Meu bloco na rua: Barbas, Simpatia e Suvaco na retomada do Carnaval de Rua da Zona Sul do Rio de Janeiro
Ano de defesa: | 2017 |
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Autor(a) principal: | |
Orientador(a): | , |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Não Informado pela instituição
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Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
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País: |
Não Informado pela instituição
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Link de acesso: | http://hdl.handle.net/10438/18881 |
Resumo: | In the late 70s and early 80s, social movements expanded throughout Brazil. At the same time in the South Zone of Rio de Janeiro, a phenomenon that I call ‘Resumption of street Carioca Carnival’ takes place. New moods lead to the free expression and citizenship, by means of reoccupation of the streets by civil society. 'Simpatia é Quase Amor' (Sympathy is almost love), Barbas (Beards), and 'Suvaco do Cristo' (Christ’s Armpit) are the first street Carnival groups created in this context of re-democratization of Brazil, after twenty years of a military dictatorship implanted in 1964. Those three Carnival groups, with similar characteristics, and others groups that arise following the same scenario lead to the definition of a continuum and growing social movement during the studied period. At the same time, there is also an effort aiming to the improvement of Samba, a musical rhythm neglected by media and records, and that will be revitalized by the same agents, who organizes samba rounds in bars at South and Central Areas. The first Resumption street Carnival groups arise from this convergent activists, musicians, intellectuals, and artists. The aim of this work is to improve the knowledge about this social movement called ‘Resumption of street Carnival’ as part of the history of the Rio de Janeiro. |
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Fernandes, Maria Rita Dias de AlmeidaEscolas::CPDOCCavalcanti, MarianaOliveira, Lúcia LippiPandolfi, Dulce ChavesSantos, Ynaê Lopes dos2017-09-29T19:09:07Z2017-09-29T19:09:07Z2017-07-07http://hdl.handle.net/10438/18881In the late 70s and early 80s, social movements expanded throughout Brazil. At the same time in the South Zone of Rio de Janeiro, a phenomenon that I call ‘Resumption of street Carioca Carnival’ takes place. New moods lead to the free expression and citizenship, by means of reoccupation of the streets by civil society. 'Simpatia é Quase Amor' (Sympathy is almost love), Barbas (Beards), and 'Suvaco do Cristo' (Christ’s Armpit) are the first street Carnival groups created in this context of re-democratization of Brazil, after twenty years of a military dictatorship implanted in 1964. Those three Carnival groups, with similar characteristics, and others groups that arise following the same scenario lead to the definition of a continuum and growing social movement during the studied period. At the same time, there is also an effort aiming to the improvement of Samba, a musical rhythm neglected by media and records, and that will be revitalized by the same agents, who organizes samba rounds in bars at South and Central Areas. The first Resumption street Carnival groups arise from this convergent activists, musicians, intellectuals, and artists. The aim of this work is to improve the knowledge about this social movement called ‘Resumption of street Carnival’ as part of the history of the Rio de Janeiro.No final dos anos 1970 e início dos 1980, movimentos sociais explodem em todo o Brasil. Na Zona Sul do Rio de Janeiro, no mesmo período, ocorre um fenômeno que chamo de retomada do Carnaval carioca. Novos ânimos apontam para a manifestação da livre expressão e da cidadania, com a reocupação das ruas pela sociedade civil. Simpatia é Quase Amor, Barbas e Suvaco do Cristo são os primeiros blocos criados nesse contexto da redemocratização do país, depois de vinte anos da ditadura militar implantada em 1964. Com características similares e temporais, esses três blocos de carnaval, somados depois a outros que surgem a partir da mesma rede de agentes, levam à definição de um movimento contínuo e crescente no período estudado. Em paralelo, há também um conjunto de ações pela revalorização do samba, gênero que andava em baixa na mídia e nas gravadoras, e que será revitalizado pelos mesmos atores, que organizam rodas de samba em bares da Zona Sul e do Centro da cidade. Dessa convergência de ativistas, sambistas, intelectuais e artistas é que surgem os primeiros 'blocos da retomada'.porCarnivalStreet carnivalStreet bandsRedemocratizationCarnavalBlocos carnavalescosRio de JaneiroCarnaval de ruaRedemocratizaçãoHistóriaBlocos carnavalescos - Rio de Janeiro (RJ)Carnaval - Rio de Janeiro (RJ)Meu bloco na rua: Barbas, Simpatia e Suvaco na retomada do Carnaval de Rua da Zona Sul do Rio de Janeiroinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisreponame:Repositório Institucional do FGV (FGV Repositório Digital)instname:Fundação Getulio Vargas (FGV)instacron:FGVinfo:eu-repo/semantics/openAccessTEXTDISSERTAÇÃO_MEUBLOCONARUA_JUL17.pdf.txtDISSERTAÇÃO_MEUBLOCONARUA_JUL17.pdf.txtExtracted 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dc.title.por.fl_str_mv |
