Como (...) coisas que não existem: uma reflexão sobre arte, moral, exclusão e transformação a partir da 31ª Bienal

• Ano de defesa: 2016
• Autor(a) principal: Lemos, Virgínia Rett
• Orientador(a): Sawaia, Bader Burihan
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Psicologia: Psicologia Social
• Departamento: Faculdade de Ciências Médicas e da Saúde
• País: Brasil
• Palavras-chave em Português: Moral; Dialética exclusão/inclusão; Sofrimento ético-político
• Palavras-chave em Inglês: Morals; Dialectic exclusion / inclusion; Ethical-political suffering
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL
• Link de acesso: https://tede2.pucsp.br/handle/handle/18833

The theme of moral runs around different current issues and appears as a bit-depth concept. This research aims to expand it into its relevance to think about social exclusion, in order to understand it in its complexity and contradictions, including its transmutation into social inclusion. It it discussed here the perverse dialectic exclusion/inclusion, on the direction to reaffirm its contradictory and ambiguous character. By Socio-Historical perspective of social psychology, it is assumed morality as an historical process, using Vygotsky as the main theoretical framework to guide the understanding of the dialectic between objectivity and subjectivity. Thus, the objective of this research is to make a psychosocial analysis of the presence of morality into the processes of perverse exclusion/inclusion, putting into featured the importance of affection. This research was realized among an inspiration field - the 31st Bienal (in São Paulo, Brazil), in which was presented different forms of arts, representing situations in Brazil -and South America- that morality, exclusion, suffering, invisibilities, are the main factor. As well as contributing to voice an urgency for social change. The art work related to sexuality and gender, on this Bienal, was chosen for this work to illustrate crystallized and moral values, along with Queer Theory by Judith Butler to support it. Besides of observation, it was interviewed curators of the Biennial and a Brazilian artist, who performs a street-art in Paris in order to shake the Parisian morality, with works depicting drag queens and that relates to gender discussion, in which the theory queer proposes as well. The results from these interviews showed art as a way to interfere in the historical and cultural process time, giving visibility to situations of marginalization, inequality and moral matters. This research also approached art as a social instrument of emotions, based on considerations of Vygotsky in Psychology of Arts. It was realized, as well during these interviews, the possible potential of art as transgressive in order to perceive it as a possible way to provoke and contribute to social transformation. It was noticed a possibility of art to exist as a transgression, but not as a duty, imperative. It may be noted that it could not assign an ethical responsibility for being transgressive, but rather to empower an individual and collective look for transformations