Campos de visibilidade da capoeira baiana: as festas populares, as escolas de capoeira, o cinema e a arte (1955-1985)

• Ano de defesa: 2008
• Autor(a) principal: Castro Júnior, Luís Vitor
• Orientador(a): Sant'anna, Denise B. de
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em História
• Departamento: História
• País: BR
• Palavras-chave em Português: Capoeira; Cultura; Cinema; Arte; Capoeira > Salvador, BA > Historia; Cinema > Salvador, BA > Historia; Festas folcloricas > Salvador, BA
• Palavras-chave em Inglês: Culture; Art
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::HISTORIA
• Link de acesso: https://tede2.pucsp.br/handle/handle/13083

This paper aims at researching the constitution of some visibility fields of the capoeira from Bahia, particularly the experiments of ancient masters in centers (in schools) of capoeira , in popular festivities, in the cinema and in art. It is intended to analyze cultural games, body and sociability present in capoeira , as well as its relations to the following historical passage, the vision of capoeira as being something minoritary, ritualistic, belonging to a certain social group for a visibility of capoeira as a characteristic expression form of tourism, sports, cinema and art; It has been also considered the devices created by the body and orality in the transmission of knowledge, as well as the necessity of the capoeira dancers to Express their art for public in general. We dared recreate concepts as cultural-partnership, body-capoeira, culture-capoeira, landscape-passage, art-capoeira and others. In order to do so, the historical between the decades of 1950 and 1990, period of great thrill in politics, culture and social relations as a whole, not only in national patterns, but also international. From the historical perspective, the importance of this historical period relies in the constant curiosity for the symbolic universe of capoeira , being much referenced due to its process of diffusion to Brazil and to the world. The hard task and effort of trying to work the sources in an interdisciplinary manner, the oral, image and written sources. Each gender of source as if it were a plateau which bonds in one to the other, reverberating among themselves, complementing themselves, but also, interposing and contradicting themselves. The many fields of visibility for capoeira allowed the passage of an art based in the ritualistic principles of traditions to new operating forms of living the capoeira . This situation created new lands of transit, of commuting and of undefined passages, of those who wanted to show their art-culture-capoeira to those who beyond admiring, started to, also, consume these new educational processes of working the body. Thus, the subjects with their respective cultures articulate themselves through several wishes, making new lands of cultural exchange, almost always, ambivalent, disciplinary, communitarian, familiar and, above all, trans-cultural