Indústria cultural do entretenimento na escola: a sala de aula no parque de diversões do Hopi Hari
| Ano de defesa: | 2015 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Tese |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de São Carlos
|
| Programa de Pós-Graduação: |
Programa de Pós-Graduação em Educação - PPGE
|
| Departamento: |
Não Informado pela instituição
|
| País: |
BR
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | https://repositorio.ufscar.br/handle/20.500.14289/2368 |
Resumo: | This study aims to contribute to the discussion about the influence of today's technological devices, as well as the cultural entertainment industry by way of amusement parks, in this research, Hopi Hari and its educational laboratory (LEd), as "the ferret education" formal. It is in this complex relationship, which develop many variables, we try to penetrate to obtain information that could indicate how is the co-optation of students for the consumption of entertainment goods, and, through the cultural industry advertising, schools are invited to join these mechanisms disguised as culture, with the convincing element the idea that distraction learning occurs in a more efficient and enjoyable way. For both draw on a field of research that tried to investigate how this co-option in relation to students from a public school and a private of São Carlos, São Paulo State. Our analysis relied mainly on studies done by Critical Theory of Education and the ideas of his classic representatives as Adorno, Horkheimer, Benjamin and others, as well as their more contemporary representatives. The thematic approach was configured into four main chapters: the first sought to emphasize the origin of amusement parks, as well as the influence of the cultural products of the entertainment industry in the human experiences; in the second chapter we emphasize the relationship between the culture industry, schools and parks, highlighting the educational training offered by the Hopi Hari park for teachers in order to bring their students; the third was sought to understand how is the logic of fun as promoting public and private, and the consequences in the training process and the virtual explosion in concentrated distraction; the fourth chapter made the analysis of data obtained in field research as a subsidiary of our hypotheses regarding the concentrated distraction that occurs in the parks as opposed to attention and concentration as necessary requirement acquisition of knowledge. |
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Lemos, José RobertoZuin, Antônio Álvaro Soareshttp://lattes.cnpq.br/55435623073732870838f5b4-1ea4-4ad6-864d-d520dcf373982016-06-02T19:36:01Z2015-05-112016-06-02T19:36:01Z2015-02-26LEMOS, José Roberto. Entertainment cultural industry in the school: the classroom at the amusement park Hopi Hari. 2015. 235 f. Tese (Doutorado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2015.https://repositorio.ufscar.br/handle/20.500.14289/2368This study aims to contribute to the discussion about the influence of today's technological devices, as well as the cultural entertainment industry by way of amusement parks, in this research, Hopi Hari and its educational laboratory (LEd), as "the ferret education" formal. It is in this complex relationship, which develop many variables, we try to penetrate to obtain information that could indicate how is the co-optation of students for the consumption of entertainment goods, and, through the cultural industry advertising, schools are invited to join these mechanisms disguised as culture, with the convincing element the idea that distraction learning occurs in a more efficient and enjoyable way. For both draw on a field of research that tried to investigate how this co-option in relation to students from a public school and a private of São Carlos, São Paulo State. Our analysis relied mainly on studies done by Critical Theory of Education and the ideas of his classic representatives as Adorno, Horkheimer, Benjamin and others, as well as their more contemporary representatives. The thematic approach was configured into four main chapters: the first sought to emphasize the origin of amusement parks, as well as the influence of the cultural products of the entertainment industry in the human experiences; in the second chapter we emphasize the relationship between the culture industry, schools and parks, highlighting the educational training offered by the Hopi Hari park for teachers in order to bring their students; the third was sought to understand how is the logic of fun as promoting public and private, and