As organizações sociais e as ações governamentais em cultura: ação e política pública no caso do estado de São Paulo

Detalhes bibliográficos
Ano de defesa: 2014
Autor(a) principal: Bittencourt, Lúcio Nagib
Orientador(a): Spink, Peter
Banca de defesa: Não Informado pela instituição
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Não Informado pela instituição
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Palavras-chave em Inglês:
Link de acesso: http://hdl.handle.net/10438/11665
Resumo: The present thesis addresses the operationalization of cultural public policies, focusing on the São Paulo State Government experience with the so-called Social Organizations arrangement. Literature reviews were developed regarding how the Brazilian federal government has acted on this issue so far, about Brazilian studies of cultural policies in a comparative perspective, as well as in relation to the referred specific arrangement now in place for 10 years in the State of São Paulo. Based on those reviews, it is hereby espoused that policies in question are complex and have at least three specificities, i.e., they are metapolicies, since not only their results, but also their processes, are perceived as a cultural project; they connect loose and minimal agreements regarding the role that governments should play in this field, resulting in vagueness about their goals; nonetheless, it is acknowledged the insufficient data available on the actual daily performance of this specific arrangement. In that sense, 31 semi-structured interviews were conducted in the State Department of Culture, with Social Organization managers and technicians, as well as personnel acting on the cultural arena although not directly involved in the arrangement. Great multiplicity was indeed identified: governmental and non-governmental organizations work together; different organizational structures, personal experiences, descriptions about process sequences, actions performed, questions asked, and expectations about the policy they were supposed to operate through this arrangement. Therefore, it is hereby suggested that the notion of public action in hybrid arenas is of utmost relevance for recognition and handling of the complexities involved in public policies operationalization, as in the case of the referred arrangement of Social Organizations regarding the topic of culture. Through this concept, the recognition and connection between different people, ideas and structures involved in its daily functioning becomes possible, as well as in relation to other languages of public actions involved - being the public policies one of them - and the uncertainties which compose the sociotechnical controversies experienced in the arena, becoming hybrid. In this context, dialogue amplification emerges as an alternative for the construction and learning of new routes regarding the practice of cultural governmental actions.
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spelling Bittencourt, Lúcio NagibEscolas::EAESPAbrucio, Fernando LuizAlves, Mário AquinoDurand, José Carlos GarciaGrossmann, MartinSpink, Peter2014-04-25T13:59:17Z2014-04-25T13:59:17Z2014-03-26BITTENCOURT, Lúcio Nagib. As organizações sociais e as ações governamentais em cultura: ação e política pública no caso do estado de São Paulo. Tese (Doutorado em Administração Pública e Governo) - FGV - Fundação Getúlio Vargas, São Paulo, 2014.http://hdl.handle.net/10438/11665The present thesis addresses the operationalization of cultural public policies, focusing on the São Paulo State Government experience with the so-called Social Organizations arrangement. Literature reviews were developed regarding how the Brazilian federal government has acted on this issue so far, about Brazilian studies of cultural policies in a comparative perspective, as well as in relation to the referred specific arrangement now in place for 10 years in the State of São Paulo. Based on those reviews, it is hereby espoused that policies in question are complex and have at least three specificities, i.e., they are metapolicies, since not only their results, but also their processes, are perceived as a cultural project; they connect loose and minimal agreements regarding the role that governments should play in this field, resulting in vagueness about their goals; nonetheless, it is acknowledged the insufficient data available on the actual daily performance of this specific arrangement. In that sense, 31 semi-structured interviews were conducted in the State Department of Culture, with Social Organization managers and technicians, as well as personnel acting on the cultural arena although not directly involved in the arrangement. Great multiplicity was indeed identified: governmental and non-governmental organizations work together; different organizational structures, personal experiences, descriptions about process sequences, actions performed, questions asked, and