Brasil periferia(s): a comunicação insurgente do Hip-Hop
Ano de defesa: | 2008 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Tese |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
Departamento: |
Comunicação
|
País: |
BR
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | https://tede2.pucsp.br/handle/handle/5158 |
Resumo: | This thesis studies the resistance processes carried out in Brazil by thousands of young people linked to hip-hop. These youngsters actively participate in the production of knowledge and in the re-semantization of the Brazilian deprived suburbs in the context of the contemporary world. Their voice emerges against homogenized symbolic constructions produced by dominant thinking, i.e., that strand of thought grounded on values and desires in strict accordance with the hegemonic economic system. We understand that the sharing of knowledge is the basis for resistance. Therefore, comunication is placed at the core of resistence: knowledge shared and multiplied. The concept of comunication, however, has been increasingly limited to mediatic objects. As a consequence, diverse communicative practices are being neglected in communication epistemological theory. This is why it is extremely important to widen the understanding of communicational objects in order to include manifestations otherwise invisible in mainstream media. The analytical corpus of this investigation is composed by the lyrics of hip-hop songs, analysed from the point of view of comunication and sociology. One of the main theoretical landmarks in this work are the concepts from Boaventura Santos (2006a): ecology of knowledge, sociology of absence and sociology of emergence. Fundamental texts regarding power, resistence, empowerment and emancipation in the text were: Foucault (1979; 1988; 2000), Santos (2005a; 2006a; 2006b; 2007a) and feminist thought, especially Magdalena León (2000) and Patrícia Collins (1991). In the comunication field, we have made extensive use of the work by José Luiz Aidar Prado (2006a; 2006b) and Muniz Sodré (2002), as well as Hannah Arendt s writings (2007) in political philosophy. The discussions on globalization were carried out from the perspective of Milton Santos (2001) and again Boaventura Santos (2002), as well as Zizek`s (2006) criticism of multiculturalism, in order to establish a relationship between globalization, local cultures and resistence. Specific points on our investigation demanded specialized approaches such as urban planning; social movements; racial relations; urban violence; police violence; criminal control and human rights; critical criminology; identity; gender; and oral culture. We conclude the text pointing out that hip-hop is an active actor in the construction of an insurgent communication. Such insurgent comunication is able to symbolically reorder aspects misrepresented by hegemonic media concerning black and poor people living in the suburbs. Therefore, hip-hop as counter-hegemonic pratices constitutes a critical action able to deconstruct naturalizing visions on cultures |
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Prado, José Luiz Aidarhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4706493U8Moassab, Andreia2016-04-26T18:17:38Z2009-02-062008-12-19Moassab, Andreia. Brasil periferia(s): a comunicação insurgente do Hip-Hop. 2008. 295 f. Tese (Doutorado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2008.https://tede2.pucsp.br/handle/handle/5158This thesis studies the resistance processes carried out in Brazil by thousands of young people linked to hip-hop. These youngsters actively participate in the production of knowledge and in the re-semantization of the Brazilian deprived suburbs in the context of the contemporary world. Their voice emerges against homogenized symbolic constructions produced by dominant thinking, i.e., that strand of thought grounded on values and desires in strict accordance with the hegemonic economic system. We understand that the sharing of knowledge is the basis for resistance. Therefore, comunication is placed at the core of resistence: knowledge shared and multiplied. The concept of comunication, however, has been increasingly limited to mediatic objects. As a consequence, diverse communicative practices are being neglected in communication epistemological theory. This is why it is extremely important to widen the understanding of communicational objects in order to include manifestations otherwise invisible in mainstream media. The analytical corpus of this investigation is composed by the lyrics of hip-hop songs, analysed from the point of view of comunication and sociology. One of the main theoretical landmarks in this work are the concepts from Boaventura Santos (2006a): ecology of knowledge, sociology of absence and sociology of emergence. Fundamental texts regarding power, resistence, empowerment and emancipation in the text were: Foucault (1979; 1988; 2000), Santos (2005a; 2006a; 2006b; 2007a) and feminist thought, especially Magdalena León (2000) and Patrícia Collins (1991). In the comunication field, we have made extensive use of the work by José Luiz Aidar Prado (2006a; 2006b) and Muniz Sodré (2002), as well as Hannah