Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional
Ano de defesa: | 2014 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | , |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Santa Maria
|
Programa de Pós-Graduação: |
Programa de Pós-Graduação em Letras
|
Departamento: |
Letras
|
País: |
BR
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://repositorio.ufsm.br/handle/1/9903 |
Resumo: | This study is inserted in jurisdiction of literary studies of comparative literature and social criticism. Accordingly, in addition to find an explanation of aesthetic specificity, we believe in the significant importance of extra-aesthetic in construction of literary text as an object-sign carrying an axiological position and potentially ideological and therefore, the relation between literature and history. It is with this way of understanding that we approach our object of study, the work "O ovo apunhalado" by Caio Fernando Abreu, in context of Brazilian military dictatorship, greatly aiming to elucidate the reasons why certain stories were censored. In order to achieve our purpose, we appealed to theoretical concepts aligned with marxism and the ideas of Bakhtin Circle, as structural and superstructural relations, dialogism, ideological environment, reflection and refraction to a comprehension of context of production and the uniqueness of artistic construction. The understanding of censorship as an integral object-sign of ideological environment that surrounded the writer, we compared vetoed narratives to legislation about censorship, being possible for us to objectify possible reasons that led to prohibition without falling into subjectivism. Thereby, we perceived Caio Fernando Abreu work as a symbolic counterpoint to authoritarianism of military government, especially to express, articulating form and content, unwanted themes by government according to National Security rhetoric. The work is divided in three chapters: the first is devoted to a critical review of critical fortune about the author analyzed and to exposition of dialogism concept; the second one outlines theoretical and methodological bases and the third excels on the construction of plausible explanation for censorship in the book "O ovo apunhalado , making a possible reading of forbidden narratives and comparison with laws regarding censorship. |
id |
UFSM-20_11d40ff756f431999ed81b9aff09f08c |
---|---|
oai_identifier_str |
oai:repositorio.ufsm.br:1/9903 |
network_acronym_str |
UFSM-20 |
network_name_str |
Manancial - Repositório Digital da UFSM |
repository_id_str |
|
spelling |
2014-10-212014-10-212014-02-28Bonaldo, Deivis Jhones Garlet. Creation and repression: Caio Fernando Abreu and censorship in Brazil of national security. 2014. 106 f. Dissertação (Mestrado em Letras) - Universidade Federal de Santa Maria, Santa Maria, 2014.http://repositorio.ufsm.br/handle/1/9903This study is inserted in jurisdiction of literary studies of comparative literature and social criticism. Accordingly, in addition to find an explanation of aesthetic specificity, we believe in the significant importance of extra-aesthetic in construction of literary text as an object-sign carrying an axiological position and potentially ideological and therefore, the relation between literature and history. It is with this way of understanding that we approach our object of study, the work "O ovo apunhalado" by Caio Fernando Abreu, in context of Brazilian military dictatorship, greatly aiming to elucidate the reasons why certain stories were censored. In order to achieve our purpose, we appealed to theoretical concepts aligned with marxism and the ideas of Bakhtin Circle, as structural and superstructural relations, dialogism, ideological environment, reflection and refraction to a comprehension of context of production and the uniqueness of artistic construction. The understanding of censorship as an integral object-sign of ideological environment that surrounded the writer, we compared vetoed narratives to legislation about censorship, being possible for us to objectify possible reasons that led to prohibition without falling into subjectivism. Thereby, we perceived Caio Fernando Abreu work as a symbolic counterpoint to authoritarianism of military government, especially to express, articulating form and content, unwanted themes by government according to National Security rhetoric. The work is divided in three chapters: the first is devoted to a critical review of critical fortune about the author analyzed and to exposition of dialogism concept; the second one outlines theoretical and methodological bases and the third excels on the construction of plausible explanation for censorship in the book "O ovo apunhalado , making a possible reading of forbidden narratives and comparison with laws regarding censorship.Este trabalho inscreve-se na jurisdição dos estudos literários de