Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional

Detalhes bibliográficos
Ano de defesa: 2014
Autor(a) principal: Bonaldo, Deivis Jhones Garlet lattes
Orientador(a): Umbach, Rosani Úrsula Ketzer lattes
Banca de defesa: Sanseverino, Antonio Marcos Vieira lattes, Silva, Mara Lúcia Barbosa da lattes
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Santa Maria
Programa de Pós-Graduação: Programa de Pós-Graduação em Letras
Departamento: Letras
País: BR
Palavras-chave em Português:
Literatura
Dialogismo
Ditadura militar
Censura
Palavras-chave em Inglês:
Literature
Dialogism
Military dictatorship
Censorship
Área do conhecimento CNPq:
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
Link de acesso: http://repositorio.ufsm.br/handle/1/9903
Resumo: This study is inserted in jurisdiction of literary studies of comparative literature and social criticism. Accordingly, in addition to find an explanation of aesthetic specificity, we believe in the significant importance of extra-aesthetic in construction of literary text as an object-sign carrying an axiological position and potentially ideological and therefore, the relation between literature and history. It is with this way of understanding that we approach our object of study, the work "O ovo apunhalado" by Caio Fernando Abreu, in context of Brazilian military dictatorship, greatly aiming to elucidate the reasons why certain stories were censored. In order to achieve our purpose, we appealed to theoretical concepts aligned with marxism and the ideas of Bakhtin Circle, as structural and superstructural relations, dialogism, ideological environment, reflection and refraction to a comprehension of context of production and the uniqueness of artistic construction. The understanding of censorship as an integral object-sign of ideological environment that surrounded the writer, we compared vetoed narratives to legislation about censorship, being possible for us to objectify possible reasons that led to prohibition without falling into subjectivism. Thereby, we perceived Caio Fernando Abreu work as a symbolic counterpoint to authoritarianism of military government, especially to express, articulating form and content, unwanted themes by government according to National Security rhetoric. The work is divided in three chapters: the first is devoted to a critical review of critical fortune about the author analyzed and to exposition of dialogism concept; the second one outlines theoretical and methodological bases and the third excels on the construction of plausible explanation for censorship in the book "O ovo apunhalado , making a possible reading of forbidden narratives and comparison with laws regarding censorship.
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spelling 2014-10-212014-10-212014-02-28Bonaldo, Deivis Jhones Garlet. Creation and repression: Caio Fernando Abreu and censorship in Brazil of national security. 2014. 106 f. Dissertação (Mestrado em Letras) - Universidade Federal de Santa Maria, Santa Maria, 2014.http://repositorio.ufsm.br/handle/1/9903This study is inserted in jurisdiction of literary studies of comparative literature and social criticism. Accordingly, in addition to find an explanation of aesthetic specificity, we believe in the significant importance of extra-aesthetic in construction of literary text as an object-sign carrying an axiological position and potentially ideological and therefore, the relation between literature and history. It is with this way of understanding that we approach our object of study, the work "O ovo apunhalado" by Caio Fernando Abreu, in context of Brazilian military dictatorship, greatly aiming to elucidate the reasons why certain stories were censored. In order to achieve our purpose, we appealed to theoretical concepts aligned with marxism and the ideas of Bakhtin Circle, as structural and superstructural relations, dialogism, ideological environment, reflection and refraction to a comprehension of context of production and the uniqueness of artistic construction. The understanding of censorship as an integral object-sign of ideological environment that surrounded the writer, we compared vetoed narratives to legislation about censorship, being possible for us to objectify possible reasons that led to prohibition without falling into subjectivism. Thereby, we perceived Caio Fernando Abreu work as a symbolic counterpoint to authoritarianism