Arendt s writings (2007) in political philosophy. The discussions on globalization were carried out from the perspective of Milton Santos (2001) and again Boaventura Santos (2002), as well as Zizek`s (2006) criticism of multiculturalism, in order to establish a relationship between globalization, local cultures and resistence. Specific points on our investigation demanded specialized approaches such as urban planning; social movements; racial relations; urban violence; police violence; criminal control and human rights; critical criminology; identity; gender; and oral culture. We conclude the text pointing out that hip-hop is an active actor in the construction of an insurgent communication. Such insurgent comunication is able to symbolically reorder aspects misrepresented by hegemonic media concerning black and poor people living in the suburbs. Therefore, hip-hop as counter-hegemonic pratices constitutes a critical action able to deconstruct naturalizing visions on culturesEsta tese discute os processos de resistência realizados em ações de milhares de jovens do hip-hop que, no mundo contemporâneo, participam ativamente na produção de conhecimento e ressignificação das periferias brasileiras. Trata-se de uma voz que se impõe face às construções simbólicas homogeneizantes produzidas pelo pensamento dominante, em torno de valores e da criação de desejos em concordância estrita com aqueles do sistema econômico hegemônico. Entende-se que a base da construção da resistência é a partilha de conhecimento, de modo que a comunicação passa a ocupar o cerne da resistência: conhecimento dividido e multiplicado. O conceito de comunicação, no entanto, tem sido cada vez mais limitado aos objetos midiáticos, de forma que diversas práticas comunicativas têm sido negligenciadas nas teorias da comunicação. Daí a importância de ampliar o entendimento do que são os objetos comunicacionais com vistas a incluir manifestações não visíveis na mídia. O corpus analítico, dentro do movimento hip-hop, são as letras das músicas, analisadas sob a ótica da comunicação, em diálogo com a sociologia. Um dos principais marcos teóricos desta pesquisa são os conceitos de ecologia de saberes e sociologias das ausências e das emergências de Boaventura Santos (2006a). Nas questões concernentes a poder, resistência, empoderamento e emancipação foram fundamentais os trabalhos de Foucault (1979; 1988; 2000), Santos (2005a; 2006a; 2006b; 2007a) e das teóricas feministas, em especial Magdalena León (2000) e Patrícia Collins (1991). No campo da comunicação, o diálogo foi estabelecido com José Luiz Aidar Prado (2006a; 2006b), Muniz Sodré (2002), e, na filosofia política, com Hannah Arendt (2007), no que diz respeito aos temas de discurso e ação. O debate sobre globalização foi feito sob a perspectiva de Milton Santos (2001) e novamente de Boaventura Santos (2002), com referências a Zizek (2006) e sua crítica ao multiculturalismo, estabelecendo um diálogo sobre a relação entre globalização, culturas locais e resistência. Momentos pontuais da tese solicitaram teóricos de áreas específicas como planejamento urbano; movimentos sociais; relações raciais; violência urbana; violência policial; instituições penais e direitos humanos; criminologia crítica; construção da identidade; gênero; e oralidade. Terminamos a investigação indicando como o hip-hop constrói uma comunicação insurgente, recolocando simbolicamente os principais aspectos deturpados pela mídia hegemônica no que tange à população negra, pobre e moradora dos bairros periféricos. O hip-hop enquanto prática contra-hegemônica se constituiu, por conseguinte, em uma ação crítica capaz de desconstruir visões naturalizadoras das culturasConselho Nacional de Desenvolvimento Científico e Tecnológicoapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/14062/Andreia%20Moassab.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Comunicação e SemióticaPUC-SPBRComunicaçãoMídiaComunicação contra-hegemônicaGlobalizaçãoEmancipaçãoHip-Hop (Cultura popular jovem) -- BrasilComunicacao de massaResistencia ao governoMediaCounter-hegemonic communicationGlobalizationResistenceEmancipationCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOBrasil periferia(s): a comunicação insurgente do Hip-Hopinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTAndreia Moassab.pdf.txtAndreia Moassab.pdf.txtExtracted texttext/plain743496https://repositorio.pucsp.br/xmlui/bitstream/handle/5158/3/Andreia%20Moassab.pdf.txt67d319897c356d97d5516cd05fbeadb3MD53ORIGINALAndreia Moassab.pdfapplication/pdf28208612https://repositorio.pucsp.br/xmlui/bitstream/handle/5158/1/Andreia%20Moassab.pdf92aa527108e41fb7ecc9f7203051a60fMD51THUMBNAILAndreia Moassab.pdf.jpgAndreia Moassab.pdf.jpgGenerated Thumbnailimage/jpeg5906https://repositorio.pucsp.br/xmlui/bitstream/handle/5158/2/Andreia%20Moassab.pdf.jpgd8503790647518b774a837b30dc869a3MD52handle/51582022-04-28 19:23:24.605oai:repositorio.pucsp.br:handle/5158Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T22:23:24Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
Brasil periferia(s): a comunicação insurgente do Hip-Hop |
title |
Brasil periferia(s): a comunicação insurgente do Hip-Hop |
spellingShingle |