comparatismo e crítica social. Nesse sentido, além de buscarmos uma explicação da especificidade estética, acreditamos na significativa importância do extraestético na construção do texto literário como um objeto-signo, portador de uma posição axiológica e potencialmente ideológica e, portanto, da relação entre literatura e história. É com esse modo de entendimento que abordamos nosso objeto de estudo, a obra O ovo apunhalado , de Caio Fernando Abreu, no contexto da Ditadura Militar brasileira, sobremodo com o objetivo de elucidar os motivos pelos quais determinadas narrativas foram censuradas. Para atingir nosso propósito, recorremos aos conceitos teóricos alinhados ao marxismo e ao pensamento do Circulo de Bakhtin, como as relações estruturais e superestruturais, dialogismo, meio ideológico, reflexo e refração para uma compreensão do contexto de produção e da singularidade da construção artística. Compreendendo a censura como um objeto-signo integrante do meio ideológico que circundava o escritor, comparamos as narrativas vetadas com a legislação acerca de censura, sendo-nos possível objetivar os motivos que levaram à proibição sem recairmos em subjetivismos. Com isso, percebemos a obra de Caio Fernando Abreu como um contraponto simbólico ao autoritarismo do governo militar, sobretudo ao expressar, articulando forma e conteúdo, temas indesejados pelo governo segundo a retórica da Segurança Nacional. O trabalho está dividido em três capítulos: o primeiro, dedicado a uma revisão da fortuna crítica sobre o autor analisado e à exposição do conceito de dialogismo; o segundo delimita as bases teóricas e metodológicas; e o terceiro esmera-se na construção de uma explicação plausível para a censura na obra O ovo apunhalado , efetuando uma leitura possível das narrativas proibidas e a comparação com as leis sobre censura.Coordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Federal de Santa MariaPrograma de Pós-Graduação em LetrasUFSMBRLetrasLiteraturaDialogismoDitadura militarCensuraLiteratureDialogismMilitary dictatorshipCensorshipCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASCriação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacionalCreation and repression: Caio Fernando Abreu and censorship in Brazil of national securityinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisUmbach, Rosani Úrsula Ketzerhttp://lattes.cnpq.br/5773862679226891Sanseverino, Antonio Marcos Vieirahttp://lattes.cnpq.br/7032901713208920Silva, Mara Lúcia Barbosa dahttp://lattes.cnpq.br/0997199072670543http://lattes.cnpq.br/1240250996930802Bonaldo, Deivis Jhones Garlet80020000000140050050030030042566dba-1ce8-4d82-8d99-256d7f637a59a23cb228-304c-4a7b-be39-995033fba64adab8da9e-7276-45e5-bb50-cc20586a6e534c2e1823-8b5b-4a0f-8183-43a0057220e8info:eu-repo/semantics/openAccessreponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALGARLET, DEIVIS JHONES.pdfapplication/pdf681039http://repositorio.ufsm.br/bitstream/1/9903/1/GARLET%2c%20DEIVIS%20JHONES.pdf3d60ff489182584bd72c2254b19ee5eeMD51TEXTGARLET, DEIVIS JHONES.pdf.txtGARLET, DEIVIS JHONES.pdf.txtExtracted texttext/plain286139http://repositorio.ufsm.br/bitstream/1/9903/2/GARLET%2c%20DEIVIS%20JHONES.pdf.txt423d989c8fb21f77e44acb061f7f5c4aMD52THUMBNAILGARLET, DEIVIS JHONES.pdf.jpgGARLET, DEIVIS JHONES.pdf.jpgIM Thumbnailimage/jpeg4489http://repositorio.ufsm.br/bitstream/1/9903/3/GARLET%2c%20DEIVIS%20JHONES.pdf.jpgee1397eb86637548195f89c77df4fd3dMD531/99032022-06-10 16:17:38.415oai:repositorio.ufsm.br:1/9903Repositório Institucionalhttp://repositorio.ufsm.br/PUBhttp://repositorio.ufsm.br/oai/requestopendoar:39132022-06-10T19:17:38Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)false |
dc.title.por.fl_str_mv |
Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional |
dc.title.alternative.eng.fl_str_mv |
Creation and repression: Caio Fernando Abreu and censorship in Brazil of national security |
title |
Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional |
spellingShingle |
Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional Bonaldo, Deivis Jhones Garlet Literatura Dialogismo Ditadura militar Censura Literature Dialogism Military dictatorship Censorship CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional |
title_full |
Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional |
title_fullStr |
Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional |
title_full_unstemmed |
Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional |
title_sort |
Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional |
author |
Bonaldo, Deivis Jhones Garlet |
author_facet |
Bonaldo, Deivis Jhones Garlet |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Umbach, Rosani Úrsula Ketzer |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/5773862679226891 |
dc.contributor.referee1.fl_str_mv |
Sanseverino, Antonio Marcos Vieira |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/7032901713208920 |
