Mulheres Pagu e o tambor: experiências sonoras de pertencimento
Ano de defesa: | 2021 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica
|
Departamento: |
Faculdade de Ciências Humanas e da Saúde
|
País: |
Brasil
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | https://tede2.pucsp.br/handle/handle/23598 |
Resumo: | The drum and its vast symbolism combine with historical traces that point to the existence of a moment in history when women were the drummers. However, in modern history, with the advent of the patriarchal and capitalist system, female functions were restricted and redefined and the drum was removed and forbidden to be touched by women. The potential of Music and Music Therapy are present in social and cultural practices and establish an expressive and creative channel of communication, promoting health and well-being in community contexts. Additionally, in recent years both provide musical experiences as strategies for female empowerment. In the current, fourth wave of Brazilian feminism, there is an appropriation of spaces, traditionally considered of male chauvinist rhetoric. One of the most expressive examples of the presence of women in popular culture is the street Carnival, with the appearance of numerous groups composed of women. Through the experience of eight women, rhythmists of the Pagu Carnival group, it was possible to access, through semi-structured interviews in a qualitative research, material for analysis. The objectives were to understand the motivations, meaning and impacts generated from drum practices, as well as their possible associations with the psychological well-being of these women. Using the Thematic Analysis method, themes arose which demonstrated and gave meaning to the strong connective appeal engendered in the union of drums and women. This activity created support and strengthened networks. Personal growth, self-acceptance and autonomy also appear as results of this encounter, transforming these collective musical practices into true sound experiences of belonging |
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Souza, Rosane Mantilla dehttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8183606T6Santos, Maria Carolina Simões dos2021-05-31T13:22:06Z2021-04-12Santos, Maria Carolina Simões dos. Mulheres Pagu e o tambor: experiências sonoras de pertencimento. 2021. 103 f. Dissertação (Mestrado em Psicologia: Psicologia Clínica) - Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2021.https://tede2.pucsp.br/handle/handle/23598The drum and its vast symbolism combine with historical traces that point to the existence of a moment in history when women were the drummers. However, in modern history, with the advent of the patriarchal and capitalist system, female functions were restricted and redefined and the drum was removed and forbidden to be touched by women. The potential of Music and Music Therapy are present in social and cultural practices and establish an expressive and creative channel of communication, promoting health and well-being in community contexts. Additionally, in recent years both provide musical experiences as strategies for female empowerment. In the current, fourth wave of Brazilian feminism, there is an appropriation of spaces, traditionally considered of male chauvinist rhetoric. One of the most expressive examples of the presence of women in popular culture is the street Carnival, with the appearance of numerous groups composed of women. Through the experience of eight women, rhythmists of the Pagu Carnival group, it was possible to access, through semi-structured interviews in a qualitative research, material for analysis. The objectives were to understand the motivations, meaning and impacts generated from drum practices, as well as their possible associations with the psychological well-being of these women. Using the Thematic Analysis method, themes arose which demonstrated and gave meaning to the strong connective appeal engendered in the union of drums and women. This activity created support and strengthened networks. Personal growth, self-acceptance and autonomy also appear as results of this encounter, transforming these collective musical practices into true sound experiences of belongingO tambor e sua vasta simbologia combinam-se a vestígios históricos que apontam para a existência de um momento na história em que as mulheres eram as batuqueiras. Porém, com o advento do sistema patriarcal e capitalista na história moderna, as funções femininas foram redefinidas e restringidas, e o tambor foi afastado e proibido de ser tocado por mulheres. Os potenciais da música e da Musicoterapia estão presentes em práticas sociais e culturais e estabelecem um canal de comunicação expressivo e criativo na promoção de saúde e bem-estar em contextos comunitários e, nos últimos anos, também apresenta as experiências musicais como estratégias de empoderamento feminino. Na atual quarta onda do feminismo brasileiro, percebe-se uma apropriação de espaços de retórica machista também nas expressões da cultura popular, como o carnaval de rua, resultando no aparecimento de inúmeros blocos compostos por mulheres. Através da vivência de oito mulheres ritmistas do bloco carnavalesco Pagu, foi possível acessar – por meio de entrevistas semiestruturadas em uma pesquisa qualitativa – material para análise a fim de compreender a motivação, significado e impactos gerados a partir das práticas de tambor, bem como suas possíveis associações com o bem-estar psicológico dessas mulheres. Utilizando o método da Análise Temática, construíram-se temas, núcleos de sentido que demonstraram o forte apelo conectivo engendrado na união de tambores e mulheres, criando, a partir deste contato, redes de apoio e fortalecimento. Crescimento pessoal, autoaceitação e autonomia também aparecem como resultados deste encontro, transformando essas práticas musicais coletivas em verdadeiras experiências sonoras de pertencimentoCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/53580/Maria%20Carolina%20Sim%c3%b5es%20dos%20Santos.