Cenografia e subjetivação em discursos literários de posicionamento espiritual, produzidos por Frei Antonio das Chagas, no Barroco português
Ano de defesa: | 2019 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Tese |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Língua Portuguesa
|
Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
|
País: |
Brasil
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | https://tede2.pucsp.br/handle/handle/22094 |
Resumo: | This research aims to examine the scenography and subjectification processes in spiritual positioning through literary speeches, produced by Friar Antonio das Chagas, in Portuguese Baroque and compiled in Cartas Espirituais. The corpus collected presents doctrinal purposes related to knowing how to live, based on biblical prudence. In order to legitimize their doctrinal functions, the enunciator makes a mise-en-scène an spirituality that harmonizes Christian humanism and mystical asceticism. Therefore, dialogues among Literature, Religion, Spirituality and Philosophy are made with other discursive marks of baroque esthetics. Our thesis problematizes the literary discourse of spiritual positioning, based on the French-inspiration discourse analysis, mainly on the studies of Maingueneau (2000, 2005, 2006b, 2007, 2008a, 2008b, 2011, 2015), since they allow us an enunciative-discursive approach of the constituted corpus. For the analysis, interdiscursive categories have been used in order to mobilize the discursive formations of baroque esthetics, enunciation scenes that allow the enunciative acts unfolding and processes of subjectivation, in regard to consolidate the ascetic-mystical spirituality and Christian humanist. Finally, the paratopy, as a condition of literary speech, is observed as a model of life and moral conduct based on spirituality. The results obtained from the analysis indicate that the literary speeches of spiritual positioning written by Friar Antonio das Chagas propose models of life for a social, ethical and moral world. The combination of the discursive formations in the functioning of the speeches occurs through the unfolding produced by the enunciator between what has been instituted by the social environment and what has been captured during the enunciation. Hence, the construction of a paratopic speech implies a domain that is only possible in the enunciative-discursive practice, which sediments a certain way of dealing with the Absolute / God and extracting from this relation, a moral trajectory for social practices |
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Nascimento, Jarbas Vargashttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4257501T3Celestino, Ricardo2019-04-24T10:24:40Z2019-03-19Celestino, Ricardo. Cenografia e subjetivação em discursos literários de posicionamento espiritual, produzidos por Frei Antonio das Chagas, no Barroco português. 2019. 230 f. Tese (Doutorado em Língua Portuguesa) - Programa de Estudos Pós-Graduados em Língua Portuguesa, Pontifícia Universidade Católica de São Paulo, São Paulo, 2019.https://tede2.pucsp.br/handle/handle/22094This research aims to examine the scenography and subjectification processes in spiritual positioning through literary speeches, produced by Friar Antonio das Chagas, in Portuguese Baroque and compiled in Cartas Espirituais. The corpus collected presents doctrinal purposes related to knowing how to live, based on biblical prudence. In order to legitimize their doctrinal functions, the enunciator makes a mise-en-scène an spirituality that harmonizes Christian humanism and mystical asceticism. Therefore, dialogues among Literature, Religion, Spirituality and Philosophy are made with other discursive marks of baroque esthetics. Our thesis problematizes the literary discourse of spiritual positioning, based on the French-inspiration discourse analysis, mainly on the studies of Maingueneau (2000, 2005, 2006b, 2007, 2008a, 2008b, 2011, 2015), since they allow us an enunciative-discursive approach of the constituted corpus. For the analysis, interdiscursive categories have been used in order to mobilize the discursive formations of baroque esthetics, enunciation scenes that allow the enunciative acts unfolding and processes of subjectivation, in regard to consolidate the ascetic-mystical spirituality and Christian humanist. Finally, the paratopy, as a condition of literary speech, is observed as a model of life and moral conduct based on spirituality. The results obtained from the analysis indicate that the literary speeches of spiritual positioning written by Friar Antonio das Chagas propose models of life for a social, ethical and moral world. The combination of the discursive formations in the functioning of the speeches occurs through the unfolding produced by the enunciator between what has been instituted by the social environment and what has been captured during the enunciation. Hence, the construction of a paratopic speech implies a domain that is only possible in the enunciative-discursive practice, which sediments a certain way of dealing with the Absolute / God and extracting from this relation, a moral trajectory for social practicesThis research aims to examine the scenography and subjectification processes in spiritual positioning through literary speeches, produced by Friar Antonio das Chagas, in Portuguese Baroque and compiled in Cartas Espirituais. The corpus collected presents doctrinal purposes related to knowing how to live, based on biblical prudence. In order to legitimize their doctrinal functions, the enunciator makes a mise-en-scène an spirituality that harmonizes Christian humanism and mystical asceticism. Therefore, dialogues among Literature, Religion, Spirituality and Philosophy are made with other discursive marks of baroque esthetics. Our thesis problematizes the literary discourse