expectations about the policy they were supposed to operate through this arrangement. Therefore, it is hereby suggested that the notion of public action in hybrid arenas is of utmost relevance for recognition and handling of the complexities involved in public policies operationalization, as in the case of the referred arrangement of Social Organizations regarding the topic of culture. Through this concept, the recognition and connection between different people, ideas and structures involved in its daily functioning becomes possible, as well as in relation to other languages of public actions involved - being the public policies one of them - and the uncertainties which compose the sociotechnical controversies experienced in the arena, becoming hybrid. In this context, dialogue amplification emerges as an alternative for the construction and learning of new routes regarding the practice of cultural governmental actions.Esta tese procura compreender como funciona um dos arranjos possíveis para a operacionalização de políticas públicas voltadas para o tema da cultura, o das Organizações Sociais; especificamente, estuda a experiência do Governo do Estado de São Paulo. A partir de revisão da literatura sobre a atuação do governo federal em cultura, das pesquisas produzidas no Brasil em perspectiva comparada com as experiências de outros países neste tema e daquelas voltadas particularmente para a discussão deste arranjo em São Paulo, propõe-se que as políticas públicas para este tema envolvem grande complexidade e ao menos três especificidades. Elas podem ser consideradas, em primeiro lugar, metapolíticas públicas, porque seus próprios processos, e não apenas seus efeitos, são considerados produção cultural; além disso, elas articulam consensos mínimos e soltos quanto ao papel que os governos devem cumprir neste tema, resultando em imprecisão quanto aos seus objetivos, ao mesmo tempo em que há pouco conhecimento disponível sobre o funcionamento e a construção cotidiana deste arranjo em particular. O estudo do caso paulista foi então realizado por meio de 31 entrevistas semiestruturadas realizadas com gestores e técnicos da Secretaria de Estado da Cultura, das Organizações Sociais e com atuantes na Arena da Cultura. Grande multiplicidade foi encontrada: de atores presentes, governamentais e não governamentais; de estruturas envolvidas; de trajetórias pessoais; de descrição de seus fluxos e processos; das ações promovidas; de controvérsias; e das expectativas sobre políticas públicas culturais operacionalizadas. Diante destas características, esta tese sustenta que a noção de ação pública em arenas híbridas oferece grande contribuição para compreender e explicar a operacionalização de políticas públicas em contextos de alta complexidade, como no caso deste arranjo das Organizações Sociais para o tema da cultura. Através dela, torna-se possível reconhecer e conectar as diferentes pessoas, ideias e estruturas envolvidas no cotidiano de seu funcionamento, assim como as várias linguagens de ação pública presentes – sendo a das políticas públicas uma delas – e as incertezas que permeiam as controvérsias sociotécnicas presentes na arena, tornando-a híbrida. Neste contexto, a ampliação do diálogo aparece como alternativa para a construção e aprendizagem de novos caminhos para a prática das ações governamentais em cultura.porCulturePublic policyPublic actionHybrid arenasSocial organizationCulturaPolíticas públicasAção públicaArenas híbridasOrganizações sociaisAdministração públicaPolíticas públicas - São Paulo (Estado)CulturaPolítica culturalAção socialAs organizações sociais e as ações governamentais em cultura: ação e política pública no caso do estado de São Pauloinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisreponame:Repositório Institucional do FGV (FGV Repositório Digital)instname:Fundação Getulio Vargas (FGV)instacron:FGVinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-84707http://bibliotecadigital.fgv.br:80/dspace/bitstream/10438/11665/2/license.txtdfb340242cced38a6cca06c627998fa1MD52TEXTtese - as organizacoes sociais e as acoes governamentais em cultura - lucio 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ório InstitucionalPRI
dc.title.por.fl_str_mv As organizações sociais e as ações governamentais em cultura: ação e política pública no caso do estado de São Paulo
title As organizações sociais e as ações governamentais em cultura: ação e política pública no caso do estado de São Paulo
spellingShingle As organizações sociais e as ações governamentais em cultura: ação e política pública no caso do estado de São Paulo
Bittencourt, Lúcio Nagib
Culture
Public policy
Public action
Hybrid arenas
Social organization
Cultura
Políticas públicas
Ação pública
Arenas híbridas
Organizações sociais
Administração pública
Políticas públicas - São Paulo (Estado)
Cultura
Política cultural
Ação social
title_short As organizações sociais e as ações governamentais em cultura: ação e política pública no caso do estado de São Paulo
