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Oratório Messias de Georg Friedrich Händel

Detalhes bibliográficos
Ano de defesa: 2018
Autor(a) principal: Pereira, Davi Lopes lattes
Orientador(a): Reimer, Ivoni Richter lattes
Banca de defesa: Quadros, Eduardo Gusmão de lattes, Meira, Júlio Cesar lattes
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de Goiás
Programa de Pós-Graduação: Programa de Pós-Graduação STRICTO SENSU em História
Departamento: Escola de Formação de Professores e Humanidade::Curso de História
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucgoias.edu.br/handle/tede/3933
Resumo: This dissertation presents a study proposal on the oratory genre, with Händel as one of its main composers and its practice in the Baroque period in England, especially in the city of London. The purpose of this dissertation is to present the circumstances that involved the composition of the Messiah Oratory and to explain how these circumstances influenced it. We are based in an intense research work consulting several bibliographical sources and versions of the oratory, whose objective was to present an opinion based on authors that are referential in the subject. We present succinctly the phases of Händel's life, trying to show the main facts and how they influenced him in the composition of the Messiah. We also clearly portray the pretensions of Charles Jennens in his selection of the text for the Oratory. We include in the appendix the first part of the Messiah that will help in understanding the dissertation presented here, corroborating the truth of the facts presented in it. Finally, we conclude at the end of the dissertation that the Messiah Oratory is the best known of humanity, making its presentation a tradition at Easter, Christmas and other events that so require. With this, he became a patrimony of humanity for those who enjoy classical music.
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spelling Reimer, Ivoni Richterhttp://lattes.cnpq.br/2861371052102699Quadros, Eduardo Gusmão dehttp://lattes.cnpq.br/6271285275152113Meira, Júlio Cesarhttp://lattes.cnpq.br/8883594230407797http://lattes.cnpq.br/8699556495310567Pereira, Davi Lopes2018-04-18T12:54:52Z2018-01-29Pereira, Davi Lopes. Oratório Messias de Georg Friedrich Händel. 2018. 178 f. Dissertação (Programa de Pós-Graduação STRICTO SENSU em História) - Pontifícia Universidade Católica de Goiás, Goiânia-GO.https://tede2.pucgoias.edu.br/handle/tede/3933This dissertation presents a study proposal on the oratory genre, with Händel as one of its main composers and its practice in the Baroque period in England, especially in the city of London. The purpose of this dissertation is to present the circumstances that involved the composition of the Messiah Oratory and to explain how these circumstances influenced it. We are based in an intense research work consulting several bibliographical sources and versions of the oratory, whose objective was to present an opinion based on authors that are referential in the subject. We present succinctly the phases of Händel's life, trying to show the main facts and how they influenced him in the composition of the Messiah. We also clearly portray the pretensions of Charles Jennens in his selection of the text for the Oratory. We include in the appendix the first part of the Messiah that will help in understanding the dissertation presented here, corroborating the truth of the facts presented in it. Finally, we conclude at the end of the dissertation that the Messiah Oratory is the best known of humanity, making its presentation a tradition at Easter, Christmas and other events that so require. With this, he became a patrimony of humanity for those who enjoy classical music.Esta dissertação apresenta uma proposta de estudo sobre o gênero oratória, tendo Händel como um dos seus compositores principais e sua prática no período Barroco na Inglaterra em especial na cidade de Londres. O objetivo desta dissertação é apresentar as circunstâncias que envolveram a composição do Oratório Messias e explicitar como essas circunstancias o influenciaram. Embasamo-nos em um intenso trabalho de pesquisa consultando diversas fontes bibliográficas e versões do oratório, cujo objetivo foi de apresentar opinião embasada em autores que são referenciais no assunto. Apresentamos de forma sucinta, as fases da vida de Händel, procurando mostrar os principais fatos e como estes o influenciaram na composição do Messias. Retratamos também de forma clara as pretensões de Charles Jennens na seleção que ele fez do texto para o Oratório. Incluímos no apêndice, a primeira parte do Messias que irá ajudar na compreensão da dissertação aqui apresentada, corroborando para a veracidade dos fatos nela apresentados. Por fim, concluímos ao final da dissertação que o Oratório Messias é o mais conhecido da humanidade, tornando sua apresentação uma tradição na época da Páscoa, Natal e outros eventos que assim o requeiram. Com isto, ele se tornou um patrimônio da humanidade para quem aprecia musica clássica.Submitted by admin tede (tede@pucgoias.edu.br) on 2018-04-18T12:54:52Z No. of bitstreams: 1 DAVÍ LOPES PEREIRA.pdf: 8308276 bytes, checksum: a3ccac72167f526db81133ce23ef91db (MD5)Made available in DSpace on 2018-04-18T12:54:52Z (GMT). No. of bitstreams: 1 DAVÍ LOPES PEREIRA.pdf: 8308276 bytes, checksum: a3ccac72167f526db81133ce23ef91db (MD5) Previous issue date: 2018-01-29application/pdfhttps://tede2.pucgoias.edu.br/retrieve/12170/DAV%c3%8d%20LOPES%20PEREIRA.pdf.jpgporPontifícia Universidade Católica de GoiásPrograma de Pós-Graduação STRICTO SENSU em HistóriaPUC GoiásBrasilEscola de Formação de Professores e