David Lynch, os Puzzle films e o cinema limítrofe: uma análise do filme cidade dos sonhos
Ano de defesa: | 2017 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Anhembi Morumbi
|
Programa de Pós-Graduação: |
Programa de Pós-Graduação Mestrado em Comunicação
|
Departamento: |
Universidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto Sensu
|
País: |
Brasil
|
Palavras-chave em Português: | |
Área do conhecimento CNPq: | |
Resumo em Inglês: | This dissertation proposes an analysis of the film Mulholland Drive, 2001 by the North American director David Lynch, a work that presents a complex and non-linear narrative. Based on the concept of borderline cinema it is observed how Lynch constructs such narrative complexity, which is also close to surrealist cinema, because such a narrative structure resembles a certain dream logic. The concept of borderline cinema, according to Rogério Ferraraz (2003), is found in the borders of illusionism and anti-illusionism, of the film of gender and the experimental film. In order to understand this borderline cinema, a study of the theories of film narrative was placed, ranging from classical narration to avant-garde proposals. In this context, we used David Bordwell's (1996) studies on film narrative that are associated with the cognitive analytic tradition of contemporary film studies. The presence of the complex narrative, among other characteristics discussed in this research, allows Mulholland Drive to be classified as a puzzle movie, according to studies by Warren Buckland (2009). However, if the film analysis of Mulholland Drive allowed, on one hand, a survey of the characteristics that corroborate both the concept of borderline cinema and the puzzle film, establishing a dialogue between these two themes, on the other hand, it was possible to perceive that Lynch's work differs from other puzzle films raised by Buckland. |
Link de acesso: | http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1742 |
Resumo: | This dissertation proposes an analysis of the film Mulholland Drive, 2001 by the North American director David Lynch, a work that presents a complex and non-linear narrative. Based on the concept of borderline cinema it is observed how Lynch constructs such narrative complexity, which is also close to surrealist cinema, because such a narrative structure resembles a certain dream logic. The concept of borderline cinema, according to Rogério Ferraraz (2003), is found in the borders of illusionism and anti-illusionism, of the film of gender and the experimental film. In order to understand this borderline cinema, a study of the theories of film narrative was placed, ranging from classical narration to avant-garde proposals. In this context, we used David Bordwell's (1996) studies on film narrative that are associated with the cognitive analytic tradition of contemporary film studies. The presence of the complex narrative, among other characteristics discussed in this research, allows Mulholland Drive to be classified as a puzzle movie, according to studies by Warren Buckland (2009). However, if the film analysis of Mulholland Drive allowed, on one hand, a survey of the characteristics that corroborate both the concept of borderline cinema and the puzzle film, establishing a dialogue between these two themes, on the other hand, it was possible to perceive that Lynch's work differs from other puzzle films raised by Buckland. |
id |
ANHE_4a25a5d81ec39ec76df70378e59bcfe4 |
---|---|
oai_identifier_str |
oai:sitios.anhembi.br:TEDE/1742 |
network_acronym_str |
ANHE |
network_name_str |
Biblioteca Digital de Teses e Dissertações do ANHEMBI |
spelling |
Ferraraz, Rogériohttp://lattes.cnpq.br/7227946196791923http://lattes.cnpq.br/6413195618340913SOSA MÉROLA, Alicia Margarita2019-05-01T15:07:17Z2017-10-31SOSA MÉROLA, Alicia Margarita. David Lynch, os Puzzle films e o cinema limítrofe: uma análise do filme cidade dos sonhos. 2017. 96 f. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo.http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1742This dissertation proposes an analysis of the film Mulholland Drive, 2001 by the North American director David Lynch, a work that presents a complex and non-linear narrative. Based on the concept of borderline cinema it is observed how Lynch constructs such narrative complexity, which is also close to surrealist cinema, because such a narrative structure resembles a certain dream logic. The concept of borderline cinema, according to Rogério Ferraraz (2003), is found in the borders of illusionism and anti-illusionism, of the film of gender and the experimental film. In order to understand this borderline cinema, a study of the theories of film narrative was placed, ranging from classical narration to avant-garde proposals. In this context, we used David Bordwell's (1996) studies on film narrative that are associated with the cognitive analytic tradition of contemporary film studies. The presence of the complex narrative, among other characteristics discussed in this research, allows Mulholland Drive to be classified as a puzzle movie, according to studies by Warren Buckland (2009). However, if the film analysis of Mulholland Drive allowed, on one hand, a survey of the characteristics that corroborate both the concept of borderline cinema and the puzzle film, establishing a dialogue between these two themes, on the other hand, it was possible to perceive that Lynch's work differs from other puzzle films raised by Buckland.Esta dissertação propõe uma análise do filme Cidade dos sonhos (Mulholland Dr., 2001) do diretor norte-americano David Lynch, obra que apresenta uma narrativa complexa e não-linear. A partir do conceito de cinema limítrofe, que, de acordo com Rogério Ferraraz (2003), encontra-se nas fronteiras do ilusionismo e do antiilusionismo, do filme de gênero e do filme experimental, observa-se como Lynch constrói tal complexidade narrativa, que se aproxima também do cinema surrealista, pois tal estrutura narrativa se assemelha a certa lógica onírica. Para compreensão desse cinema limítrofe, foi necessário um estudo sobre as teorias da narrativa fílmica, abordando desde a narração clássica até as propostas de vanguarda. Nesse contexto, recorreu-se aos estudos de David Bordwell (1996) sobre narrativa fílmica que estão associados à corrente analítica cognitiva dos estudos de cinema contemporâneo. A presença da narrativa complexa, entre outras características abordadas nesta pesquisa, permite que Cidade dos sonhos seja classificado também como um filme puzzle, de acordo com os estudos de Warren Buckland (2009). Porém, se a análise fílmica de Cidade dos sonhos permitiu, por um lado, fazer um levantamento das características que corroboram tanto o conceito de cinema limítrofe como do filme puzzle, estabelecendo um diálogo entre esses dois temas, por outro, foi possível perceber que o trabalho de Lynch se diferencia de outros puzzle films levantados por Buckland.Submitted by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-04-01T19:37:47Z No. of bitstreams: 1 Alicia Margarita Sosa Mérola.pdf: 1977239 bytes, checksum: 5cc83edc587028cf1cbb602866d3bf55 (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-04-03T18:38:34Z (GMT) No. of bitstreams: 1 Alicia Margarita Sosa Mérola.pdf: 1977239 bytes, checksum: 5cc83edc587028cf1cbb602866d3bf55 (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-04-03T18:40:21Z (GMT) No. of bitstreams: 1 Alicia Margarita Sosa Mérola.pdf: 1977239 bytes, checksum: 5cc83edc587028cf1cbb602866d3bf55 (MD5)Made available in DSpace on 2019-05-01T15:07:17Z (GMT). No. of bitstreams: 1 Alicia Margarita Sosa Mérola.pdf: 1977239 bytes, checksum: 5cc83edc587028cf1cbb602866d3bf55 (MD5) Previous issue date: 2017-10-31Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Anhembi MorumbiPrograma de Pós-Graduação Mestrado em ComunicaçãoUAMBrasilUniversidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto SensuComunicação; Análise fílmica; Cinema limítrofe; Narrativa fílmicaCIENCIAS HUMANASDavid Lynch, os Puzzle films e o cinema limítrofe: uma análise do filme cidade dos sonhosinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-7079206729423400013600600600600393015886071273952456530181105569640512075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do ANHEMBIinstname:Universidade Anhembi Morumbiinstacron:ANHEMBIORIGINALAlicia Margarita Sosa Mérola.pdfAlicia Margarita Sosa Mérola.pdfapplication/pdf1977239http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1742/2/Alicia+Margarita+Sosa+M%C3%A9rola.pdf5cc83edc587028cf1cbb602866d3bf55MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1742/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51TEDE/1742oai:sitios.anhembi.br:TEDE/17422019-05-01 12:07:18.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http://sitios.anhembi.br/oai/requestopendoar:null2020-06-06 09:54:15.066Biblioteca Digital de Teses e Dissertações do ANHEMBI - Universidade Anhembi Morumbifalse |