the consequences in the training process and the virtual explosion in concentrated distraction; the fourth chapter made the analysis of data obtained in field research as a subsidiary of our hypotheses regarding the concentrated distraction that occurs in the parks as opposed to attention and concentration as necessary requirement acquisition of knowledge.O presente trabalho busca contribuir para a reflexão acerca da influência dos aparatos tecnológicos da atualidade e da indústria cultural do entretenimento pela via dos parques de diversão. Para tanto, nessa pesquisa, analisamos o Hopi Hari e seu laboratório educativo (LEd) como furão da educação formal. É nessa relação complexa que se desenvolvem muitas variáveis, nas quais tentamos penetrar para obter subsídios que pudessem indicar como se dá a cooptação dos alunos para o consumo dessas mercadorias do entretenimento. Por via da propaganda da indústria cultural, as escolas são convidadas a se juntarem a estes mecanismos disfarçados de cultura, tendo como elemento de convencimento a ideia de que na distração a aprendizagem ocorre de forma mais eficiente e prazerosa. Para alcançarmos os objetivos propostos, realizamos uma pesquisa de campo a fim de investigar como se dá essa cooptação de alunos em relação a uma escola pública e outra privada da região de São Carlos, cidade do interior do Estado de São Paulo. Nossas análises se apoiaram principalmente nos estudos feitos pela Teoria Crítica da Educação e nas ideias tanto de seus representantes clássicos; como Adorno, Horkheimer, Benjamin e outros; como nas de seus representantes mais contemporâneos. A abordagem temática se configurou em quatro principais capítulos: no primeiro deles buscamos enfatizar a origem dos parques de diversão e a influência dos produtos da indústria cultural do entretenimento nas experiências humanas; no segundo, procuramos enfatizar as relações entre a indústria cultural, a escola e os parques, destacando as formações pedagógicas oferecidas pelo parque Hopi Hari para professores com a intenção de que estes levem seus alunos ao parque; no terceiro, buscamos compreender como se dá a lógica da diversão como promoção do público e do privado, as consequências disso no processo formativo e a explosão virtual na distração concentrada; no quarto e último capítulo, fizemos a análise dos dados obtidos na pesquisa de campo, como subsidiária de nossas hipóteses em relação à distração concentrada que ocorre nos parques em detrimento da atenção e concentração exigidas pela aquisição da aprendizagem.application/pdfporUniversidade Federal de São CarlosPrograma de Pós-Graduação em Educação - PPGEUFSCarBRIndústria culturalSemiformaçãoEntretenimentoEscolasParques de diversõesHopi HariSemiformationCultural industryEntertainmentSchoolCIENCIAS HUMANAS::EDUCACAOIndústria cultural do entretenimento na escola: a sala de aula no parque de diversões do Hopi HariEntertainment cultural industry in the school: the classroom at the amusement park Hopi Hariinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis-1-16b9dc996-8878-47f9-a0be-fc583775214finfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARORIGINAL6746.pdfapplication/pdf3524209https://repositorio.ufscar.br/bitstreams/4d046a6e-d01a-40f7-9b21-973d9ca88063/downloade93b9b23b623e1bcdadfafe90b8bf13bMD51trueAnonymousREADTEXT6746.pdf.txt6746.pdf.txtExtracted texttext/plain0https://repositorio.ufscar.br/bitstreams/8346420d-337b-477b-b4af-4e891a434135/downloadd41d8cd98f00b204e9800998ecf8427eMD54falseAnonymousREADTHUMBNAIL6746.pdf.jpg6746.pdf.jpgIM Thumbnailimage/jpeg5980https://repositorio.ufscar.br/bitstreams/99efc119-2e93-4ca1-89db-b1ac511a948a/downloaded6d7b80c38e46512a0cebbe7379909eMD55falseAnonymousREAD20.500.14289/23682025-02-05 15:34:44.722open.accessoai:repositorio.ufscar.br:20.500.14289/2368https://repositorio.ufscar.brRepositório InstitucionalPUBhttps://repositorio.ufscar.br/oai/requestrepositorio.sibi@ufscar.bropendoar:43222025-02-05T18:34:44Repositório Institucional da UFSCAR - Universidade Federal de São Carlos (UFSCAR)false |
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Indústria cultural do entretenimento na escola: a sala de aula no parque de diversões do Hopi Hari |
| dc.title.alternative.eng.fl_str_mv |
Entertainment cultural industry in the school: the classroom at the amusement park Hopi Hari |
| title |
Indústria cultural do entretenimento na escola: a sala de aula no parque de diversões do Hopi Hari |
| spellingShingle |
