Os espaços de confinamento Persa

• Ano de defesa: 2017
• Autor(a) principal: TAVARES, Jansen Hinkel M.
• Orientador(a): Monteiro, Maurício Mário
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Anhembi Morumbi
• Programa de Pós-Graduação: Programa de Pós-Graduação Mestrado em Comunicação
• Departamento: Universidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto Sensu
• País: Brasil
• Palavras-chave em Português: Comunicação; Cinema iraniano; Análise fílmica
• Palavras-chave em Inglês: Communication; Iranian cinema; Film analysis
• Área do conhecimento CNPq: CIENCIAS HUMANAS
• Resumo em Inglês: A study of films of Persian origin, which considers reduced film spaces as a possible clipping to address issues of arrest and control in their multiple appearances. Based on some audiovisual works by the Iranian filmmakers Jafar Panahi, Abbas Kiarostami and Samira Makhmalbaf, we seek to contextualize a spatial subtraction and its representation that reveal, respectively, political prison, social prison and private jail. It is, therefore, a social study of spaces, both their representation in the aesthetic field (the cinema, in the case), and the historical and cultural processes occurring in such spaces. By establishing the theoretical discussion between the cinema and the history of Iran, and perceiving the restrictions that an artistic production suffers within a theocratic regime; the text evidences, through the chosen films, the presence of the prison and the control in the esthetic proposal of such films, concerned with the interpretation of its society. That is, the variety of works analyzed gives analogical unity to research: the subtraction of space and the events given from the confinement. In addition, the philosophical interest in such works allows the understanding of social spaces from the point of view of cinema, which is, therefore, the main objective of this text.
• Link de acesso: http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1726

A study of films of Persian origin, which considers reduced film spaces as a possible clipping to address issues of arrest and control in their multiple appearances. Based on some audiovisual works by the Iranian filmmakers Jafar Panahi, Abbas Kiarostami and Samira Makhmalbaf, we seek to contextualize a spatial subtraction and its representation that reveal, respectively, political prison, social prison and private jail. It is, therefore, a social study of spaces, both their representation in the aesthetic field (the cinema, in the case), and the historical and cultural processes occurring in such spaces. By establishing the theoretical discussion between the cinema and the history of Iran, and perceiving the restrictions that an artistic production suffers within a theocratic regime; the text evidences, through the chosen films, the presence of the prison and the control in the esthetic proposal of such films, concerned with the interpretation of its society. That is, the variety of works analyzed gives analogical unity to research: the subtraction of space and the events given from the confinement. In addition, the philosophical interest in such works allows the understanding of social spaces from the point of view of cinema, which is, therefore, the main objective of this text.