A arte de Carlos Diegues no projeto nacional-popular do Cinema Novo (1962-1969)

• Ano de defesa: 2016
• Autor(a) principal: Barbedo, Mariana Gonçalves
• Orientador(a): Rago Filho, Antonio
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em História
• Departamento: Faculdade de Ciências Sociais
• País: Brasil
• Palavras-chave em Português: Carlos Diegues; Cinema Novo; CPC - Centro Popular de Cultura
• Palavras-chave em Inglês: National’s People project; Dictatorship
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::HISTORIA
• Link de acesso: https://tede2.pucsp.br/handle/handle/19022

This paper is intended to analyse the cinematographic production of Carlos Diegues inside of the Centro Popular de Cultura (CPC) and the Cinema Novo which incorporate the films Escola de samba, Alegria de Viver (1962), Ganga Zumba (1963), A Grande Cidade (1966) and Os Herdeiros (1969). Dwell on these films enables to explore a historic characters classification and of the human tragedies unveiling a Brazilian social problematic in times of the conservative modernization. There is also the intention to capture the contribution specify of this filmmaker in the political and cultural discussions within social movements which were based close relationship between artists and people – a fundamental condition to ensure the societal changes. Thus, atmosphere of this period is reconstituted, it is rooted by the urges of the National’s People project, as effective resistance, in the cultural sphere, economic and social policy undertaken by the ruling classes in the years preceding the Bonapartist autocratic domination (1964) and in the initial years of this government. To achieve this purposes, it adopted the ontological position of the historical and the immanent critique as adequate to bring to the surface the essential nature of the studied object. Special attention was brought on the process of films creation and trajectory and artistic life of this author as well as the understanding of the social basis that inspired him and in which he sought to intervene, as an important way to reflect and critically assess the reality Brazilian in this period