O palavr?o em filmes brasileiros contempor?neos : um enfoque Bakhtiniano
Ano de defesa: | 2015 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Tese |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Pontif?cia Universidade Cat?lica do Rio Grande do Sul
|
Programa de Pós-Graduação: |
Programa de P?s-Gradua??o em Letras
|
Departamento: |
Faculdade de Letras
|
País: |
Brasil
|
Palavras-chave em Português: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://tede2.pucrs.br/tede2/handle/tede/6594 |
Resumo: | This study aims at introducing theoretical-methodological remarks to analyze swearwords in the contemporary Brazilian movie industry. Its general objective is to analyze swearwords which come up in two Brazilian movies by observing dialogic relations that emerge from these ideological signs. Its specific objectives are the following: (i) to analyze different intonations which emerge from the swearwords under investigation in the selected movie scenes and to understand how senses are constructed in movies; (ii) to examine the scenes in which the swearword is being said by observing the movement of the centripetal and centrifugal forces at work in the discourse; and (iii) to study aspects related to the discursive memory of these words by observing new senses that may be attributed to the swearword. Bakhtinian theoretical presuppositions (BAKHTIN, 1998, 2003, 2008a, 2008b; BAKHTIN/VOLOCH?NOV, 2006; VOLOCH?NOV/BAKHTIN, 2011) were employed since they keep a dialogue with studies of the movie industry (LIPOVETSKY and SERROY, 2009; STAM 1992, 2008, 2010). In order to reach those objectives, two Brazilian movies were selected: Tropa de Elite- Miss?o Dada ? Miss?o Cumprida (2007) and Mato Sem Cachorro (2013). Six scenes of each movie, in which swearwords are emphasized, were analyzed. This study advocates that a swearword, like any other word, is a pluri-accented ideological sign, rather than a neutral unity. Therefore, this study argues that what differentiates swearwords, in the way they are shown in the contemporary Brazilian movies under analysis, seems to be the constitution of a tense zone whose dynamics moves between what is forbiddenand what can set people free. |
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Di Fanti, Maria da Gl?ria Corr?a403.890.810-00http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4707980P5529.091.310-68http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4248137E2Caetano, Veridiana2016-04-14T16:35:41Z2015-10-23http://tede2.pucrs.br/tede2/handle/tede/6594This study aims at introducing theoretical-methodological remarks to analyze swearwords in the contemporary Brazilian movie industry. Its general objective is to analyze swearwords which come up in two Brazilian movies by observing dialogic relations that emerge from these ideological signs. Its specific objectives are the following: (i) to analyze different intonations which emerge from the swearwords under investigation in the selected movie scenes and to understand how senses are constructed in movies; (ii) to examine the scenes in which the swearword is being said by observing the movement of the centripetal and centrifugal forces at work in the discourse; and (iii) to study aspects related to the discursive memory of these words by observing new senses that may be attributed to the swearword. Bakhtinian theoretical presuppositions (BAKHTIN, 1998, 2003, 2008a, 2008b; BAKHTIN/VOLOCH?NOV, 2006; VOLOCH?NOV/BAKHTIN, 2011) were employed since they keep a dialogue with studies of the movie industry (LIPOVETSKY and SERROY, 2009; STAM 1992, 2008, 2010). In order to reach those objectives, two Brazilian movies were selected: Tropa de Elite- Miss?o Dada ? Miss?o Cumprida (2007) and Mato Sem Cachorro (2013). Six scenes of each movie, in which swearwords are emphasized, were analyzed. This study advocates that a swearword, like any other