Brasil periferia(s): a comunicação insurgente do Hip-Hop Moassab, Andreia Mídia Comunicação contra-hegemônica Globalização Emancipação Hip-Hop (Cultura popular jovem) -- Brasil Comunicacao de massa Resistencia ao governo Media Counter-hegemonic communication Globalization Resistence Emancipation CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
Brasil periferia(s): a comunicação insurgente do Hip-Hop |
title_full |
Brasil periferia(s): a comunicação insurgente do Hip-Hop |
title_fullStr |
Brasil periferia(s): a comunicação insurgente do Hip-Hop |
title_full_unstemmed |
Brasil periferia(s): a comunicação insurgente do Hip-Hop |
title_sort |
Brasil periferia(s): a comunicação insurgente do Hip-Hop |
author |
Moassab, Andreia |
author_facet |
Moassab, Andreia |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Prado, José Luiz Aidar |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4706493U8 |
dc.contributor.author.fl_str_mv |
Moassab, Andreia |
contributor_str_mv |
Prado, José Luiz Aidar |
dc.subject.por.fl_str_mv |
Mídia Comunicação contra-hegemônica Globalização Emancipação Hip-Hop (Cultura popular jovem) -- Brasil Comunicacao de massa Resistencia ao governo |
topic |
Mídia Comunicação contra-hegemônica Globalização Emancipação Hip-Hop (Cultura popular jovem) -- Brasil Comunicacao de massa Resistencia ao governo Media Counter-hegemonic communication Globalization Resistence Emancipation CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Media Counter-hegemonic communication Globalization Resistence Emancipation |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
This thesis studies the resistance processes carried out in Brazil by thousands of young people linked to hip-hop. These youngsters actively participate in the production of knowledge and in the re-semantization of the Brazilian deprived suburbs in the context of the contemporary world. Their voice emerges against homogenized symbolic constructions produced by dominant thinking, i.e., that strand of thought grounded on values and desires in strict accordance with the hegemonic economic system. We understand that the sharing of knowledge is the basis for resistance. Therefore, comunication is placed at the core of resistence: knowledge shared and multiplied. The concept of comunication, however, has been increasingly limited to mediatic objects. As a consequence, diverse communicative practices are being neglected in communication epistemological theory. This is why it is extremely important to widen the understanding of communicational objects in order to include manifestations otherwise invisible in mainstream media. The analytical corpus of this investigation is composed by the lyrics of hip-hop songs, analysed from the point of view of comunication and sociology. One of the main theoretical landmarks in this work are the concepts from Boaventura Santos (2006a): ecology of knowledge, sociology of absence and sociology of emergence. Fundamental texts regarding power, resistence, empowerment and emancipation in the text were: Foucault (1979; 1988; 2000), Santos (2005a; 2006a; 2006b; 2007a) and feminist thought, especially Magdalena León (2000) and Patrícia Collins (1991). In the comunication field, we have made extensive use of the work by José Luiz Aidar Prado (2006a; 2006b) and Muniz Sodré (2002), as well as Hannah Arendt s writings (2007) in political philosophy. The discussions on globalization were carried out from the perspective of Milton Santos (2001) and again Boaventura Santos (2002), as well as Zizek`s (2006) criticism of multiculturalism, in order to establish a relationship between globalization, local cultures and resistence. Specific points on our investigation demanded specialized approaches such as urban planning; social movements; racial relations; urban violence; police violence; criminal control and human rights; critical criminology; identity; gender; and oral culture. We conclude the text pointing out that hip-hop is an active actor in the construction of an insurgent communication. Such insurgent comunication is able to symbolically reorder aspects misrepresented by hegemonic media concerning black and poor people living in the suburbs. Therefore, hip-hop as counter-hegemonic pratices constitutes a critical action able to deconstruct naturalizing visions on cultures |
publishDate |
2008 |
dc.date.issued.fl_str_mv |
2008-12-19 |
dc.date.available.fl_str_mv |
2009-02-06 |
dc.date.accessioned.fl_str_mv |
2016-04-26T18:17:38Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/doctoralThesis |
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doctoralThesis |
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publishedVersion |
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Moassab, Andreia. Brasil periferia(s): a comunicação insurgente do Hip-Hop. 2008. 295 f. Tese (Doutorado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2008. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/5158 |
identifier_str_mv |
Moassab, Andreia. Brasil periferia(s): a comunicação insurgente do Hip-Hop. 2008. 295 f. Tese (Doutorado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2008. |
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