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Psicologia: Psicologia ClínicaPUC-SPBrasilFaculdade de Ciências Humanas e da SaúdeMulheresTamborMusicoterapiaWomenTambouMusic therapyCNPQ::CIENCIAS HUMANAS::PSICOLOGIAMulheres Pagu e o tambor: experiências sonoras de pertencimentoThe women of Pagu and the drum: sound experiences of belonginginfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTMaria Carolina Simões dos Santos.pdf.txtMaria Carolina Simões dos Santos.pdf.txtExtracted texttext/plain219322https://repositorio.pucsp.br/xmlui/bitstream/handle/23598/4/Maria%20Carolina%20Sim%c3%b5es%20dos%20Santos.pdf.txt768cacd342f896843b99bae39674e19aMD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
Mulheres Pagu e o tambor: experiências sonoras de pertencimento |
dc.title.alternative.eng.fl_str_mv |
The women of Pagu and the drum: sound experiences of belonging |
title |
Mulheres Pagu e o tambor: experiências sonoras de pertencimento |
spellingShingle |
Mulheres Pagu e o tambor: experiências sonoras de pertencimento Santos, Maria Carolina Simões dos Mulheres Tambor Musicoterapia Women Tambou Music therapy CNPQ::CIENCIAS HUMANAS::PSICOLOGIA |
title_short |
Mulheres Pagu e o tambor: experiências sonoras de pertencimento |
title_full |
Mulheres Pagu e o tambor: experiências sonoras de pertencimento |
title_fullStr |
Mulheres Pagu e o tambor: experiências sonoras de pertencimento |
title_full_unstemmed |
Mulheres Pagu e o tambor: experiências sonoras de pertencimento |
title_sort |
Mulheres Pagu e o tambor: experiências sonoras de pertencimento |
author |
Santos, Maria Carolina Simões dos |
author_facet |
Santos, Maria Carolina Simões dos |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Souza, Rosane Mantilla de |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8183606T6 |
dc.contributor.author.fl_str_mv |
Santos, Maria Carolina Simões dos |
contributor_str_mv |
Souza, Rosane Mantilla de |
dc.subject.por.fl_str_mv |
Mulheres Tambor Musicoterapia |
topic |
Mulheres Tambor Musicoterapia Women Tambou Music therapy CNPQ::CIENCIAS HUMANAS::PSICOLOGIA |
dc.subject.eng.fl_str_mv |
Women Tambou Music therapy |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS HUMANAS::PSICOLOGIA |
description |
The drum and its vast symbolism combine with historical traces that point to the existence of a moment in history when women were the drummers. However, in modern history, with the advent of the patriarchal and capitalist system, female functions were restricted and redefined and the drum was removed and forbidden to be touched by women. The potential of Music and Music Therapy are present in social and cultural practices and establish an expressive and creative channel of communication, promoting health and well-being in community contexts. Additionally, in recent years both provide musical experiences as strategies for female empowerment. In the current, fourth wave of Brazilian feminism, there is an appropriation of spaces, traditionally considered of male chauvinist rhetoric. One of the most expressive examples of the presence of women in popular culture is the street Carnival, with the appearance of numerous groups composed of women. Through the experience of eight women, rhythmists of the Pagu Carnival group, it was possible to access, through semi-structured interviews in a qualitative research, material for analysis. The objectives were to understand the motivations, meaning and impacts generated from drum practices, as well as their possible associations with the psychological well-being of these women. Using the Thematic Analysis method, themes arose which demonstrated and gave meaning to the strong connective appeal engendered in the union of drums and women. This activity created support and strengthened networks. Personal growth, self-acceptance and autonomy also appear as results of this encounter, transforming these collective musical practices into true sound experiences of belonging |
publishDate |
2021 |
dc.date.accessioned.fl_str_mv |
2021-05-31T13:22:06Z |
dc.date.issued.fl_str_mv |
2021-04-12 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Santos, Maria Carolina Simões dos. Mulheres Pagu e o tambor: experiências sonoras de pertencimento. 2021. 103 f. Dissertação (Mestrado em Psicologia: Psicologia Clínica) - Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2021. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/23598 |
identifier_str_mv |
Santos, Maria Carolina Simões dos. Mulheres Pagu e o tambor: experiências sonoras de pertencimento. 2021. 103 f. Dissertação (Mestrado em Psicologia: Psicologia Clínica) - Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2021. |
url |
https://tede2.pucsp.br/handle/handle/23598 |
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por |
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Pontifícia Universidade Católica de São Paulo |
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Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica |
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PUC-SP |
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Brasil |
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Faculdade de Ciências Humanas e da Saúde |
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Pontifícia Universidade Católica de São Paulo |
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