word, is a pluri-accented ideological sign, rather than a neutral unity. Therefore, this study argues that what differentiates swearwords, in the way they are shown in the contemporary Brazilian movies under analysis, seems to be the constitution of a tense zone whose dynamics moves between what is forbiddenand what can set people free.Este estudo tem como proposta apresentar considera??es te?rico-metodol?gicas para a an?lise do palavr?o no cinema brasileiro contempor?neo. Como objetivo geral, este trabalho pretende analisar palavr?es que aparecem em dois filmes brasileiros, observando rela??es dial?gicas que emergem a partir desses signos ideol?gicos. Como objetivos espec?ficos, busca (i) analisar diferentes entona??es que emergem a partir dos palavr?es analisados nas cenas f?lmicas selecionadas, compreendendo de que forma se constroem sentidos nos filmes; (ii) examinar as cenas em que o palavr?o est? sendo enunciado, observando o movimento das for?as centr?petas e centr?fugas no discurso e, por fim, (iii) verificar aspectos relativos ? mem?ria discursiva dessas palavras, observando poss?veis atribui??es de novos sentidos ao palavr?o. Para respaldar este estudo, s?o utilizados os pressupostos te?ricos bakhtinianos (BAKHTIN 1998, 2003, 2008a, 2008b; BAKHTIN/VOLOCH?NOV, 2006; VOLOCH?NOV/BAKHTIN 2011) que dialogam com estudos referentes ao cinema (LIPOVETSKY e SERROY, 2009; STAM 1992, 2008, 2010). Para o desenvolvimento dos objetivos, foram selecionados dois filmes brasileiros Tropa de Elite ? Miss?o dada ? miss?o cumprida (2007) e Mato sem cachorro (2013); desses filmes foram analisadas um total de seis cenas nas quais o uso de palavr?es ? colocado em destaque. Este estudo pressup?e que o palavr?o, como toda palavra, n?o ? uma unidade neutra, mas sim um signo ideol?gico pluriacentuado. Assim, trabalha com a tese de que o diferencial do palavr?o, como se observa nos filmes brasileiros contempor?neos analisados, parece ser a constitui??o de uma zona de tens?o, cuja dinamicidade parece transitar entre o proibido e o libertador.Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2016-04-14T16:35:41Z No. of bitstreams: 1 TES_VERIDIANA_CAETANO_COMPLETO.pdf: 8442907 bytes, checksum: d479682d92c513440b176ed8eadaf924 (MD5)Made available in DSpace on 2016-04-14T16:35:41Z (GMT). No. of bitstreams: 1 TES_VERIDIANA_CAETANO_COMPLETO.pdf: 8442907 bytes, checksum: d479682d92c513440b176ed8eadaf924 (MD5) Previous issue date: 2015-10-23Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPESapplication/pdfhttp://tede2.pucrs.br:80/tede2/retrieve/164517/TES_VERIDIANA_CAETANO_COMPLETO.pdf.jpgporPontif?cia Universidade Cat?lica do Rio Grande do SulPrograma de P?s-Gradua??o em LetrasPUCRSBrasilFaculdade de LetrasAN?LISE DO DISCURSOLINGUAGEM CINEMATOGR?FICALINGU?STICALINGUISTICA, LETRAS E ARTES::LETRASO palavr?o em filmes brasileiros contempor?neos : um enfoque Bakhtinianoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis8447345070736321569600600600600-2856882280194242995-54094192628864980882075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_RSinstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSTHUMBNAILTES_VERIDIANA_CAETANO_COMPLETO.pdf.jpgTES_VERIDIANA_CAETANO_COMPLETO.pdf.jpgimage/jpeg3159http://tede2.pucrs.br/tede2/bitstream/tede/6594/4/TES_VERIDIANA_CAETANO_COMPLETO.pdf.jpgd89104e503aaac0ec7695a1afaa3670bMD54TEXTTES_VERIDIANA_CAETANO_COMPLETO.pdf.txtTES_VERIDIANA_CAETANO_COMPLETO.pdf.txttext/plain335312http://tede2.pucrs.br/tede2/bitstream/tede/6594/3/TES_VERIDIANA_CAETANO_COMPLETO.pdf.txt4b176c89cfdbdfea3a69ee9881f0e70eMD53ORIGINALTES_VERIDIANA_CAETANO_COMPLETO.pdfTES_VERIDIANA_CAETANO_COMPLETO.pdfapplication/pdf8442907http://tede2.pucrs.br/tede2/bitstream/tede/6594/2/TES_VERIDIANA_CAETANO_COMPLETO.pdfd479682d92c513440b176ed8eadaf924MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-8610http://tede2.pucrs.br/tede2/bitstream/tede/6594/1/license.txt5a9d6006225b368ef605ba16b4f6d1beMD51tede/65942016-04-14 20:00:24.16oai:tede2.pucrs.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.pucrs.br/tede2/PRIhttps://tede2.pucrs.br/oai/requestbiblioteca.central@pucrs.br||opendoar:2016-04-14T23:00:24Biblioteca Digital de Teses e Dissertações da PUC_RS - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.por.fl_str_mv |