Meu bloco na rua: Barbas, Simpatia e Suvaco na retomada do Carnaval de Rua da Zona Sul do Rio de Janeiro |
title |
Meu bloco na rua: Barbas, Simpatia e Suvaco na retomada do Carnaval de Rua da Zona Sul do Rio de Janeiro |
spellingShingle |
Meu bloco na rua: Barbas, Simpatia e Suvaco na retomada do Carnaval de Rua da Zona Sul do Rio de Janeiro Fernandes, Maria Rita Dias de Almeida Carnival Street carnival Street bands Redemocratization Carnaval Blocos carnavalescos Rio de Janeiro Carnaval de rua Redemocratização História Blocos carnavalescos - Rio de Janeiro (RJ) Carnaval - Rio de Janeiro (RJ) |
title_short |
Meu bloco na rua: Barbas, Simpatia e Suvaco na retomada do Carnaval de Rua da Zona Sul do Rio de Janeiro |
title_full |
Meu bloco na rua: Barbas, Simpatia e Suvaco na retomada do Carnaval de Rua da Zona Sul do Rio de Janeiro |
title_fullStr |
Meu bloco na rua: Barbas, Simpatia e Suvaco na retomada do Carnaval de Rua da Zona Sul do Rio de Janeiro |
title_full_unstemmed |
Meu bloco na rua: Barbas, Simpatia e Suvaco na retomada do Carnaval de Rua da Zona Sul do Rio de Janeiro |
title_sort |
Meu bloco na rua: Barbas, Simpatia e Suvaco na retomada do Carnaval de Rua da Zona Sul do Rio de Janeiro |
author |
Fernandes, Maria Rita Dias de Almeida |
author_facet |
Fernandes, Maria Rita Dias de Almeida |
author_role |
author |
dc.contributor.unidadefgv.por.fl_str_mv |
Escolas::CPDOC |
dc.contributor.member.none.fl_str_mv |
Cavalcanti, Mariana Oliveira, Lúcia Lippi |
dc.contributor.author.fl_str_mv |
Fernandes, Maria Rita Dias de Almeida |
dc.contributor.advisor1.fl_str_mv |
Pandolfi, Dulce Chaves Santos, Ynaê Lopes dos |
contributor_str_mv |
Pandolfi, Dulce Chaves Santos, Ynaê Lopes dos |
dc.subject.eng.fl_str_mv |
Carnival Street carnival Street bands Redemocratization |
topic |
Carnival Street carnival Street bands Redemocratization Carnaval Blocos carnavalescos Rio de Janeiro Carnaval de rua Redemocratização História Blocos carnavalescos - Rio de Janeiro (RJ) Carnaval - Rio de Janeiro (RJ) |
dc.subject.por.fl_str_mv |
Carnaval Blocos carnavalescos Rio de Janeiro Carnaval de rua Redemocratização |
dc.subject.area.por.fl_str_mv |
História |
dc.subject.bibliodata.por.fl_str_mv |
Blocos carnavalescos - Rio de Janeiro (RJ) Carnaval - Rio de Janeiro (RJ) |
description |
In the late 70s and early 80s, social movements expanded throughout Brazil. At the same time in the South Zone of Rio de Janeiro, a phenomenon that I call ‘Resumption of street Carioca Carnival’ takes place. New moods lead to the free expression and citizenship, by means of reoccupation of the streets by civil society. 'Simpatia é Quase Amor' (Sympathy is almost love), Barbas (Beards), and 'Suvaco do Cristo' (Christ’s Armpit) are the first street Carnival groups created in this context of re-democratization of Brazil, after twenty years of a military dictatorship implanted in 1964. Those three Carnival groups, with similar characteristics, and others groups that arise following the same scenario lead to the definition of a continuum and growing social movement during the studied period. At the same time, there is also an effort aiming to the improvement of Samba, a musical rhythm neglected by media and records, and that will be revitalized by the same agents, who organizes samba rounds in bars at South and Central Areas. The first Resumption street Carnival groups arise from this convergent activists, musicians, intellectuals, and artists. The aim of this work is to improve the knowledge about this social movement called ‘Resumption of street Carnival’ as part of the history of the Rio de Janeiro. |
publishDate |
2017 |
dc.date.accessioned.fl_str_mv |
2017-09-29T19:09:07Z |
dc.date.available.fl_str_mv |
2017-09-29T19:09:07Z |
dc.date.issued.fl_str_mv |
2017-07-07 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10438/18881 |
url |
http://hdl.handle.net/10438/18881 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional do FGV (FGV Repositório Digital) instname:Fundação Getulio Vargas (FGV) instacron:FGV |
instname_str |
Fundação Getulio Vargas (FGV) |
instacron_str |
FGV |
institution |
FGV |
reponame_str |
Repositório Institucional do FGV (FGV Repositório Digital) |
collection |
Repositório Institucional do FGV (FGV Repositório Digital) |
bitstream.url.fl_str_mv |
https://repositorio.fgv.br/bitstreams/61fbdb98-8a8c-48c8-bec9-8d5929e514fd/download https://repositorio.fgv.br/bitstreams/12d9bce4-e889-46a3-a399-734e867f0844/download https://repositorio.fgv.br/bitstreams/024473e2-7125-4195-9556-aa3d4ed9edfa/download https://repositorio.fgv.br/bitstreams/50809a3f-2309-45fb-abd6-cd7878aa6e85/download |
bitstream.checksum.fl_str_mv |
635c4cdcdf141349e4a83001b760d522 7cfd5c42f2730715eb4334af36dc9365 dfb340242cced38a6cca06c627998fa1 9233e3d154e57dfa1445ffe2203ebe7c |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 |
repository.name.fl_str_mv |
Repositório Institucional do FGV (FGV Repositório Digital) - Fundação Getulio Vargas (FGV) |
repository.mail.fl_str_mv |
|
_version_ |
1810024603125284864 |