A morte e suas representações na sociedade: a arte em desvelar o Cemitério São João Batista/RJ como atrativo turístico

Detalhes bibliográficos
Ano de defesa: 2017
Autor(a) principal: Monteiro, Jaqueline de Oliveira
Orientador(a): Castro, Celso
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Não Informado pela instituição
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Arte Tumular
Cemitério
Memória
Interpretação
Turismo
Palavras-chave em Inglês:
Art Tumular
Cemetery
Memory
Interpretation
Tourism
Link de acesso: https://hdl.handle.net/10438/18259
Resumo: The death is a fact present all cultures. What differs them is the symbolism connected to each society throughout centuries, manifested though signs. In this universe, tombs art plays the role of perpetrator agent of the history, denoting symbols ans costumes of differents periods. To observe 'the city of the deads' is to unveil the synthetised way the preferences that some symbols were chosen by the loved ones so to represent the dead immortalize their memory before the time. To understand the nuances of this niche is the function of the touristic activity that by fragmenting a new touristic idea, will be able to understand it's imbrications, there for, attend the needs and expectations of those consumers. The work consistes in analize the cemitery São João Batista as a tourism potential through qualitative researches, beyond if the experienced interpretation of the author in a City Tour in the studied necropoli.
id FGV_e7e404032c0fe0ec19e5b775f163e843
oai_identifier_str oai:repositorio.fgv.br:10438/18259
network_acronym_str FGV
network_name_str Repositório Institucional do FGV (FGV Repositório Digital)
repository_id_str
spelling Monteiro, Jaqueline de OliveiraEscolas::CPDOCPiovezan, AdrianeBarbosa, Sílvia MonneratCastro, Celso2017-05-17T13:28:49Z2017-05-17T13:28:49Z2017-04-03MONTEIRO, Jaqueline de Oliveira. A morte e suas representações na sociedade: a arte em desvelar o Cemitério São João Batista/RJ como atrativo turístico. Dissertação (Mestrado Profissional em Bens Culturais e Projetos Sociais) - FGV - Fundação Getúlio Vargas, Rio de Janeiro, 2017.https://hdl.handle.net/10438/18259The death is a fact present all cultures. What differs them is the symbolism connected to each society throughout centuries, manifested though signs. In this universe, tombs art plays the role of perpetrator agent of the history, denoting symbols ans costumes of differents periods. To observe 'the city of the deads' is to unveil the synthetised way the preferences that some symbols were chosen by the loved ones so to represent the dead immortalize their memory before the time. To understand the nuances of this niche is the function of the touristic activity that by fragmenting a new touristic idea, will be able to understand it's imbrications, there for, attend the needs and expectations of those consumers. The work consistes in analize the cemitery São João Batista as a tourism potential through qualitative researches, beyond if the experienced interpretation of the author in a City Tour in the studied necropoli.A morte é fato presente em todas as culturas. O que difere são as representações simbólicas atribuídas a cada sociedade por séculos, manifestadas através de signos.Nesse universo, a Arte Tumular desempenha o papel de agente perpetuador da história, denotando símbolos e costumes de distintos períodos.Observar a 'cidade dos mortos' é desvelar de maneira sintetizada as preferências com que alguns símbolos foram escolhidos pelos entes queridos de forma a representar o morto e imortalizar sua memória perante o tempo.Compreender as nuances desse nicho é função da atividade