Arte, cultura e religiosidade nas pinturas rupestres da serra do Sarapó/ Tapuias – Canudos - Riachão das Neves - Bahia

• Ano de defesa: 2018
• Autor(a) principal: Nunes, Vera Regiane Brescovici
• Orientador(a): Lemos, Carolina Teles
• Banca de defesa: Quadros, Eduardo Gusmão de , Arbués, Margareth Pereira , Marques, Edmilson Ferreira , Ecco, Clóvis
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de Goiás
• Programa de Pós-Graduação: Programa de Pós-Graduação STRICTO SENSU em Ciências da Religião
• Departamento: Escola de Formação de Professores e Humanidade::Curso de Teologia
• País: Brasil
• Palavras-chave em Português: Pinturas e Gravuras Rupestres. Cultura. Tradições Rupestres. Manifestações Religiosas.
• Palavras-chave em Inglês: Paintings and Rock Engravings. Rupestrian Traditions. Religious Manifestations. Being and entity.
• Área do conhecimento CNPq: CIENCIAS HUMANAS::TEOLOGIA
• Link de acesso: https://tede2.pucgoias.edu.br/handle/tede/3972

The object this research are the paintings and rock engravings present at the archaeological site, inserted in the Serra Sarapó/Tapuias, in the community of Canudos, in the Municipality of Riachão das Neves, State of Bahia. The objective of the study was to analyze and describe the traces, lines, colors and forms that are present in the paintings and in the rock engravings at the Sarapó/Tapuias site, not only from the registration perspective, but also to compare them with other Brazilian traditions in the sense of relating them to a possible tradition of the engravings, as well as in the identification, understanding and analysis, perceiving if they show characteristics of manifestations of the sacred, considering the disposition, location and support in which they were made. To reach these goals, we went from the idea that they are cultural, religious and historical representations with different reading possibilities, produced by different indigenous groups. Due to the fact that the site is located in western Bahia, there was a need to describe aspects of the historical constitution of the region near Riachão das Neves, and the great technological advance of the present. From the investigations and comparisons made in the analysis of the paintings, we find that they can be related to the graphic representations inserted in the São Francisco tradition and in the Geometric Tradition for they present similarities in the colors, lines and forms. And they are manifestations of the sacred by characteristics presented as to the disposition and location. Thus, in light of what we have analyzed, we infer that they present features present in two rupestrian traditions: São Francisco and Geometric and belong to the sacred universe.