title_full As organizações sociais e as ações governamentais em cultura: ação e política pública no caso do estado de São Paulo
title_fullStr As organizações sociais e as ações governamentais em cultura: ação e política pública no caso do estado de São Paulo
title_full_unstemmed As organizações sociais e as ações governamentais em cultura: ação e política pública no caso do estado de São Paulo
title_sort As organizações sociais e as ações governamentais em cultura: ação e política pública no caso do estado de São Paulo
author Bittencourt, Lúcio Nagib
author_facet Bittencourt, Lúcio Nagib
author_role author
dc.contributor.unidadefgv.por.fl_str_mv Escolas::EAESP
dc.contributor.member.none.fl_str_mv Abrucio, Fernando Luiz
Alves, Mário Aquino
Durand, José Carlos Garcia
Grossmann, Martin
dc.contributor.author.fl_str_mv Bittencourt, Lúcio Nagib
dc.contributor.advisor1.fl_str_mv Spink, Peter
contributor_str_mv Spink, Peter
dc.subject.eng.fl_str_mv Culture
Public policy
Public action
Hybrid arenas
Social organization
topic Culture
Public policy
Public action
Hybrid arenas
Social organization
Cultura
Políticas públicas
Ação pública
Arenas híbridas
Organizações sociais
Administração pública
Políticas públicas - São Paulo (Estado)
Cultura
Política cultural
Ação social
dc.subject.por.fl_str_mv Cultura
Políticas públicas
Ação pública
Arenas híbridas
Organizações sociais
dc.subject.area.por.fl_str_mv Administração pública
dc.subject.bibliodata.por.fl_str_mv Políticas públicas - São Paulo (Estado)
Cultura
Política cultural
Ação social
description The present thesis addresses the operationalization of cultural public policies, focusing on the São Paulo State Government experience with the so-called Social Organizations arrangement. Literature reviews were developed regarding how the Brazilian federal government has acted on this issue so far, about Brazilian studies of cultural policies in a comparative perspective, as well as in relation to the referred specific arrangement now in place for 10 years in the State of São Paulo. Based on those reviews, it is hereby espoused that policies in question are complex and have at least three specificities, i.e., they are metapolicies, since not only their results, but also their processes, are perceived as a cultural project; they connect loose and minimal agreements regarding the role that governments should play in this field, resulting in vagueness about their goals; nonetheless, it is acknowledged the insufficient data available on the actual daily performance of this specific arrangement. In that sense, 31 semi-structured interviews were conducted in the State Department of Culture, with Social Organization managers and technicians, as well as personnel acting on the cultural arena although not directly involved in the arrangement. Great multiplicity was indeed identified: governmental and non-governmental organizations work together; different organizational structures, personal experiences, descriptions about process sequences, actions performed, questions asked, and expectations about the policy they were supposed to operate through this arrangement. Therefore, it is hereby suggested that the notion of public action in hybrid arenas is of utmost relevance for recognition and handling of the complexities involved in public policies operationalization, as in the case of the referred arrangement of Social Organizations regarding the topic of culture. Through this concept, the recognition and connection between different people, ideas and structures involved in its daily functioning becomes possible, as well as in relation to other languages of public actions involved - being the public policies one of them - and the uncertainties which compose the sociotechnical controversies experienced in the arena, becoming hybrid. In this context, dialogue amplification emerges as an alternative for the construction and learning of new routes regarding the practice of cultural governmental actions.
publishDate 2014
dc.date.accessioned.fl_str_mv 2014-04-25T13:59:17Z
dc.date.available.fl_str_mv 2014-04-25T13:59:17Z
dc.date.issued.fl_str_mv 2014-03-26
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dc.identifier.citation.fl_str_mv BITTENCOURT, Lúcio Nagib. As organizações sociais e as ações governamentais em cultura: ação e política pública no caso do estado de São Paulo. Tese (Doutorado em Administração Pública e Governo) - FGV - Fundação Getúlio Vargas, São Paulo, 2014.
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10438/11665
identifier_str_mv BITTENCOURT, Lúcio Nagib. As organizações sociais e as ações governamentais em cultura: ação e política pública no caso do estado de São Paulo. Tese (Doutorado em Administração Pública e Governo) - FGV - Fundação Getúlio Vargas, São Paulo, 2014.
url http://hdl.handle.net/10438/11665
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