Já vi esse filme: usos do cinema no trabalho do formador de professores

Detalhes bibliográficos
Ano de defesa: 2016
Autor(a) principal: Tilger, Marcos Alexandre lattes
Orientador(a): Giovinazzo Júnior, Carlos Antônio
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Educação: História, Política, Sociedade
Departamento: Faculdade de Educação
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucsp.br/handle/handle/19460
Resumo: The following research stems from the perception that the use of cinematographic productions for educational purposes in the continuous professional development of teachers hinges on the attribution or recognition of certain characteristics which, when combined with the pedagogical work of those responsible for the training of teachers, allow them to meet the desired expectations. As such, the established goal of this research is the analysis of the determining factors for the selection of the films and for the mediation strategies used during the activities developed by these professionals. The purpose of the analysis is to comprehend how educational and formative meaning is attributed to films via preceding experiences, professional and academic knowledge as well as the knowledge that stems from the relationships between the subjects and the cultural products, and how these elements act in an interconnected fashion. For that purpose, an empirical research based on the concepts developed by the authors of the Critical Theory of Society was conducted through content analysis of semi structured interviews with four professional developers of teachers. Among the noteworthy elements for the analysis are the changes that have occurred in the job sphere throughout late capitalism, together with normative and theoretical production funded by international organizations with great influence over the Brazilian political reforms and the significant alterations in teaching policies. In light of these elements, the critical stance of this research is based on the theoretical contributions of Adorno, Horkheimer, Benjamin and Marcuse, with emphasis on the concepts of technological rationality, late capitalism, formation, experience, administered free time and culture industry. The analysis was conducted through the crossed study of analytical descriptive comparative categories and conceptual critical analytical categories, favoring a negative dialectical approach with focus on the primacy of the object. It can be concluded, based on the justifications and choices of professional developers who are guided by the need to adapt to institutional innovations, employer demands and to the teachers in development themselves, that these restraints prevent actual formative and educational experiences from taking place, and as such these professionals limit themselves to practices of sensitization, motivation and negotiation, all of which have as reference points and persuasive resources products of the culture industry
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spelling Giovinazzo Júnior, Carlos Antôniohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8582488P0Tilger, Marcos Alexandre2016-12-01T11:17:39Z2016-11-09Tilger, Marcos Alexandre. Já vi esse filme: usos do cinema no trabalho do formador de professores. 2016. 221 f. Dissertação (Mestrado em Educação: História, Política, Sociedade) - Programa de Estudos Pós-Graduados em Educação: História, Política, Sociedade, Pontifícia Universidade Católica de São Paulo, São Paulo, 2016.https://tede2.pucsp.br/handle/handle/19460The following research stems from the perception that the use of cinematographic productions for educational purposes in the continuous professional development of teachers hinges on the attribution or recognition of certain characteristics which, when combined with the pedagogical work of those responsible for the training of teachers, allow them to meet the desired expectations. As such, the established goal of this research is the analysis of the determining factors for the selection of the films and for the mediation strategies used during the activities developed by these professionals. The purpose of the analysis is to comprehend how educational and formative meaning is attributed to films via preceding experiences, professional and academic knowledge as well as the knowledge that stems from the relationships between the subjects and the cultural products, and how these elements act in an interconnected fashion. For that purpose, an empirical research based on the concepts developed by the authors of the Critical Theory of Society was conducted through content analysis of semi structured interviews with four professional developers of teachers. Among the noteworthy elements for the analysis are the changes that have occurred in the job sphere throughout late capitalism, together with normative and theoretical production funded by international organizations with great influence over the Brazilian