dc.title.por.fl_str_mv |
David Lynch, os Puzzle films e o cinema limítrofe: uma análise do filme cidade dos sonhos |
title |
David Lynch, os Puzzle films e o cinema limítrofe: uma análise do filme cidade dos sonhos |
spellingShingle |
David Lynch, os Puzzle films e o cinema limítrofe: uma análise do filme cidade dos sonhos SOSA MÉROLA, Alicia Margarita Comunicação; Análise fílmica; Cinema limítrofe; Narrativa fílmica CIENCIAS HUMANAS |
title_short |
David Lynch, os Puzzle films e o cinema limítrofe: uma análise do filme cidade dos sonhos |
title_full |
David Lynch, os Puzzle films e o cinema limítrofe: uma análise do filme cidade dos sonhos |
title_fullStr |
David Lynch, os Puzzle films e o cinema limítrofe: uma análise do filme cidade dos sonhos |
title_full_unstemmed |
David Lynch, os Puzzle films e o cinema limítrofe: uma análise do filme cidade dos sonhos |
title_sort |
David Lynch, os Puzzle films e o cinema limítrofe: uma análise do filme cidade dos sonhos |
author |
SOSA MÉROLA, Alicia Margarita |
author_facet |
SOSA MÉROLA, Alicia Margarita |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Ferraraz, Rogério |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/7227946196791923 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/6413195618340913 |
dc.contributor.author.fl_str_mv |
SOSA MÉROLA, Alicia Margarita |
contributor_str_mv |
Ferraraz, Rogério |
dc.subject.por.fl_str_mv |
Comunicação; Análise fílmica; Cinema limítrofe; Narrativa fílmica |
topic |
Comunicação; Análise fílmica; Cinema limítrofe; Narrativa fílmica CIENCIAS HUMANAS |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS |
dc.description.sponsorship.fl_txt_mv |
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES |
dc.description.abstract.eng.fl_txt_mv |
This dissertation proposes an analysis of the film Mulholland Drive, 2001 by the North American director David Lynch, a work that presents a complex and non-linear narrative. Based on the concept of borderline cinema it is observed how Lynch constructs such narrative complexity, which is also close to surrealist cinema, because such a narrative structure resembles a certain dream logic. The concept of borderline cinema, according to Rogério Ferraraz (2003), is found in the borders of illusionism and anti-illusionism, of the film of gender and the experimental film. In order to understand this borderline cinema, a study of the theories of film narrative was placed, ranging from classical narration to avant-garde proposals. In this context, we used David Bordwell's (1996) studies on film narrative that are associated with the cognitive analytic tradition of contemporary film studies. The presence of the complex narrative, among other characteristics discussed in this research, allows Mulholland Drive to be classified as a puzzle movie, according to studies by Warren Buckland (2009). However, if the film analysis of Mulholland Drive allowed, on one hand, a survey of the characteristics that corroborate both the concept of borderline cinema and the puzzle film, establishing a dialogue between these two themes, on the other hand, it was possible to perceive that Lynch's work differs from other puzzle films raised by Buckland. |
dc.description.abstract.por.fl_txt_mv |
Esta dissertação propõe uma análise do filme Cidade dos sonhos (Mulholland Dr., 2001) do diretor norte-americano David Lynch, obra que apresenta uma narrativa complexa e não-linear. A partir do conceito de cinema limítrofe, que, de acordo com Rogério Ferraraz (2003), encontra-se nas fronteiras do ilusionismo e do antiilusionismo, do filme de gênero e do filme experimental, observa-se como Lynch constrói tal complexidade narrativa, que se aproxima também do cinema surrealista, pois tal estrutura narrativa se assemelha a certa lógica onírica. Para compreensão desse cinema limítrofe, foi necessário um estudo sobre as teorias da narrativa fílmica, abordando desde a narração clássica até as propostas de vanguarda. Nesse contexto, recorreu-se aos estudos de David Bordwell (1996) sobre narrativa fílmica que estão associados à corrente analítica cognitiva dos estudos de cinema contemporâneo. A presença da narrativa complexa, entre outras características abordadas nesta pesquisa, permite que Cidade dos sonhos seja classificado também como um filme puzzle, de acordo com os estudos de Warren Buckland (2009). Porém, se a análise fílmica de Cidade dos sonhos permitiu, por um lado, fazer um levantamento das características que corroboram tanto o conceito de cinema limítrofe como do filme puzzle, estabelecendo um diálogo entre esses dois temas, por outro, foi possível perceber que o trabalho de Lynch se diferencia de outros puzzle films levantados por Buckland. |
