Formação de educadores musicais: em busca de uma formação humanizadora

Detalhes bibliográficos
Ano de defesa: 2014
Autor(a) principal: Severino, Natália Búrigo
Orientador(a): Joly, Ilza Zenker Leme lattes
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de São Carlos
Programa de Pós-Graduação: Programa de Pós-Graduação em Educação - PPGE
Departamento: Não Informado pela instituição
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://repositorio.ufscar.br/handle/20.500.14289/2702
Resumo: This research is based on Paulo Freire, Carlos Rodrigues Brandão and Ernani Maria Fiori ideas about education for dialogue, respect and not oppression, known as humanizing education. According to that, authors as HJ Koellreutter, Carlos Kater, Maura Penna and Ilza Joly, help us to defend humanizing education within the field of Music Education. When advocating for humanizing musical education we must also defend the teaching fomation to work within this perspective. Thus, a qualitative research accompanied a group of undergraduate students in music education, which are working with music in public schools through a scholarship program named Institutional Scholarship Program for Teaching Initiation (PIBID). From the framework adopted, the observations made as a music mentor of these students, and the use of a daily field diary, we raised a list of skills and attitudes necessary for an educator seeking to act under the humanizing perspective. The researcher made interventions, and dynamic activities with these undergraduate students to instigate them, to question them, and propose a reflection on their own teaching practice. From these interventions, several pathways and its obstacles were pointed to a teaching formation that aims and cares about the human as a being. During these two years of research, a cyclic pattern was identified regards to how the licensees relates with their job in PIBID. This cycle was analysed from Michaël Huberman analysis about the teaching career cycle, which gave elements to comprehend the teaching experience and their formation. We noticed that to the student become a loving, respectful and dialogical musical educator, therefore humanizing, their formation must be founded in this same principles. This means that the training teacher, who accompainying the undergraduate from the beggining of their program must be loving, respectfull and dialogical. Hopefully, this research will contribute to the field of education and music education, presenting a new concept of music education and showing the necessity and importance of thinking, with commitment and respect, the teaching formation of musical educators to act in Brazilian schools.
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spelling Severino, Natália BúrigoJoly, Ilza Zenker Lemehttp://lattes.cnpq.br/5569335876343450http://lattes.cnpq.br/7473436068039477a4c13b1b-d5d8-46df-9e72-5399e0eeaa502016-06-02T19:39:41Z2014-07-072016-06-02T19:39:41Z2014-02-14SEVERINO, Natália Búrigo. Formação de educadores musicais: em busca de uma formação humanizadora. 2014. 149 f. Dissertação (Mestrado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2014.https://repositorio.ufscar.br/handle/20.500.14289/2702This research is based on Paulo Freire, Carlos Rodrigues Brandão and Ernani Maria Fiori ideas about education for dialogue, respect and not oppression, known as humanizing education. According to that, authors as HJ Koellreutter, Carlos Kater, Maura Penna and Ilza Joly, help us to defend humanizing education within the field of Music Education. When advocating for humanizing musical education we must also defend the teaching fomation to work within this perspective. Thus, a qualitative research accompanied a group of undergraduate students in music education, which are working with music in public schools through a scholarship program named Institutional Scholarship Program for Teaching Initiation (PIBID). From the framework adopted, the observations made as a music mentor of these students, and the use of a daily field diary, we raised a list of skills and attitudes necessary for an educator seeking to act under the humanizing perspective. The researcher made interventions, and dynamic activities with these undergraduate students to instigate them, to question them, and propose a reflection on their own teaching practice. From these interventions, several pathways and its obstacles were pointed to a teaching formation that aims and cares about the human as a being. During these two years of research, a cyclic pattern was identified regards to how the licensees relates with their job in PIBID. This cycle was analysed from Michaël Huberman analysis about the teaching career cycle, which gave elements to comprehend the teaching experience and their formation. We noticed that to the student become a loving, respectful and dialogical musical educator, therefore humanizing, their formation must be founded in this same principles. This means that the training teacher, who accompainying the undergraduate from the beggining of their program must be loving, respectfull and dialogical. Hopefully, this research will contribute to the field of education and music education, presenting a new concept of music education and showing