of spiritual positioning, based on the French-inspiration discourse analysis, mainly on the studies of Maingueneau (2000, 2005, 2006b, 2007, 2008a, 2008b, 2011, 2015), since they allow us an enunciative-discursive approach of the constituted corpus. For the analysis, interdiscursive categories have been used in order to mobilize the discursive formations of baroque esthetics, enunciation scenes that allow the enunciative acts unfolding and processes of subjectivation, in regard to consolidate the ascetic-mystical spirituality and Christian humanist. Finally, the paratopy, as a condition of literary speech, is observed as a model of life and moral conduct based on spirituality. The results obtained from the analysis indicate that the literary speeches of spiritual positioning written by Friar Antonio das Chagas propose models of life for a social, ethical and moral world. The combination of the discursive formations in the functioning of the speeches occurs through the unfolding produced by the enunciator between what has been instituted by the social environment and what has been captured during the enunciation. Hence, the construction of a paratopic speech implies a domain that is only possible in the enunciative-discursive practice, which sediments a certain way of dealing with the Absolute / God and extracting from this relation, a moral trajectory for social practicesEsta pesquisa examina a cenografia e os processos de subjetivação em discursos literários de posicionamento espiritual, produzidos por Frei Antonio das Chagas, no Barroco português e compilados em Cartas Espirituais. O corpus constituido tem finalidades doutrinárias relacionadas ao saber viver, com base na prudência bíblica. Para que os discursos legitimem suas funções doutrinárias, o enunciador coloca em cena uma espiritualidade que harmoniza o humanismo cristão e o ascetismo-místico. Por isso, faz dialogar a Literatura, Religião, Espiritualidade e a Filosofia com outras marcas discursivas da estética barroca. Nossa tese problematiza o discurso literário de posicionamento espiritual e fundamenta-se na Análise do Discurso de inspiração francesa, principalmente nos estudos de Maingueneau (2000, 2005, 2006b, 2007, 2008a, 2008b, 2011, 2015), uma vez que nos permitem uma abordagem enunciativodiscursiva do corpus que constituímos. Para a análise, utilizamos a categoria de interdiscurso que mobiliza as formações discursivas da estética barroca, as cenas de enunciação que permitem o os desdobramentos dos atos enunciativos e dos processos de subjetivação, para a consolidação de uma espiritualidade ascético-mística e humanista cristã. Por fim, a paratopia que, como condição do discurso literário, nos fez observar um modelo de vida e de conduta moral pautada na espiritualidade. Os resultados obtidos da análise apontam, portanto, que os discursos literários de posicionamento espiritual escritos por Frei Antonio das Chagas apresentam modelos de vida para um mundo social, ético e moral. A confluência das formações discursivas no funcionamento dos discursos se deu por meio de desdobramentos realizados pelo enunciador entre o instituído pelo meio e o captado ao longo da enunciação. Dessa maneira, a construção de um discurso paratópico implica um território possível apenas na prática enunciativo-discursiva que sedimenta certa maneira de lidar com o Absoluto/ Deus e de extrair, dessa relação, uma trajetória moral para as práticas sociaisCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/48763/Ricardo%20Celestino.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Língua PortuguesaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesAnálise do discurso literárioEspiritualidadeAntonio das Chagas - Frei [1631-1682] - Crítica e interpretaçãoBarrocoDiscourse analysis, LiterarySpiritualityAntonio das Chagas - Frei [1631-1682] - Criticism and interpretationBaroqueCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESACenografia e subjetivação em discursos literários de posicionamento espiritual, produzidos por Frei Antonio das Chagas, no Barroco portuguêsScenography and subjectivation in literary discourses of spiritual positioning, produced by Frei Antonio das Chagas, in the Portuguese Baroqueinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTRicardo Celestino.pdf.txtRicardo Celestino.pdf.txtExtracted texttext/plain492266https://repositorio.pucsp.br/xmlui/bitstream/handle/22094/4/Ricardo%20Celestino.pdf.txtae052ab0172b74e967f4d32f1b5b08b2MD54ORIGINALRicardo Celestino.pdfRicardo Celestino.pdfapplication/pdf1171831https://repositorio.pucsp.br/xmlui/bitstream/handle/22094/2/Ricardo%20Celestino.pdf5a10ca6e417cdd6c79f025e8d92d70a0MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165https://repositorio.pucsp.br/xmlui/bitstream/handle/22094/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51THUMBNAILRicardo Celestino.pdf.jpgRicardo Celestino.pdf.jpgGenerated Thumbnailimage/jpeg3272https://repositorio.pucsp.br/xmlui/bitstream/handle/22094/3/Ricardo%20Celestino.pdf.jpgc9738f4794b80233c7dab2625eb127a0MD53handle/220942022-04-28 07:22:49.848oai:repositorio.pucsp.br: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Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T10:22:49Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
Cenografia e subjetivação em discursos literários de posicionamento espiritual, produzidos por Frei Antonio das Chagas, no Barroco português |
dc.title.alternative.eng.fl_str_mv |
Scenography and subjectivation in literary discourses of spiritual positioning, produced by Frei Antonio das Chagas, in the Portuguese Baroque |
title |
Cenografia e subjetivação em discursos literários de posicionamento espiritual, produzidos por Frei Antonio das Chagas, no Barroco português |
spellingShingle |
