Saber heterotopológico e a leitura em Michel Foucault

• Ano de defesa: 2017
• Autor(a) principal: Santos, Andre Luiz dos
• Orientador(a): Ternes, José
• Banca de defesa: Sugizaki, Eduardo , Roure, Glacy Queirós de , Correia, Paulo Petronilio , Almeida, Fábio Ferreira de
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de Goiás
• Programa de Pós-Graduação: Programa de Pós-Graduação STRICTO SENSU em Educação
• Departamento: Escola de Formação de Professores e Humanidade::Curso de Pedagogia
• País: Brasil
• Palavras-chave em Português: Heterotopia. Saber. Infame. Sade. Leitura.
• Palavras-chave em Inglês: Heterotopia. Knowledge. Infamous. Sade. Reading.
• Área do conhecimento CNPq: CIENCIAS HUMANAS::EDUCACAO
• Link de acesso: https://tede2.pucgoias.edu.br/handle/tede/3760

The space question to Michel Foucault presents how possibilities, ruins, meetings, exchanges and agitations, but, especially, how an other space to the thought. It’s from this question, concerning an heterotopology knowledge, that we set out to study different spaces in Foucault. In our way, the first of all, we percussed the space of the constitution of the heterotopias, attempting in this analytical to relationships between we mention of the troubled vitality and your approximations with the literature in the archeology spaces. Subsequently, we returned to the infamous space, your difficult localizations, your inevitable distances. Like deploying these first reflections we faced with Sade‟s image, your extensive, paradoxical and amazing presence in the knowledge, madness and sexuality spaces. This presence induced us to inquire the Foucault‟s reading gesture and the distances that we are with respect to this reading. We inquire also, about how, in the distance between the author and the reader closes a space of differences, freedoms and of the own discourse. In this way, we approach, the reading space in the form of a dramaturgy. Foucault leaves the scene and in the loneliness with your written, or in reencounter with Sade, the recognition of the your large and intense margins. Open space for the death, for the event, for the fights and battles. A space for the reader. An open space for the different meets, for the strange neighborhoods, for the different discourses.