of military government, especially to express, articulating form and content, unwanted themes by government according to National Security rhetoric. The work is divided in three chapters: the first is devoted to a critical review of critical fortune about the author analyzed and to exposition of dialogism concept; the second one outlines theoretical and methodological bases and the third excels on the construction of plausible explanation for censorship in the book "O ovo apunhalado , making a possible reading of forbidden narratives and comparison with laws regarding censorship.Este trabalho inscreve-se na jurisdição dos estudos literários de comparatismo e crítica social. Nesse sentido, além de buscarmos uma explicação da especificidade estética, acreditamos na significativa importância do extraestético na construção do texto literário como um objeto-signo, portador de uma posição axiológica e potencialmente ideológica e, portanto, da relação entre literatura e história. É com esse modo de entendimento que abordamos nosso objeto de estudo, a obra O ovo apunhalado , de Caio Fernando Abreu, no contexto da Ditadura Militar brasileira, sobremodo com o objetivo de elucidar os motivos pelos quais determinadas narrativas foram censuradas. Para atingir nosso propósito, recorremos aos conceitos teóricos alinhados ao marxismo e ao pensamento do Circulo de Bakhtin, como as relações estruturais e superestruturais, dialogismo, meio ideológico, reflexo e refração para uma compreensão do contexto de produção e da singularidade da construção artística. Compreendendo a censura como um objeto-signo integrante do meio ideológico que circundava o escritor, comparamos as narrativas vetadas com a legislação acerca de censura, sendo-nos possível objetivar os motivos que levaram à proibição sem recairmos em subjetivismos. Com isso, percebemos a obra de Caio Fernando Abreu como um contraponto simbólico ao autoritarismo do governo militar, sobretudo ao expressar, articulando forma e conteúdo, temas indesejados pelo governo segundo a retórica da Segurança Nacional. O trabalho está dividido em três capítulos: o primeiro, dedicado a uma revisão da fortuna crítica sobre o autor analisado e à exposição do conceito de dialogismo; o segundo delimita as bases teóricas e metodológicas; e o terceiro esmera-se na construção de uma explicação plausível para a censura na obra O ovo apunhalado , efetuando uma leitura possível das narrativas proibidas e a comparação com as leis sobre censura.Coordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Federal de Santa MariaPrograma de Pós-Graduação em LetrasUFSMBRLetrasLiteraturaDialogismoDitadura militarCensuraLiteratureDialogismMilitary dictatorshipCensorshipCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASCriação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacionalCreation and repression: Caio Fernando Abreu and censorship in Brazil of national securityinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisUmbach, Rosani Úrsula Ketzerhttp://lattes.cnpq.br/5773862679226891Sanseverino, Antonio Marcos Vieirahttp://lattes.cnpq.br/7032901713208920Silva, Mara Lúcia Barbosa dahttp://lattes.cnpq.br/0997199072670543http://lattes.cnpq.br/1240250996930802Bonaldo, Deivis Jhones Garlet80020000000140050050030030042566dba-1ce8-4d82-8d99-256d7f637a59a23cb228-304c-4a7b-be39-995033fba64adab8da9e-7276-45e5-bb50-cc20586a6e534c2e1823-8b5b-4a0f-8183-43a0057220e8info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALGARLET, DEIVIS JHONES.pdfapplication/pdf681039http://repositorio.ufsm.br/bitstream/1/9903/1/GARLET%2c%20DEIVIS%20JHONES.pdf3d60ff489182584bd72c2254b19ee5eeMD51TEXTGARLET, DEIVIS JHONES.pdf.txtGARLET, DEIVIS JHONES.pdf.txtExtracted texttext/plain286139http://repositorio.ufsm.br/bitstream/1/9903/2/GARLET%2c%20DEIVIS%20JHONES.pdf.txt423d989c8fb21f77e44acb061f7f5c4aMD52THUMBNAILGARLET, DEIVIS JHONES.pdf.jpgGARLET, DEIVIS JHONES.pdf.jpgIM Thumbnailimage/jpeg4489http://repositorio.ufsm.br/bitstream/1/9903/3/GARLET%2c%20DEIVIS%20JHONES.pdf.jpgee1397eb86637548195f89c77df4fd3dMD531/99032022-06-10 16:17:38.415oai:repositorio.ufsm.br:1/9903Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufsm.br/ONGhttps://repositorio.ufsm.br/oai/requestatendimento.sib@ufsm.br||tedebc@gmail.comopendoar:2022-06-10T19:17:38Biblioteca Digital de Teses e Dissertações do UFSM - Universidade Federal de Santa Maria (UFSM)false
