77 Million Paintings: fronteiras entre mundos em Brian Eno

Detalhes bibliográficos
Ano de defesa: 2017
Autor(a) principal: Cavalcanti, Juliana Garzillo lattes
Orientador(a): Mello, Christine
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Comunicação e Semiótica
Departamento: Faculdade de Filosofia, Comunicação, Letras e Artes
País: Brasil
Palavras-chave em Português:
Extremidades
Sinestesia
Arte digital
Palavras-chave em Inglês:
Eno, Brian - 77 Million Paintings
Extremities
Synesthesia
Digital art
Área do conhecimento CNPq:
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
Link de acesso: https://tede2.pucsp.br/handle/handle/20255
Resumo: This study analyses the borderline zone that 77 Million Paintings, from Brian Eno (United Kingdom, 1948), is in. The art work presents itself in different platforms: software, DVD, audiovisual installation and urban art. The research focuses on reading the work’s poetics that are addressed in spaces in between different languages, senses and technologies. The art work is built with a recombinant language system which makes images and sound montages in different platforms. 77 Million Paintings is presented in various countries between the years 2006 and 2016. The study analyses the poetics and communication process and the sensual stimulus as well. A reflection is made about the choices and path made by Brian Eno in the creation of this art work. Been present in the experimental and popular worlds, the artist’s involvement with music contaminates his creation in another fields. It is possible to recognize music traces in the image language from 77 Million Paintings, and the opposite can be observed too, when the image contaminates sound as well. The analysis is constructed through the extremities way method, from Christine Mello (2016). The identification of the poetics procedures of deconstruction and contamination forms the study of the blurred borderlines between the worlds of Brian Eno and 77 Million Paintings. About the contamination between different senses, Sérgio Basbaum (2002) ideas are used in the reading of the synesthesia’s work. To the analysis about the emergent system of the art work, Bill Seaman (2010) gives basis to the reflection about 77 Million Paintings software and it’s aesthetic results
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spelling Mello, Christinehttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8559958J4Cavalcanti, Juliana Garzillo2017-07-27T12:24:46Z2017-06-23Cavalcanti, Juliana Garzillo. 77 Million Paintings: fronteiras entre mundos em Brian Eno. 2017. 95 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.https://tede2.pucsp.br/handle/handle/20255This study analyses the borderline zone that 77 Million Paintings, from Brian Eno (United Kingdom, 1948), is in. The art work presents itself in different platforms: software, DVD, audiovisual installation and urban art. The research focuses on reading the work’s poetics that are addressed in spaces in between different languages, senses and technologies. The art work is built with a recombinant language system which makes images and sound montages in different platforms. 77 Million Paintings is presented in various countries between the years 2006 and 2016. The study analyses the poetics and communication process and the sensual stimulus as well. A reflection is made about the choices and path made by Brian Eno in the creation of this art work. Been present in the experimental and popular worlds, the artist’s involvement with music contaminates his creation in another fields. It is possible to recognize music traces in the image language from 77 Million Paintings, and the opposite can be observed too, when the image contaminates sound as well. The analysis is constructed through the extremities way method, from Christine Mello (2016). The identification of the poetics procedures of deconstruction and contamination forms the study of the blurred borderlines between the worlds of Brian Eno and 77 Million Paintings. About the contamination between different senses, Sérgio Basbaum (2002) ideas are used in the reading of the synesthesia’s work. To the analysis about the emergent system of the art work, Bill Seaman (2010) gives basis to the reflection about 77 Million Paintings software and it’s aesthetic resultsO presente estudo analisa a zona fronteiriça em que 77 Million Paintings, de Brian Eno (Reino Unido, 1948), está inserida. Este trabalho artístico se apresenta em diferentes plataformas: software, DVD, instalação audiovisual e intervenção urbana. A pesquisa tem como foco a leitura das poéticas da obra, que se insere em espaços intersticiais de diferentes linguagens, estesias e tecnologias. A proposta artística se forma através de um sistema de linguagem recombinatória que realiza montagens de imagens e sons em diferentes plataformas. 77 Million Paintings foi apresentada em diversos países entre 2006 e 2016. Analisam-se as poéticas e os processos comunicacionais nos estímulos sensoriais proporcionados pelo software, bem como é realizada uma reflexão a respeito das escolhas e caminhos poéticos feitos por Brian Eno na criação dessa obra. Com presença no mundo experimental e popular, o forte envolvimento do artista com a música contamina sua criação em outros campos. É possível reconhecer traços do campo musical na linguagem imagética de 77 Million Paintings, assim como o contrário, quando o campo da imagem contamina a linguagem sonora. A análise é construída através do caminho de leitura das extremidades, proposta por Christine Mello (2016). A identificação dos procedimentos poéticos de desconstrução e contaminação embasam o estudo das relações de fronteiras borradas dos mundos de Brian Eno e 77 Million Paintings. No desenvolvimento a respeito das contaminações entre os sentidos, as ideias de Sérgio Basbaum (2002) respaldam a leitura das sinestesias presentes no trabalho artístico. Para a leitura sobre o sistema de comportamento emergente da proposição artística, Bill Seaman (2010) dá embasamento à reflexão sobre o software 77 Million Paintings e seus desdobramentos estéticosConselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/42795/Juliana%20Garzillo%20Cavalcanti.