Indústria cultural do entretenimento na escola: a sala de aula no parque de diversões do Hopi Hari Lemos, José Roberto Indústria cultural Semiformação Entretenimento Escolas Parques de diversões Hopi Hari Semiformation Cultural industry Entertainment School CIENCIAS HUMANAS::EDUCACAO |
| title_short |
Indústria cultural do entretenimento na escola: a sala de aula no parque de diversões do Hopi Hari |
| title_full |
Indústria cultural do entretenimento na escola: a sala de aula no parque de diversões do Hopi Hari |
| title_fullStr |
Indústria cultural do entretenimento na escola: a sala de aula no parque de diversões do Hopi Hari |
| title_full_unstemmed |
Indústria cultural do entretenimento na escola: a sala de aula no parque de diversões do Hopi Hari |
| title_sort |
Indústria cultural do entretenimento na escola: a sala de aula no parque de diversões do Hopi Hari |
| author |
Lemos, José Roberto |
| author_facet |
Lemos, José Roberto |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Lemos, José Roberto |
| dc.contributor.advisor1.fl_str_mv |
Zuin, Antônio Álvaro Soares |
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http://lattes.cnpq.br/5543562307373287 |
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Zuin, Antônio Álvaro Soares |
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Indústria cultural Semiformação Entretenimento Escolas Parques de diversões Hopi Hari |
| topic |
Indústria cultural Semiformação Entretenimento Escolas Parques de diversões Hopi Hari Semiformation Cultural industry Entertainment School CIENCIAS HUMANAS::EDUCACAO |
| dc.subject.eng.fl_str_mv |
Semiformation Cultural industry Entertainment School |
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CIENCIAS HUMANAS::EDUCACAO |
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This study aims to contribute to the discussion about the influence of today's technological devices, as well as the cultural entertainment industry by way of amusement parks, in this research, Hopi Hari and its educational laboratory (LEd), as "the ferret education" formal. It is in this complex relationship, which develop many variables, we try to penetrate to obtain information that could indicate how is the co-optation of students for the consumption of entertainment goods, and, through the cultural industry advertising, schools are invited to join these mechanisms disguised as culture, with the convincing element the idea that distraction learning occurs in a more efficient and enjoyable way. For both draw on a field of research that tried to investigate how this co-option in relation to students from a public school and a private of São Carlos, São Paulo State. Our analysis relied mainly on studies done by Critical Theory of Education and the ideas of his classic representatives as Adorno, Horkheimer, Benjamin and others, as well as their more contemporary representatives. The thematic approach was configured into four main chapters: the first sought to emphasize the origin of amusement parks, as well as the influence of the cultural products of the entertainment industry in the human experiences; in the second chapter we emphasize the relationship between the culture industry, schools and parks, highlighting the educational training offered by the Hopi Hari park for teachers in order to bring their students; the third was sought to understand how is the logic of fun as promoting public and private, and the consequences in the training process and the virtual explosion in concentrated distraction; the fourth chapter made the analysis of data obtained in field research as a subsidiary of our hypotheses regarding the concentrated distraction that occurs in the parks as opposed to attention and concentration as necessary requirement acquisition of knowledge. |
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2015 |
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2015-05-11 2016-06-02T19:36:01Z |
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2015-02-26 |
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2016-06-02T19:36:01Z |
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LEMOS, José Roberto. Entertainment cultural industry in the school: the classroom at the amusement park Hopi Hari. 2015. 235 f. Tese (Doutorado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2015. |
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https://repositorio.ufscar.br/handle/20.500.14289/2368 |
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LEMOS, José Roberto. Entertainment cultural industry in the school: the classroom at the amusement park Hopi Hari. 2015. 235 f. Tese (Doutorado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2015. |
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