Cenografia e subjetivação em discursos literários de posicionamento espiritual, produzidos por Frei Antonio das Chagas, no Barroco português Celestino, Ricardo Análise do discurso literário Espiritualidade Antonio das Chagas - Frei [1631-1682] - Crítica e interpretação Barroco Discourse analysis, Literary Spirituality Antonio das Chagas - Frei [1631-1682] - Criticism and interpretation Baroque CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA |
title_short |
Cenografia e subjetivação em discursos literários de posicionamento espiritual, produzidos por Frei Antonio das Chagas, no Barroco português |
title_full |
Cenografia e subjetivação em discursos literários de posicionamento espiritual, produzidos por Frei Antonio das Chagas, no Barroco português |
title_fullStr |
Cenografia e subjetivação em discursos literários de posicionamento espiritual, produzidos por Frei Antonio das Chagas, no Barroco português |
title_full_unstemmed |
Cenografia e subjetivação em discursos literários de posicionamento espiritual, produzidos por Frei Antonio das Chagas, no Barroco português |
title_sort |
Cenografia e subjetivação em discursos literários de posicionamento espiritual, produzidos por Frei Antonio das Chagas, no Barroco português |
author |
Celestino, Ricardo |
author_facet |
Celestino, Ricardo |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Nascimento, Jarbas Vargas |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4257501T3 |
dc.contributor.author.fl_str_mv |
Celestino, Ricardo |
contributor_str_mv |
Nascimento, Jarbas Vargas |
dc.subject.por.fl_str_mv |
Análise do discurso literário Espiritualidade Antonio das Chagas - Frei [1631-1682] - Crítica e interpretação Barroco |
topic |
Análise do discurso literário Espiritualidade Antonio das Chagas - Frei [1631-1682] - Crítica e interpretação Barroco Discourse analysis, Literary Spirituality Antonio das Chagas - Frei [1631-1682] - Criticism and interpretation Baroque CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA |
dc.subject.eng.fl_str_mv |
Discourse analysis, Literary Spirituality Antonio das Chagas - Frei [1631-1682] - Criticism and interpretation Baroque |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA |
description |
This research aims to examine the scenography and subjectification processes in spiritual positioning through literary speeches, produced by Friar Antonio das Chagas, in Portuguese Baroque and compiled in Cartas Espirituais. The corpus collected presents doctrinal purposes related to knowing how to live, based on biblical prudence. In order to legitimize their doctrinal functions, the enunciator makes a mise-en-scène an spirituality that harmonizes Christian humanism and mystical asceticism. Therefore, dialogues among Literature, Religion, Spirituality and Philosophy are made with other discursive marks of baroque esthetics. Our thesis problematizes the literary discourse of spiritual positioning, based on the French-inspiration discourse analysis, mainly on the studies of Maingueneau (2000, 2005, 2006b, 2007, 2008a, 2008b, 2011, 2015), since they allow us an enunciative-discursive approach of the constituted corpus. For the analysis, interdiscursive categories have been used in order to mobilize the discursive formations of baroque esthetics, enunciation scenes that allow the enunciative acts unfolding and processes of subjectivation, in regard to consolidate the ascetic-mystical spirituality and Christian humanist. Finally, the paratopy, as a condition of literary speech, is observed as a model of life and moral conduct based on spirituality. The results obtained from the analysis indicate that the literary speeches of spiritual positioning written by Friar Antonio das Chagas propose models of life for a social, ethical and moral world. The combination of the discursive formations in the functioning of the speeches occurs through the unfolding produced by the enunciator between what has been instituted by the social environment and what has been captured during the enunciation. Hence, the construction of a paratopic speech implies a domain that is only possible in the enunciative-discursive practice, which sediments a certain way of dealing with the Absolute / God and extracting from this relation, a moral trajectory for social practices |
publishDate |
2019 |
dc.date.accessioned.fl_str_mv |
2019-04-24T10:24:40Z |
dc.date.issued.fl_str_mv |
2019-03-19 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Celestino, Ricardo. Cenografia e subjetivação em discursos literários de posicionamento espiritual, produzidos por Frei Antonio das Chagas, no Barroco português. 2019. 230 f. Tese (Doutorado em Língua Portuguesa) - Programa de Estudos Pós-Graduados em Língua Portuguesa, Pontifícia Universidade Católica de São Paulo, São Paulo, 2019. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/22094 |
identifier_str_mv |
Celestino, Ricardo. Cenografia e subjetivação em discursos literários de posicionamento espiritual, produzidos por Frei Antonio das Chagas, no Barroco português. 2019. 230 f. Tese (Doutorado em Língua Portuguesa) - Programa de Estudos Pós-Graduados em Língua Portuguesa, Pontifícia Universidade Católica de São Paulo, São Paulo, 2019. |
url |
https://tede2.pucsp.br/handle/handle/22094 |
dc.language.iso.fl_str_mv |
por |
language |
por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.publisher.program.fl_str_mv |
Programa de Estudos Pós-Graduados em Língua Portuguesa |
dc.publisher.initials.fl_str_mv |
PUC-SP |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Filosofia, Comunicação, Letras e Artes |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.source.none.fl_str_mv |
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PUC_SP |
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PUC_SP |
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collection |
Biblioteca Digital de Teses e Dissertações da PUC_SP |
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