Linguagem transmidiática em Saramandaia: estética e recepção

• Ano de defesa: 2016
• Autor(a) principal: Ribeiro, Águida Perpétua
• Orientador(a): Nascimento, Maria Teresinha Martins do
• Banca de defesa: Correia, Paulo Petronilio , Araújo, Márcia Maria de Melo
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de Goiás
• Programa de Pós-Graduação: Programa de Pós-Graduação STRICTO SENSU em Letras
• Departamento: Ciências Humanas
• País: BR
• Palavras-chave em Português: Linguagem; Literatura; Saramandaia; Transmidiação; Telenovela
• Palavras-chave em Inglês: Language; Literature; Saramandaia; Transmedia; TV soap opera
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: https://tede2.pucgoias.edu.br/handle/tede/3261

The aims that guides this work is to analyze the structural components of the soap opera Saramandaia (1976) and the remake (2013), based freely on the work of Dias Gomes and transcribed by Ricardo Linhares. Their consequent aesthetic and receptive effects to contemporary period enable to the comparative study, which has regarded to its new restructuring. By privileging the tv soap opera Saramandaia in totum, focusing its presetation on TV, we could find that Dias Gomes, aesthetically, has stimulated to a kind of politic description of daily life routine in order to give an access to the fantasy of the viewer, in the perspective of the ironic absurd and the supernatural. The structuring elements uses a recurrent narrative model of literature, through a new look and emergent character of broadcasting in new media though. Thus, our study focuses in part to the hypotheses about the new forms of reception, such as; how they relate and are linked to the narrative of the soap opera nowadays and to the transmedia convergence phenomenon. This study are theoretically based up on the history of the soap opera, its characteristics, through concepts and novelistic speech applications, discussed by Bakhtin and Kristeva. Also, as scientific contribution we also use the theories by Baccega, Balogh, Bakhtin, Campedelli, Chiampi, Fry, Lopes Nogueira, Ortiz, Ricoeur, Todorov and others Russian formalists that were studied during the research. Research point as results to the knowledge of the generative meaning of course, especially in the "Level Narrative" by this literary character in Saramandaia also in the transmedia language.