dc.title.por.fl_str_mv Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional
dc.title.alternative.eng.fl_str_mv Creation and repression: Caio Fernando Abreu and censorship in Brazil of national security
title Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional
spellingShingle Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional
Bonaldo, Deivis Jhones Garlet
Literatura
Dialogismo
Ditadura militar
Censura
Literature
Dialogism
Military dictatorship
Censorship
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
title_short Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional
title_full Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional
title_fullStr Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional
title_full_unstemmed Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional
title_sort Criação e repressão: Caio Fernando Abreu e a censura no Brasil da segurança nacional
author Bonaldo, Deivis Jhones Garlet
author_facet Bonaldo, Deivis Jhones Garlet
author_role author
dc.contributor.advisor1.fl_str_mv Umbach, Rosani Úrsula Ketzer
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/5773862679226891
dc.contributor.referee1.fl_str_mv Sanseverino, Antonio Marcos Vieira
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/7032901713208920
dc.contributor.referee2.fl_str_mv Silva, Mara Lúcia Barbosa da
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/0997199072670543
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/1240250996930802
dc.contributor.author.fl_str_mv Bonaldo, Deivis Jhones Garlet
contributor_str_mv Umbach, Rosani Úrsula Ketzer
Sanseverino, Antonio Marcos Vieira
Silva, Mara Lúcia Barbosa da
dc.subject.por.fl_str_mv Literatura
Dialogismo
Ditadura militar
Censura
topic Literatura
Dialogismo
Ditadura militar
Censura
Literature
Dialogism
Military dictatorship
Censorship
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
dc.subject.eng.fl_str_mv Literature
Dialogism
Military dictatorship
Censorship
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
description This study is inserted in jurisdiction of literary studies of comparative literature and social criticism. Accordingly, in addition to find an explanation of aesthetic specificity, we believe in the significant importance of extra-aesthetic in construction of literary text as an object-sign carrying an axiological position and potentially ideological and therefore, the relation between literature and history. It is with this way of understanding that we approach our object of study, the work "O ovo apunhalado" by Caio Fernando Abreu, in context of Brazilian military dictatorship, greatly aiming to elucidate the reasons why certain stories were censored. In order to achieve our purpose, we appealed to theoretical concepts aligned with marxism and the ideas of Bakhtin Circle, as structural and superstructural relations, dialogism, ideological environment, reflection and refraction to a comprehension of context of production and the uniqueness of artistic construction. The understanding of censorship as an integral object-sign of ideological environment that surrounded the writer, we compared vetoed narratives to legislation about censorship, being possible for us to objectify possible reasons that led to prohibition without falling into subjectivism. Thereby, we perceived Caio Fernando Abreu work as a symbolic counterpoint to authoritarianism of military government, especially to express, articulating form and content, unwanted themes by government according to National Security rhetoric. The work is divided in three chapters: the first is devoted to a critical review of critical fortune about the author analyzed and to exposition of dialogism concept; the second one outlines theoretical and methodological bases and the third excels on the construction of plausible explanation for censorship in the book "O ovo apunhalado , making a possible reading of forbidden narratives and comparison with laws regarding censorship.
publishDate 2014
dc.date.accessioned.fl_str_mv 2014-10-21
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dc.identifier.uri.fl_str_mv http://repositorio.ufsm.br/handle/1/9903
identifier_str_mv Bonaldo, Deivis Jhones Garlet. Creation and repression: Caio Fernando Abreu and censorship in Brazil of national security. 2014. 106 f. Dissertação (Mestrado em Letras) - Universidade Federal de Santa Maria, Santa Maria, 2014.
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