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Comunicação e SemióticaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesExtremidadesSinestesiaArte digitalEno, Brian - 77 Million PaintingsExtremitiesSynesthesiaDigital artCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO77 Million Paintings: fronteiras entre mundos em Brian Eno77 Million Paintings: Frontiers between worlds in Brian Enoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTJuliana Garzillo Cavalcanti.pdf.txtJuliana Garzillo Cavalcanti.pdf.txtExtracted texttext/plain212113https://repositorio.pucsp.br/xmlui/bitstream/handle/20255/4/Juliana%20Garzillo%20Cavalcanti.pdf.txtf369bc8a3796d6eb58d923303da57469MD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv 77 Million Paintings: fronteiras entre mundos em Brian Eno
dc.title.alternative.eng.fl_str_mv 77 Million Paintings: Frontiers between worlds in Brian Eno
title 77 Million Paintings: fronteiras entre mundos em Brian Eno
spellingShingle 77 Million Paintings: fronteiras entre mundos em Brian Eno
Cavalcanti, Juliana Garzillo
Extremidades
Sinestesia
Arte digital
Eno, Brian - 77 Million Paintings
Extremities
Synesthesia
Digital art
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short 77 Million Paintings: fronteiras entre mundos em Brian Eno
title_full 77 Million Paintings: fronteiras entre mundos em Brian Eno
title_fullStr 77 Million Paintings: fronteiras entre mundos em Brian Eno
title_full_unstemmed 77 Million Paintings: fronteiras entre mundos em Brian Eno
title_sort 77 Million Paintings: fronteiras entre mundos em Brian Eno
author Cavalcanti, Juliana Garzillo
author_facet Cavalcanti, Juliana Garzillo
author_role author
dc.contributor.advisor1.fl_str_mv Mello, Christine
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8559958J4
dc.contributor.author.fl_str_mv Cavalcanti, Juliana Garzillo
contributor_str_mv Mello, Christine
dc.subject.por.fl_str_mv Extremidades
Sinestesia
Arte digital
topic Extremidades
Sinestesia
Arte digital
Eno, Brian - 77 Million Paintings
Extremities
Synesthesia
Digital art
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.subject.eng.fl_str_mv Eno, Brian - 77 Million Paintings
Extremities
Synesthesia
Digital art
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
description This study analyses the borderline zone that 77 Million Paintings, from Brian Eno (United Kingdom, 1948), is in. The art work presents itself in different platforms: software, DVD, audiovisual installation and urban art. The research focuses on reading the work’s poetics that are addressed in spaces in between different languages, senses and technologies. The art work is built with a recombinant language system which makes images and sound montages in different platforms. 77 Million Paintings is presented in various countries between the years 2006 and 2016. The study analyses the poetics and communication process and the sensual stimulus as well. A reflection is made about the choices and path made by Brian Eno in the creation of this art work. Been present in the experimental and popular worlds, the artist’s involvement with music contaminates his creation in another fields. It is possible to recognize music traces in the image language from 77 Million Paintings, and the opposite can be observed too, when the image contaminates sound as well. The analysis is constructed through the extremities way method, from Christine Mello (2016). The identification of the poetics procedures of deconstruction and contamination forms the study of the blurred borderlines between the worlds of Brian Eno and 77 Million Paintings. About the contamination between different senses, Sérgio Basbaum (2002) ideas are used in the reading of the synesthesia’s work. To the analysis about the emergent system of the art work, Bill Seaman (2010) gives basis to the reflection about 77 Million Paintings software and it’s aesthetic results
publishDate 2017
dc.date.accessioned.fl_str_mv 2017-07-27T12:24:46Z
dc.date.issued.fl_str_mv 2017-06-23
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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status_str publishedVersion
dc.identifier.citation.fl_str_mv Cavalcanti, Juliana Garzillo. 77 Million Paintings: fronteiras entre mundos em Brian Eno. 2017. 95 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/20255
identifier_str_mv Cavalcanti, Juliana Garzillo. 77 Million Paintings: fronteiras entre mundos em Brian Eno. 2017. 95 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.
url https://tede2.pucsp.br/handle/handle/20255
dc.language.iso.fl_str_mv por
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dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em Comunicação e Semiótica
dc.publisher.initials.fl_str_mv PUC-SP
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Filosofia, Comunicação, Letras e Artes
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv reponame:Repositório Institucional da PUC_SP
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
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reponame_str Repositório Institucional da PUC_SP
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