turística que, ao fragmentar um novo viés turístico, poderá perceber suas imbricações, e, assim, corresponder as necessidades e expectativas desse consumidor.O trabalho consiste em analisar o Cemitério São João Batista como potencialidade turística através de pesquisas qualitativas, além da interpretação da autora vivenciada em um Tour na necrópole estudadaporArt TumularCemeteryMemoryInterpretationTourismArte TumularCemitérioMemóriaInterpretaçãoTurismoCiências sociaisTurismo macabroMorte - Aspectos sociaisMonumentos funeráriosRitos e cerimônias fúnebresCemitério de São João Batista (Rio de Janeiro, RJ)A morte e suas representações na sociedade: a arte em desvelar o Cemitério São João Batista/RJ como atrativo turísticoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional do FGV (FGV Repositório Digital)instname:Fundação Getulio Vargas (FGV)instacron:FGVTEXTTese final.pdf.txtTese final.pdf.txtExtracted texttext/plain243777https://repositorio.fgv.br/bitstreams/ed5849d6-1922-48eb-adf8-ed86e0ece81d/download8fe1dba452e1eec1dc689b2b6e9b96f1MD54ORIGINALTese final.pdfTese final.pdfPDFapplication/pdf12625092https://repositorio.fgv.br/bitstreams/166f9e99-b873-458d-acda-c977edfc27b1/download0d2c0dad866bf83e8316371c638fc779MD51LICENSElicense.txtlicense.txttext/plain; charset=utf-84707https://repositorio.fgv.br/bitstreams/70f4edf8-cff1-40dc-abaa-26e4dbf85f3b/downloaddfb340242cced38a6cca06c627998fa1MD52THUMBNAILTese final.pdf.jpgTese final.pdf.jpgIM Thumbnailimage/jpeg1006https://repositorio.fgv.br/bitstreams/8df5e931-931c-4689-ab00-31e2e8234c16/downloade041783a471f9d04ddde46f7305e96eaMD5310438/182592025-02-14 15:51:33.341open.accessoai:repositorio.fgv.br:10438/18259https://repositorio.fgv.brRepositório InstitucionalPRIhttp://bibliotecadigital.fgv.br/dspace-oai/requestopendoar:39742025-02-14T15:51:33Repositório Institucional do FGV (FGV Repositório Digital) - Fundação Getulio Vargas (FGV)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
dc.title.por.fl_str_mv A morte e suas representações na sociedade: a arte em desvelar o Cemitério São João Batista/RJ como atrativo turístico
title A morte e suas representações na sociedade: a arte em desvelar o Cemitério São João Batista/RJ como atrativo turístico
spellingShingle A morte e suas representações na sociedade: a arte em desvelar o Cemitério São João Batista/RJ como atrativo turístico
Monteiro, Jaqueline de Oliveira
Art Tumular
Cemetery
Memory
Interpretation
Tourism
Arte Tumular
Cemitério
Memória
Interpretação
Turismo
Ciências sociais
Turismo macabro
Morte - Aspectos sociais
Monumentos funerários
Ritos e cerimônias fúnebres
Cemitério de São João Batista (Rio de Janeiro, RJ)
title_short A morte e suas representações na sociedade: a arte em desvelar o Cemitério São João Batista/RJ como atrativo turístico
title_full A morte e suas representações na sociedade: a arte em desvelar o Cemitério São João Batista/RJ como atrativo turístico
title_fullStr A morte e suas representações na sociedade: a arte em desvelar o Cemitério São João Batista/RJ como atrativo turístico
title_full_unstemmed A morte e suas representações na sociedade: a arte em desvelar o Cemitério São João Batista/RJ como atrativo turístico
title_sort A morte e suas representações na sociedade: a arte em desvelar o Cemitério São João Batista/RJ como atrativo turístico
author Monteiro, Jaqueline de Oliveira
author_facet Monteiro, Jaqueline de Oliveira
author_role author
dc.contributor.unidadefgv.por.fl_str_mv Escolas::CPDOC
dc.contributor.member.none.fl_str_mv Piovezan, Adriane
Barbosa, Sílvia Monnerat
dc.contributor.author.fl_str_mv Monteiro, Jaqueline de Oliveira
dc.contributor.advisor1.fl_str_mv Castro, Celso