dc.contributor.referee2.fl_str_mv |
Silva, Mara Lúcia Barbosa da |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/0997199072670543 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1240250996930802 |
dc.contributor.author.fl_str_mv |
Bonaldo, Deivis Jhones Garlet |
contributor_str_mv |
Umbach, Rosani Úrsula Ketzer Sanseverino, Antonio Marcos Vieira Silva, Mara Lúcia Barbosa da |
dc.subject.por.fl_str_mv |
Literatura Dialogismo Ditadura militar Censura |
topic |
Literatura Dialogismo Ditadura militar Censura Literature Dialogism Military dictatorship Censorship CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
Literature Dialogism Military dictatorship Censorship |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
This study is inserted in jurisdiction of literary studies of comparative literature and social criticism. Accordingly, in addition to find an explanation of aesthetic specificity, we believe in the significant importance of extra-aesthetic in construction of literary text as an object-sign carrying an axiological position and potentially ideological and therefore, the relation between literature and history. It is with this way of understanding that we approach our object of study, the work "O ovo apunhalado" by Caio Fernando Abreu, in context of Brazilian military dictatorship, greatly aiming to elucidate the reasons why certain stories were censored. In order to achieve our purpose, we appealed to theoretical concepts aligned with marxism and the ideas of Bakhtin Circle, as structural and superstructural relations, dialogism, ideological environment, reflection and refraction to a comprehension of context of production and the uniqueness of artistic construction. The understanding of censorship as an integral object-sign of ideological environment that surrounded the writer, we compared vetoed narratives to legislation about censorship, being possible for us to objectify possible reasons that led to prohibition without falling into subjectivism. Thereby, we perceived Caio Fernando Abreu work as a symbolic counterpoint to authoritarianism of military government, especially to express, articulating form and content, unwanted themes by government according to National Security rhetoric. The work is divided in three chapters: the first is devoted to a critical review of critical fortune about the author analyzed and to exposition of dialogism concept; the second one outlines theoretical and methodological bases and the third excels on the construction of plausible explanation for censorship in the book "O ovo apunhalado , making a possible reading of forbidden narratives and comparison with laws regarding censorship. |
publishDate |
2014 |
dc.date.accessioned.fl_str_mv |
2014-10-21 |
dc.date.available.fl_str_mv |
2014-10-21 |
dc.date.issued.fl_str_mv |
2014-02-28 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Bonaldo, Deivis Jhones Garlet. Creation and repression: Caio Fernando Abreu and censorship in Brazil of national security. 2014. 106 f. Dissertação (Mestrado em Letras) - Universidade Federal de Santa Maria, Santa Maria, 2014. |
dc.identifier.uri.fl_str_mv |
http://repositorio.ufsm.br/handle/1/9903 |
identifier_str_mv |
Bonaldo, Deivis Jhones Garlet. Creation and repression: Caio Fernando Abreu and censorship in Brazil of national security. 2014. 106 f. Dissertação (Mestrado em Letras) - Universidade Federal de Santa Maria, Santa Maria, 2014. |
url |
http://repositorio.ufsm.br/handle/1/9903 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.cnpq.fl_str_mv |
800200000001 |
dc.relation.confidence.fl_str_mv |
400 500 500 300 300 |
dc.relation.authority.fl_str_mv |
42566dba-1ce8-4d82-8d99-256d7f637a59 a23cb228-304c-4a7b-be39-995033fba64a dab8da9e-7276-45e5-bb50-cc20586a6e53 4c2e1823-8b5b-4a0f-8183-43a0057220e8 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.publisher.program.fl_str_mv |
Programa de Pós-Graduação em Letras |
dc.publisher.initials.fl_str_mv |
UFSM |
dc.publisher.country.fl_str_mv |
BR |
dc.publisher.department.fl_str_mv |
Letras |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
reponame:Manancial - Repositório Digital da UFSM instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Manancial - Repositório Digital da UFSM |
collection |
Manancial - Repositório Digital da UFSM |
bitstream.url.fl_str_mv |
http://repositorio.ufsm.br/bitstream/1/9903/1/GARLET%2c%20DEIVIS%20JHONES.pdf http://repositorio.ufsm.br/bitstream/1/9903/2/GARLET%2c%20DEIVIS%20JHONES.pdf.txt http://repositorio.ufsm.br/bitstream/1/9903/3/GARLET%2c%20DEIVIS%20JHONES.pdf.jpg |
bitstream.checksum.fl_str_mv |
3d60ff489182584bd72c2254b19ee5ee 423d989c8fb21f77e44acb061f7f5c4a ee1397eb86637548195f89c77df4fd3d |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 |
repository.name.fl_str_mv |
Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
|
_version_ |
1794524379681390592 |