Onde dois horizontes se encontram: a dessacraliza??o da viol?ncia no teatro de Eur?pides e de S?rgio Roveri
Ano de defesa: | 2023 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Pontif?cia Universidade Cat?lica do Rio Grande do Sul
|
Programa de Pós-Graduação: |
Programa de P?s-Gradua??o em Letras
|
Departamento: |
Escola de Humanidades
|
País: |
Brasil
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | https://tede2.pucrs.br/tede2/handle/tede/10812 |
Resumo: | Having been a part of mythic narratives long before Euripides wrote his tragedy, the myth of Medea was the object of many reinterpretations throughout Western history. But Euripides was, as far as we know, the first to charge Medea with revenge-motivated filicide. In the Greek poet?s text, she is a wicked woman who gets carried away by vengeful desire upon finding that her husband had betrayed her. From that point on, violence and filicide are evoked whenever her name is mentioned. Likewise, the 2014 play Medeia: 1 verbo, by the Brazilian playwright S?rgio Roveri, also deals with the topics of violence and filicide. But Roveri, who revisits Euripides? tragic play, proposes a new look on the character. Speaking from a contemporary stance, his text differs significantly from Euripides? Medea. Nonetheless, it is surely possible to identify points of concurrence between both plays. Drawing from concepts developed by Jauss, a reception aesthetics theorist, we seek to comprehend in what way Euripides? tragedy is updated by the Brazilian playwright?s own play. In addition to that, as violence is present as a theme in both texts, we resort to Ren? Girard, an author who studied the phenomenon of violence in human history. With his studies as a foundation, our discussion focuses on the different expectation horizons out of which both Euripides and Roveri have created their texts. This investigation also relies on texts conceived in and around the fields of critical theory and social history by authors such as Kitto, Jaeger, Hauser, Baumgarten, Brand?o, Rosenfeld, Szondi, etc. |
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Baumgarten, Carlos Alexandrehttp://lattes.cnpq.br/9047211743126405http://lattes.cnpq.br/7425133898386933Fiuza, Bianca de Franceschi2023-06-09T18:24:30Z2023-03-28https://tede2.pucrs.br/tede2/handle/tede/10812Having been a part of mythic narratives long before Euripides wrote his tragedy, the myth of Medea was the object of many reinterpretations throughout Western history. But Euripides was, as far as we know, the first to charge Medea with revenge-motivated filicide. In the Greek poet?s text, she is a wicked woman who gets carried away by vengeful desire upon finding that her husband had betrayed her. From that point on, violence and filicide are evoked whenever her name is mentioned. Likewise, the 2014 play Medeia: 1 verbo, by the Brazilian playwright S?rgio Roveri, also deals with the topics of violence and filicide. But Roveri, who revisits Euripides? tragic play, proposes a new look on the character. Speaking from a contemporary stance, his text differs significantly from Euripides? Medea. Nonetheless, it is surely possible to identify points of concurrence between both plays. Drawing from concepts developed by Jauss, a reception aesthetics theorist, we seek to comprehend in what way Euripides? tragedy is updated by the Brazilian playwright?s own play. In addition to that, as violence is present as a theme in both texts, we resort to Ren? Girard, an author who studied the phenomenon of violence in human history. With his studies as a foundation, our discussion focuses on the different expectation horizons out of which both Euripides and Roveri have created their texts. This investigation also relies on texts conceived in and around the fields of critical theory and social history by authors such as Kitto, Jaeger, Hauser, Baumgarten, Brand?o, Rosenfeld, Szondi, etc.Presente nas narrativas m?ticas muito antes de Eur?pides escrever sua trag?dia, o mito de Medeia foi alvo de muitas releituras ao longo da hist?ria ocidental. Mas, at? onde sabemos, foi Eur?pides o primeiro a imputar a Medeia o crime de filic?dio motivado pela vingan?a. No texto escrito pelo poeta grego, ela ? uma mulher perversa, que se deixa levar pelo desejo vingativo ao se descobrir atrai?oada pelo marido. A partir disso, a viol?ncia e o crime de filic?dio s?o evocados sempre que se fala em seu nome. A pe?a teatral