political reforms and the significant alterations in teaching policies. In light of these elements, the critical stance of this research is based on the theoretical contributions of Adorno, Horkheimer, Benjamin and Marcuse, with emphasis on the concepts of technological rationality, late capitalism, formation, experience, administered free time and culture industry. The analysis was conducted through the crossed study of analytical descriptive comparative categories and conceptual critical analytical categories, favoring a negative dialectical approach with focus on the primacy of the object. It can be concluded, based on the justifications and choices of professional developers who are guided by the need to adapt to institutional innovations, employer demands and to the teachers in development themselves, that these restraints prevent actual formative and educational experiences from taking place, and as such these professionals limit themselves to practices of sensitization, motivation and negotiation, all of which have as reference points and persuasive resources products of the culture industryA presente pesquisa parte da percepção de que a adoção de produções cinematográficas com objetivos educativos em situações de formação continuada de professores depende da atribuição ou do reconhecimento de certas características que, combinadas ao trabalho pedagógico dos formadores de professor, possibilitam a estes o alcance de determinadas expectativas. Assim, estabeleceu-se como objetivo analisar os fatores explicativos para a seleção dos filmes e para as estratégias de mediação utilizadas para as atividades desenvolvidas por estes profissionais. A análise busca compreender como concorrem articuladamente as experiências pregressas e os conhecimentos acadêmicos e profissionais, bem como aqueles provenientes das relações estabelecidas com os produtos culturais pelos sujeitos para a atribuição de significado formativo aos filmes. Para tanto, empreendeu-se uma pesquisa empírica mediada por conceitos dos autores da Teoria Crítica da Sociedade, realizada por meio da Análise de Conteúdo de entrevistas semiestruturadas com quatro profissionais formadores de professores. Como elementos significativos para a análise considera-se as alterações no mundo do trabalho no capitalismo tardio articuladas à produção normativa e teórica patrocinada por organismos internacionais com grande influência nas reformas do Estado brasileiro e nas significativas alterações nas políticas docentes. Fundamentou-se o posicionamento crítico frente a estes processos nas contribuições teóricas de Adorno, Horkheimer, Benjamin e Marcuse com ênfase nos conceitos de Racionalidade técnica, Capitalismo tardio, Formação, Experiência, Tempo-livre administrado e Indústria Cultural. A análise foi elaborada por meio do cruzamento de categorias analíticas descritivas comparativas e categorias analíticas conceituais críticas, favorecendo uma abordagem dialética negativa em torno da primazia do objeto. Deste modo, pode-se concluir com base nas justificativas e escolhas dos formadores que, pautados pela necessidade de adaptação a inovações institucionais, controles exercidos pela chefia e pelo próprio público da formação que impedem experiências verdadeiramente formativas, limitam-se a práticas de sensibilização, motivação e negociação cujos referentes comuns e recursos persuasivos se constituem em torno de produtos da indústria culturalConselho Nacional de Desenvolvimento Científico e Tecnológicoapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/40312/Marcos%20Alexandre%20Tilger.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Educação: História, Política, SociedadePUC-SPBrasilFaculdade de EducaçãoFormação continuadaFormação de formadoresCinema e educaçãoContinuous professional developmentDevelopment of educatorsCinema and educationCNPQ::CIENCIAS HUMANAS::EDUCACAO::TOPICOS ESPECIFICOS DE EDUCACAOJá vi esse filme: usos do cinema no trabalho do formador de professoresinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTMarcos Alexandre Tilger.pdf.txtMarcos Alexandre Tilger.pdf.txtExtracted texttext/plain607077https://repositorio.pucsp.br/xmlui/bitstream/handle/19460/4/Marcos%20Alexandre%20Tilger.pdf.txtbf95af298485cc6c935fe5d2e1aca83eMD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv Já vi esse filme: usos do cinema no trabalho do formador de professores
title Já vi esse filme: usos do cinema no trabalho do formador de professores
spellingShingle Já vi esse filme: usos do cinema no trabalho do formador de professores
Tilger, Marcos Alexandre
Formação continuada
Formação de formadores
Cinema e educação
Continuous professional development
Development of educators
Cinema and education
CNPQ::CIENCIAS HUMANAS::EDUCACAO::TOPICOS ESPECIFICOS DE EDUCACAO
title_short Já vi esse filme: usos do cinema no trabalho do formador de professores
title_full Já vi esse filme: usos do cinema no trabalho do formador de professores