O palavr?o em filmes brasileiros contempor?neos : um enfoque Bakhtiniano |
title |
O palavr?o em filmes brasileiros contempor?neos : um enfoque Bakhtiniano |
spellingShingle |
O palavr?o em filmes brasileiros contempor?neos : um enfoque Bakhtiniano Caetano, Veridiana AN?LISE DO DISCURSO LINGUAGEM CINEMATOGR?FICA LINGU?STICA LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
O palavr?o em filmes brasileiros contempor?neos : um enfoque Bakhtiniano |
title_full |
O palavr?o em filmes brasileiros contempor?neos : um enfoque Bakhtiniano |
title_fullStr |
O palavr?o em filmes brasileiros contempor?neos : um enfoque Bakhtiniano |
title_full_unstemmed |
O palavr?o em filmes brasileiros contempor?neos : um enfoque Bakhtiniano |
title_sort |
O palavr?o em filmes brasileiros contempor?neos : um enfoque Bakhtiniano |
author |
Caetano, Veridiana |
author_facet |
Caetano, Veridiana |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Di Fanti, Maria da Gl?ria Corr?a |
dc.contributor.advisor1ID.fl_str_mv |
403.890.810-00 |
dc.contributor.advisor1Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4707980P5 |
dc.contributor.authorID.fl_str_mv |
529.091.310-68 |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4248137E2 |
dc.contributor.author.fl_str_mv |
Caetano, Veridiana |
contributor_str_mv |
Di Fanti, Maria da Gl?ria Corr?a |
dc.subject.por.fl_str_mv |
AN?LISE DO DISCURSO LINGUAGEM CINEMATOGR?FICA LINGU?STICA |
topic |
AN?LISE DO DISCURSO LINGUAGEM CINEMATOGR?FICA LINGU?STICA LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
This study aims at introducing theoretical-methodological remarks to analyze swearwords in the contemporary Brazilian movie industry. Its general objective is to analyze swearwords which come up in two Brazilian movies by observing dialogic relations that emerge from these ideological signs. Its specific objectives are the following: (i) to analyze different intonations which emerge from the swearwords under investigation in the selected movie scenes and to understand how senses are constructed in movies; (ii) to examine the scenes in which the swearword is being said by observing the movement of the centripetal and centrifugal forces at work in the discourse; and (iii) to study aspects related to the discursive memory of these words by observing new senses that may be attributed to the swearword. Bakhtinian theoretical presuppositions (BAKHTIN, 1998, 2003, 2008a, 2008b; BAKHTIN/VOLOCH?NOV, 2006; VOLOCH?NOV/BAKHTIN, 2011) were employed since they keep a dialogue with studies of the movie industry (LIPOVETSKY and SERROY, 2009; STAM 1992, 2008, 2010). In order to reach those objectives, two Brazilian movies were selected: Tropa de Elite- Miss?o Dada ? Miss?o Cumprida (2007) and Mato Sem Cachorro (2013). Six scenes of each movie, in which swearwords are emphasized, were analyzed. This study advocates that a swearword, like any other word, is a pluri-accented ideological sign, rather than a neutral unity. Therefore, this study argues that what differentiates swearwords, in the way they are shown in the contemporary Brazilian movies under analysis, seems to be the constitution of a tense zone whose dynamics moves between what is forbiddenand what can set people free. |
publishDate |
2015 |
dc.date.issued.fl_str_mv |
2015-10-23 |
dc.date.accessioned.fl_str_mv |
2016-04-14T16:35:41Z |
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info:eu-repo/semantics/publishedVersion |
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