbb8c545fd630ea7db775da747b2f
d41d8cd98f00b204e9800998ecf8427e
d41d8cd98f00b204e9800998ecf8427e
1ca4f25d161e955cf4b7a4aa65b8e96e
d85b2863dedb6a4c53a7fd609474c8e6
4542bef62b4236143b12fb8f5ee37259
c9ed01c10cacf00eaa6b6c47701ab6c0
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
MD5
MD5
MD5
MD5
repository.name.fl_str_mv
repository.mail.fl_str_mv
_version_ 1757174475314429952

Registros relacionados