title_fullStr Já vi esse filme: usos do cinema no trabalho do formador de professores
title_full_unstemmed Já vi esse filme: usos do cinema no trabalho do formador de professores
title_sort Já vi esse filme: usos do cinema no trabalho do formador de professores
author Tilger, Marcos Alexandre
author_facet Tilger, Marcos Alexandre
author_role author
dc.contributor.advisor1.fl_str_mv Giovinazzo Júnior, Carlos Antônio
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8582488P0
dc.contributor.author.fl_str_mv Tilger, Marcos Alexandre
contributor_str_mv Giovinazzo Júnior, Carlos Antônio
dc.subject.por.fl_str_mv Formação continuada
topic Formação continuada
Formação de formadores
Cinema e educação
Continuous professional development
Development of educators
Cinema and education
CNPQ::CIENCIAS HUMANAS::EDUCACAO::TOPICOS ESPECIFICOS DE EDUCACAO
dc.subject.eng.fl_str_mv Formação de formadores
Cinema e educação
Continuous professional development
Development of educators
Cinema and education
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS HUMANAS::EDUCACAO::TOPICOS ESPECIFICOS DE EDUCACAO
description The following research stems from the perception that the use of cinematographic productions for educational purposes in the continuous professional development of teachers hinges on the attribution or recognition of certain characteristics which, when combined with the pedagogical work of those responsible for the training of teachers, allow them to meet the desired expectations. As such, the established goal of this research is the analysis of the determining factors for the selection of the films and for the mediation strategies used during the activities developed by these professionals. The purpose of the analysis is to comprehend how educational and formative meaning is attributed to films via preceding experiences, professional and academic knowledge as well as the knowledge that stems from the relationships between the subjects and the cultural products, and how these elements act in an interconnected fashion. For that purpose, an empirical research based on the concepts developed by the authors of the Critical Theory of Society was conducted through content analysis of semi structured interviews with four professional developers of teachers. Among the noteworthy elements for the analysis are the changes that have occurred in the job sphere throughout late capitalism, together with normative and theoretical production funded by international organizations with great influence over the Brazilian political reforms and the significant alterations in teaching policies. In light of these elements, the critical stance of this research is based on the theoretical contributions of Adorno, Horkheimer, Benjamin and Marcuse, with emphasis on the concepts of technological rationality, late capitalism, formation, experience, administered free time and culture industry. The analysis was conducted through the crossed study of analytical descriptive comparative categories and conceptual critical analytical categories, favoring a negative dialectical approach with focus on the primacy of the object. It can be concluded, based on the justifications and choices of professional developers who are guided by the need to adapt to institutional innovations, employer demands and to the teachers in development themselves, that these restraints prevent actual formative and educational experiences from taking place, and as such these professionals limit themselves to practices of sensitization, motivation and negotiation, all of which have as reference points and persuasive resources products of the culture industry
publishDate 2016
dc.date.accessioned.fl_str_mv 2016-12-01T11:17:39Z
dc.date.issued.fl_str_mv 2016-11-09
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv Tilger, Marcos Alexandre. Já vi esse filme: usos do cinema no trabalho do formador de professores. 2016. 221 f. Dissertação (Mestrado em Educação: História, Política, Sociedade) - Programa de Estudos Pós-Graduados em Educação: História, Política, Sociedade, Pontifícia Universidade Católica de São Paulo, São Paulo, 2016.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/19460
identifier_str_mv Tilger, Marcos Alexandre. Já vi esse filme: usos do cinema no trabalho do formador de professores. 2016. 221 f. Dissertação (Mestrado em Educação: História, Política, Sociedade) - Programa de Estudos Pós-Graduados em Educação: História, Política, Sociedade, Pontifícia Universidade Católica de São Paulo, São Paulo, 2016.
url https://tede2.pucsp.br/handle/handle/19460
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dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em Educação: História, Política, Sociedade
dc.publisher.initials.fl_str_mv PUC-SP
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dc.publisher.department.fl_str_mv Faculdade de Educação
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
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