Medeia: 1 verbo, escrita pelo dramaturgo brasileiro S?rgio Roveri, publicada no ano de 2014, tamb?m toca nos temas da viol?ncia e do filic?dio. Mas Roveri, ao fazer uma releitura da trag?dia euripidiana, traz um novo olhar sobre essa personagem. Ele fala a partir do mundo contempor?neo e, por isso, cria um texto bastante distinto da Medeia de Eur?pides. Entretanto, ? poss?vel identificar, certamente, as aproxima??es entre as pe?as. Considerando conceitos desenvolvidos por Jauss, um dos te?ricos da est?tica da recep??o, buscaremos compreender como o dramaturgo brasileiro reatualiza a trag?dia de Eur?pedes ao compor sua pe?a. Ainda, uma vez que a viol?ncia ? tematizada em ambos os textos, recorreremos a Ren? Girard, autor que estudou o fen?meno da viol?ncia ao longo da hist?ria humana. A partir de seus estudos, discorreremos sobre os horizontes de expectativas a partir dos quais Eur?pides e Roveri criaram seus textos. Para nossa investiga??o, tamb?m nos apoiaremos em textos de cunho te?rico-cr?tico e hist?rico-social, de autores como Kitto, Jaeger, Hauser, Baumgarten, Brand?o, Rosenfeld, Szondi, etc.Submitted by PPG Letras (letraspg@pucrs.br) on 2023-06-01T19:09:05Z No. of bitstreams: 1 Bianca - Disserta??o - onde dois horizontes se encontram - revisada - p?s defesa.pdf: 1135632 bytes, checksum: f08028ab28c8df6e2dd06f7f195ec024 (MD5)Approved for entry into archive by Ana Paula Magnus (ana.magnus@pucrs.br) on 2023-06-09T17:52:42Z (GMT) No. of bitstreams: 1 Bianca - Disserta??o - onde dois horizontes se encontram - revisada - p?s defesa.pdf: 1135632 bytes, checksum: f08028ab28c8df6e2dd06f7f195ec024 (MD5)Made available in DSpace on 2023-06-09T18:24:30Z (GMT). No. of bitstreams: 1 Bianca - Disserta??o - onde dois horizontes se encontram - revisada - p?s defesa.pdf: 1135632 bytes, checksum: f08028ab28c8df6e2dd06f7f195ec024 (MD5) Previous issue date: 2023-03-28Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPESapplication/pdfhttps://tede2.pucrs.br/tede2/retrieve/187830/Bianca%20-%20Disserta%c3%a7%c3%a3o%20-%20onde%20dois%20horizontes%20se%20encontram%20-%20revisada%20-%20p%c3%b3s%20defesa.pdf.jpgporPontif?cia Universidade Cat?lica do Rio Grande do SulPrograma de P?s-Gradua??o em LetrasPUCRSBrasilEscola de HumanidadesLiteratura comparadaMedeiaTrag?dia gregaTeatro brasileiroTeoria da recep??oTeoria mim?ticaComparative literatureMedeaGreek tragedyBrazilian theatreReception theoryMimetic theoryLINGUISTICA, LETRAS E ARTES::LETRASOnde dois horizontes se encontram: a dessacraliza??o da viol?ncia no teatro de Eur?pides e de S?rgio Roveriinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisTrabalho n?o apresenta restri??o para publica??o407477848473845987500500500600-6557531471218110192-54094192628864980883590462550136975366info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_RSinstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSTHUMBNAILBianca - Disserta??o - onde dois horizontes se encontram - revisada - p?s defesa.pdf.jpgBianca - Disserta??o - onde dois horizontes se encontram - revisada - p?s defesa.pdf.jpgimage/jpeg5460https://tede2.pucrs.br/tede2/bitstream/tede/10812/3/Bianca+-+Disserta%C3%A7%C3%A3o+-+onde+dois+horizontes+se+encontram+-+revisada+-+p%C3%B3s+defesa.pdf.jpg9c32c80b706269066992fc3027a19335MD53TEXTBianca - Disserta??o - onde dois horizontes se encontram - revisada - p?s defesa.pdf.txtBianca - Disserta??o - onde dois horizontes se encontram - revisada - p?s defesa.pdf.txttext/plain440879https://tede2.pucrs.br/tede2/bitstream/tede/10812/4/Bianca+-+Disserta%C3%A7%C3%A3o+-+onde+dois+horizontes+se+encontram+-+revisada+-+p%C3%B3s+defesa.pdf.txt34989c608f90dcce1c6efe20e80ddc04MD54ORIGINALBianca - Disserta??o - onde dois horizontes se encontram - revisada - p?s defesa.pdfBianca - Disserta??o - onde dois horizontes se encontram - revisada - p?s defesa.pdfapplication/pdf1135632https://tede2.pucrs.br/tede2/bitstream/tede/10812/2/Bianca+-+Disserta%C3%A7%C3%A3o+-+onde+dois+horizontes+se+encontram+-+revisada+-+p%C3%B3s+defesa.pdff08028ab28c8df6e2dd06f7f195ec024MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-8590https://tede2.pucrs.br/tede2/bitstream/tede/10812/1/license.txt220e11f2d3ba5354f917c7035aadef24MD51tede/108122023-06-10 12:00:22.197oai:tede2.pucrs.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.pucrs.br/tede2/PRIhttps://tede2.pucrs.br/oai/requestbiblioteca.central@pucrs.br||opendoar:2023-06-10T15:00:22Biblioteca Digital de Teses e Dissertações da PUC_RS - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.por.fl_str_mv |