contributor_str_mv Castro, Celso
dc.subject.eng.fl_str_mv Art Tumular
Cemetery
Memory
Interpretation
Tourism
topic Art Tumular
Cemetery
Memory
Interpretation
Tourism
Arte Tumular
Cemitério
Memória
Interpretação
Turismo
Ciências sociais
Turismo macabro
Morte - Aspectos sociais
Monumentos funerários
Ritos e cerimônias fúnebres
Cemitério de São João Batista (Rio de Janeiro, RJ)
dc.subject.por.fl_str_mv Arte Tumular
Cemitério
Memória
Interpretação
Turismo
dc.subject.area.por.fl_str_mv Ciências sociais
dc.subject.bibliodata.por.fl_str_mv Turismo macabro
Morte - Aspectos sociais
Monumentos funerários
Ritos e cerimônias fúnebres
Cemitério de São João Batista (Rio de Janeiro, RJ)
description The death is a fact present all cultures. What differs them is the symbolism connected to each society throughout centuries, manifested though signs. In this universe, tombs art plays the role of perpetrator agent of the history, denoting symbols ans costumes of differents periods. To observe 'the city of the deads' is to unveil the synthetised way the preferences that some symbols were chosen by the loved ones so to represent the dead immortalize their memory before the time. To understand the nuances of this niche is the function of the touristic activity that by fragmenting a new touristic idea, will be able to understand it's imbrications, there for, attend the needs and expectations of those consumers. The work consistes in analize the cemitery São João Batista as a tourism potential through qualitative researches, beyond if the experienced interpretation of the author in a City Tour in the studied necropoli.
publishDate 2017
dc.date.accessioned.fl_str_mv 2017-05-17T13:28:49Z
dc.date.available.fl_str_mv 2017-05-17T13:28:49Z
dc.date.issued.fl_str_mv 2017-04-03
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv MONTEIRO, Jaqueline de Oliveira. A morte e suas representações na sociedade: a arte em desvelar o Cemitério São João Batista/RJ como atrativo turístico. Dissertação (Mestrado Profissional em Bens Culturais e Projetos Sociais) - FGV - Fundação Getúlio Vargas, Rio de Janeiro, 2017.
dc.identifier.uri.fl_str_mv https://hdl.handle.net/10438/18259
identifier_str_mv MONTEIRO, Jaqueline de Oliveira. A morte e suas representações na sociedade: a arte em desvelar o Cemitério São João Batista/RJ como atrativo turístico. Dissertação (Mestrado Profissional em Bens Culturais e Projetos Sociais) - FGV - Fundação Getúlio Vargas, Rio de Janeiro, 2017.
url https://hdl.handle.net/10438/18259
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.source.none.fl_str_mv reponame:Repositório Institucional do FGV (FGV Repositório Digital)
instname:Fundação Getulio Vargas (FGV)
instacron:FGV
instname_str Fundação Getulio Vargas (FGV)
instacron_str FGV
institution FGV
reponame_str Repositório Institucional do FGV (FGV Repositório Digital)
collection Repositório Institucional do FGV (FGV Repositório Digital)
bitstream.url.fl_str_mv https://repositorio.fgv.br/bitstreams/ed5849d6-1922-48eb-adf8-ed86e0ece81d/download
https://repositorio.fgv.br/bitstreams/166f9e99-b873-458d-acda-c977edfc27b1/download
https://repositorio.fgv.br/bitstreams/70f4edf8-cff1-40dc-abaa-26e4dbf85f3b/download
https://repositorio.fgv.br/bitstreams/8df5e931-931c-4689-ab00-31e2e8234c16/download
bitstream.checksum.fl_str_mv 8fe1dba452e1eec1dc689b2b6e9b96f1
0d2c0dad866bf83e8316371c638fc779
dfb340242cced38a6cca06c627998fa1
e041783a471f9d04ddde46f7305e96ea
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
MD5
repository.name.fl_str_mv Repositório Institucional do FGV (FGV Repositório Digital) - Fundação Getulio Vargas (FGV)
repository.mail.fl_str_mv
_version_ 1827842389668003840

Registros relacionados