Humanidade::Curso de HistóriaOratório, Händel, Barroco, Messias e tradição.Oratory, Händel, Baroque, Messiah and tradition.CIENCIAS HUMANAS::HISTORIAOratório Messias de Georg Friedrich HändelOratorio Messiah by Georg Friedrich Handelinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_GOAIS (TEDE-PUC Goiás)instname:Pontifícia Universidade Católica de Goiás (PUC-GO)instacron:PUC_GOTHUMBNAILDAVÍ LOPES PEREIRA.pdf.jpgDAVÍ LOPES PEREIRA.pdf.jpgimage/jpeg3371http://localhost:8080/tede/bitstream/tede/3933/4/DAV%C3%8D+LOPES+PEREIRA.pdf.jpgffeb2a9c151baf8fb9e9edf34f60cc32MD54TEXTDAVÍ LOPES PEREIRA.pdf.txtDAVÍ LOPES PEREIRA.pdf.txttext/plain196338http://localhost:8080/tede/bitstream/tede/3933/3/DAV%C3%8D+LOPES+PEREIRA.pdf.txt409d0482783a1c0d2e33d04c198a245fMD53ORIGINALDAVÍ LOPES PEREIRA.pdfDAVÍ LOPES PEREIRA.pdfapplication/pdf8308276http://localhost:8080/tede/bitstream/tede/3933/2/DAV%C3%8D+LOPES+PEREIRA.pdfa3ccac72167f526db81133ce23ef91dbMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82001http://localhost:8080/tede/bitstream/tede/3933/1/license.txtfd9262f8b1e1c170dee71e4fbec6b16cMD51tede/39332025-09-18 08:32:08.461oai:ambar: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 Digital de Teses e Dissertaçõeshttp://tede2.pucgoias.edu.br:8080/http://tede2.pucgoias.edu.br:8080/oai/requesttede@pucgoias.edu.bropendoar:65932025-09-18T11:32:08Biblioteca Digital de Teses e Dissertações da PUC_GOAIS (TEDE-PUC Goiás) - Pontifícia Universidade Católica de Goiás (PUC-GO)false
dc.title.eng.fl_str_mv Oratório Messias de Georg Friedrich Händel
dc.title.alternative.none.fl_str_mv Oratorio Messiah by Georg Friedrich Handel
title Oratório Messias de Georg Friedrich Händel
spellingShingle Oratório Messias de Georg Friedrich Händel
Pereira, Davi Lopes
Oratório, Händel, Barroco, Messias e tradição.
Oratory, Händel, Baroque, Messiah and tradition.
CIENCIAS HUMANAS::HISTORIA
title_short Oratório Messias de Georg Friedrich Händel
title_full Oratório Messias de Georg Friedrich Händel
title_fullStr Oratório Messias de Georg Friedrich Händel
title_full_unstemmed Oratório Messias de Georg Friedrich Händel
title_sort Oratório Messias de Georg Friedrich Händel
author Pereira, Davi Lopes
author_facet Pereira, Davi Lopes
author_role author
dc.contributor.advisor1.fl_str_mv Reimer, Ivoni Richter
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/2861371052102699
dc.contributor.referee1.fl_str_mv Quadros, Eduardo Gusmão de
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/6271285275152113
dc.contributor.referee2.fl_str_mv Meira, Júlio Cesar
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/8883594230407797
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/8699556495310567
dc.contributor.author.fl_str_mv Pereira, Davi Lopes
contributor_str_mv Reimer, Ivoni Richter
Quadros, Eduardo Gusmão de
Meira, Júlio Cesar
dc.subject.por.fl_str_mv Oratório, Händel, Barroco, Messias e tradição.
topic Oratório, Händel, Barroco, Messias e tradição.
Oratory, Händel, Baroque, Messiah and tradition.
CIENCIAS HUMANAS::HISTORIA
dc.subject.eng.fl_str_mv Oratory, Händel, Baroque, Messiah and tradition.
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::HISTORIA
description This dissertation presents a study proposal on the oratory genre, with Händel as one of its main composers and its practice in the Baroque period in England, especially in the city of London. The purpose of this dissertation is to present the circumstances that involved the composition of the Messiah Oratory and to explain how these circumstances influenced it. We are based in an intense research work consulting several bibliographical sources and versions of the oratory, whose objective was to present an opinion based on authors that are referential in the subject. We present succinctly the phases of Händel's life, trying to show the main facts and how they influenced him in the composition of the Messiah. We also clearly portray the pretensions of Charles Jennens in his selection of the text for the Oratory. We include in the appendix the first part of the Messiah that will help in understanding the dissertation presented here, corroborating the truth of the facts presented in it. Finally, we conclude at the end of the dissertation that the Messiah Oratory is the best known of humanity, making its presentation a tradition at Easter, Christmas and other events that so require. With this, he became a patrimony of humanity for those who enjoy classical music.
publishDate 2018
dc.date.accessioned.fl_str_mv 2018-04-18T12:54:52Z
dc.date.issued.fl_str_mv 2018-01-29
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv Pereira, Davi Lopes. Oratório Messias de Georg Friedrich Händel. 2018. 178 f. Dissertação (Programa de Pós-Graduação STRICTO SENSU em História) - Pontifícia Universidade Católica de Goiás, Goiânia-GO.
dc.identifier.uri.fl_str_mv https://tede2.pucgoias.edu.br/handle/tede/3933
identifier_str_mv Pereira, Davi Lopes. Oratório Messias de Georg Friedrich Händel. 2018. 178 f. Dissertação (Programa de Pós-Graduação STRICTO SENSU em História) - Pontifícia Universidade Católica de Goiás, Goiânia-GO.
url https://tede2.pucgoias.edu.br/handle/tede/3933
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dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-Graduação STRICTO SENSU em História
dc.publisher.initials.fl_str_mv PUC Goiás
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Escola de Formação de Professores e Humanidade::Curso de História
publisher.none.fl_str_mv Pontifícia Universidade Católica de Goiás
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da PUC_GOAIS (TEDE-PUC Goiás)
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