description |
This dissertation proposes an analysis of the film Mulholland Drive, 2001 by the North American director David Lynch, a work that presents a complex and non-linear narrative. Based on the concept of borderline cinema it is observed how Lynch constructs such narrative complexity, which is also close to surrealist cinema, because such a narrative structure resembles a certain dream logic. The concept of borderline cinema, according to Rogério Ferraraz (2003), is found in the borders of illusionism and anti-illusionism, of the film of gender and the experimental film. In order to understand this borderline cinema, a study of the theories of film narrative was placed, ranging from classical narration to avant-garde proposals. In this context, we used David Bordwell's (1996) studies on film narrative that are associated with the cognitive analytic tradition of contemporary film studies. The presence of the complex narrative, among other characteristics discussed in this research, allows Mulholland Drive to be classified as a puzzle movie, according to studies by Warren Buckland (2009). However, if the film analysis of Mulholland Drive allowed, on one hand, a survey of the characteristics that corroborate both the concept of borderline cinema and the puzzle film, establishing a dialogue between these two themes, on the other hand, it was possible to perceive that Lynch's work differs from other puzzle films raised by Buckland. |
publishDate |
2017 |
dc.date.issued.fl_str_mv |
2017-10-31 |
dc.date.accessioned.fl_str_mv |
2019-05-01T15:07:17Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
status_str |
publishedVersion |
format |
masterThesis |
dc.identifier.citation.fl_str_mv |
SOSA MÉROLA, Alicia Margarita. David Lynch, os Puzzle films e o cinema limítrofe: uma análise do filme cidade dos sonhos. 2017. 96 f. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo. |
dc.identifier.uri.fl_str_mv |
http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1742 |
identifier_str_mv |
SOSA MÉROLA, Alicia Margarita. David Lynch, os Puzzle films e o cinema limítrofe: uma análise do filme cidade dos sonhos. 2017. 96 f. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo. |
url |
http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1742 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
-7079206729423400013 |
dc.relation.confidence.fl_str_mv |
600 600 600 600 |
dc.relation.department.fl_str_mv |
3930158860712739524 |
dc.relation.cnpq.fl_str_mv |
5653018110556964051 |
dc.relation.sponsorship.fl_str_mv |
2075167498588264571 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhembi Morumbi |
dc.publisher.program.fl_str_mv |
Programa de Pós-Graduação Mestrado em Comunicação |
dc.publisher.initials.fl_str_mv |
UAM |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Universidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto Sensu |
publisher.none.fl_str_mv |
Universidade Anhembi Morumbi |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações do ANHEMBI instname:Universidade Anhembi Morumbi instacron:ANHEMBI |
reponame_str |
Biblioteca Digital de Teses e Dissertações do ANHEMBI |
collection |
Biblioteca Digital de Teses e Dissertações do ANHEMBI |
instname_str |
Universidade Anhembi Morumbi |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
bitstream.url.fl_str_mv |
http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1742/2/Alicia+Margarita+Sosa+M%C3%A9rola.pdf http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1742/1/license.txt |
bitstream.checksum.fl_str_mv |
5cc83edc587028cf1cbb602866d3bf55 bd3efa91386c1718a7f26a329fdcb468 |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações do ANHEMBI - Universidade Anhembi Morumbi |
repository.mail.fl_str_mv |
|
_version_ |
1668814646030630912 |