Onde dois horizontes se encontram: a dessacraliza??o da viol?ncia no teatro de Eur?pides e de S?rgio Roveri |
title |
Onde dois horizontes se encontram: a dessacraliza??o da viol?ncia no teatro de Eur?pides e de S?rgio Roveri |
spellingShingle |
Onde dois horizontes se encontram: a dessacraliza??o da viol?ncia no teatro de Eur?pides e de S?rgio Roveri Fiuza, Bianca de Franceschi Literatura comparada Medeia Trag?dia grega Teatro brasileiro Teoria da recep??o Teoria mim?tica Comparative literature Medea Greek tragedy Brazilian theatre Reception theory Mimetic theory LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Onde dois horizontes se encontram: a dessacraliza??o da viol?ncia no teatro de Eur?pides e de S?rgio Roveri |
title_full |
Onde dois horizontes se encontram: a dessacraliza??o da viol?ncia no teatro de Eur?pides e de S?rgio Roveri |
title_fullStr |
Onde dois horizontes se encontram: a dessacraliza??o da viol?ncia no teatro de Eur?pides e de S?rgio Roveri |
title_full_unstemmed |
Onde dois horizontes se encontram: a dessacraliza??o da viol?ncia no teatro de Eur?pides e de S?rgio Roveri |
title_sort |
Onde dois horizontes se encontram: a dessacraliza??o da viol?ncia no teatro de Eur?pides e de S?rgio Roveri |
author |
Fiuza, Bianca de Franceschi |
author_facet |
Fiuza, Bianca de Franceschi |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Baumgarten, Carlos Alexandre |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9047211743126405 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7425133898386933 |
dc.contributor.author.fl_str_mv |
Fiuza, Bianca de Franceschi |
contributor_str_mv |
Baumgarten, Carlos Alexandre |
dc.subject.por.fl_str_mv |
Literatura comparada Medeia Trag?dia grega Teatro brasileiro Teoria da recep??o Teoria mim?tica |
topic |
Literatura comparada Medeia Trag?dia grega Teatro brasileiro Teoria da recep??o Teoria mim?tica Comparative literature Medea Greek tragedy Brazilian theatre Reception theory Mimetic theory LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
Comparative literature Medea Greek tragedy Brazilian theatre Reception theory Mimetic theory |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
Having been a part of mythic narratives long before Euripides wrote his tragedy, the myth of Medea was the object of many reinterpretations throughout Western history. But Euripides was, as far as we know, the first to charge Medea with revenge-motivated filicide. In the Greek poet?s text, she is a wicked woman who gets carried away by vengeful desire upon finding that her husband had betrayed her. From that point on, violence and filicide are evoked whenever her name is mentioned. Likewise, the 2014 play Medeia: 1 verbo, by the Brazilian playwright S?rgio Roveri, also deals with the topics of violence and filicide. But Roveri, who revisits Euripides? tragic play, proposes a new look on the character. Speaking from a contemporary stance, his text differs significantly from Euripides? Medea. Nonetheless, it is surely possible to identify points of concurrence between both plays. Drawing from concepts developed by Jauss, a reception aesthetics theorist, we seek to comprehend in what way Euripides? tragedy is updated by the Brazilian playwright?s own play. In addition to that, as violence is present as a theme in both texts, we resort to Ren? Girard, an author who studied the phenomenon of violence in human history. With his studies as a foundation, our discussion focuses on the different expectation horizons out of which both Euripides and Roveri have created their texts. This investigation also relies on texts conceived in and around the fields of critical theory and social history by authors such as Kitto, Jaeger, Hauser, Baumgarten, Brand?o, Rosenfeld, Szondi, etc. |
publishDate |
2023 |
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2023-06-09T18:24:30Z |
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2023-03-28 |
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https://tede2.pucrs.br/tede2/handle/tede/10812 |
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por |
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por |
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407477848473845987 |
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500 500 500 600 |
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