the necessity and importance of thinking, with commitment and respect, the teaching formation of musical educators to act in Brazilian schools.A partir das ideias de Paulo Freire, Carlos Rodrigues Brandão e Ernani Maria Fiori, defendemos uma educação libertadora, pautada no diálogo, no respeito e na não opressão, ou seja, uma educação humanizadora. Em consonância com essas ideias, trazemos autores como Hans-Joachim Koellreutter, Carlos Kater, Maura Penna e Ilza Joly, que nos ajudam a defender essa educação humanizadora dentro do campo da Educação Musical. Ao defender uma educação musical humanizadora, devemos defender também a formação de educadores para se trabalhar dentro dessa ótica. Assim, a pesquisa, que teve um caráter qualitativo, acompanhou um grupo de licenciandos em música que estão em exercício da docência através do Programa Institucional de Bolsas de Iniciação a Docência (PIBID). A partir do referencial adotado, e das observações feitas no acompanhamento desses licenciandos, registradas nos diários de campo da pesquisadora, foi levantado uma lista de habilidades e atitudes necessárias para um educador que procure agir sob a ótica humanizadora. Dessa forma, através da pesquisa-ação, a pesquisadora realizou intervenções, dinâmicas e estudos com esses licenciandos de modo a instiga-los, questioná-los, e propor a reflexão sobre a própria prática pedagógica. Dessas intervenções saíram os dados da pesquisa que nos apontaram caminhos que podem ser percorridos, bem como as dificuldades desse percurso, na busca por uma formação docente que valorize e respeite o humano enquanto ser no mundo. Durante a pesquisa, foi identificado um ciclo vivido pelos bolsistas que se repetiu de forma semelhante nos diferentes licenciandos que passaram pelo PIBID ao longo dos dois anos da pesquisa. Esse ciclo foi analisado a partir das pesquisas realizadas por Michaël Huberman sobre ciclo de vida dos professores e nos deu elementos para compreender a experiência da docência e a formação desses licenciandos. Percebemos que para que o educador musical seja amoroso, respeitoso e dialógico, ou seja, um educador humanizado, é preciso que sua formação seja baseada nesses pressupostos. Isso significa que o professor formador, aquele que acompanha os licenciandos no início da sua formação, deve ser necessariamente amoroso, respeitoso e dialógico. Esperamos, com esta pesquisa, contribuir para a área de educação e educação musical, apresentando um novo conceito de educação musical e mostrando a necessidade e a importância de se pensar, com compromisso e respeito, a formação de professores para atuarem como educadores musicais nas escolas brasileiras.Financiadora de Estudos e Projetosapplication/pdfporUniversidade Federal de São CarlosPrograma de Pós-Graduação em Educação - PPGEUFSCarBREducação musicalFormação inicialMúsica na educaçãoProcesso educativoPIBIDHumanizing music educationTeaching educationMusic in schoolsEducative processesCIENCIAS HUMANAS::EDUCACAOFormação de educadores musicais: em busca de uma formação humanizadorainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-1-19a36cdbf-5f87-4cc6-ae05-a4b3d93af5c7info:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARORIGINAL5841.pdfapplication/pdf2426262https://repositorio.ufscar.br/bitstreams/2ba65d0b-8e49-410e-842b-a7ff95574013/download8249f72b99cb9d378b3b1e597263a4bdMD51trueAnonymousREADTEXT5841.pdf.txt5841.pdf.txtExtracted texttext/plain0https://repositorio.ufscar.br/bitstreams/308f951b-7e2b-4283-a50d-9f2c9ef99e5f/downloadd41d8cd98f00b204e9800998ecf8427eMD54falseAnonymousREADTHUMBNAIL5841.pdf.jpg5841.pdf.jpgIM Thumbnailimage/jpeg6293https://repositorio.ufscar.br/bitstreams/26d2f8b2-6e9b-4e0d-86b4-ce11569ca769/downloadd279a8d341e52dead8fa5560e189e17cMD55falseAnonymousREAD20.500.14289/27022025-02-05 15:07:56.266open.accessoai:repositorio.ufscar.br:20.500.14289/2702https://repositorio.ufscar.brRepositório InstitucionalPUBhttps://repositorio.ufscar.br/oai/requestrepositorio.sibi@ufscar.bropendoar:43222025-02-05T18:07:56Repositório Institucional da UFSCAR - Universidade Federal de São Carlos (UFSCAR)false
dc.title.por.fl_str_mv Formação de educadores musicais: em busca de uma formação humanizadora
title Formação de educadores musicais: em busca de uma formação humanizadora
spellingShingle Formação de educadores musicais: em busca de uma formação humanizadora
Severino, Natália Búrigo
Educação musical
Formação inicial
Música na educação
Processo educativo
PIBID
Humanizing music education
Teaching education
Music in schools
Educative processes
CIENCIAS HUMANAS::EDUCACAO
title_short Formação de educadores musicais: em busca de uma formação humanizadora
title_full Formação de educadores musicais: em busca de uma formação humanizadora
title_fullStr Formação de educadores musicais: em busca de uma formação humanizadora
title_full_unstemmed Formação de educadores musicais: em busca de uma formação humanizadora
title_sort Formação de educadores musicais: em busca de uma formação humanizadora
author Severino, Natália Búrigo
author_facet Severino, Natália Búrigo
author_role author
dc.contributor.authorlattes.por.fl_str_mv http://lattes.cnpq.br/7473436068039477
dc.contributor.author.fl_str_mv Severino, Natália Búrigo
dc.contributor.advisor1.fl_str_mv Joly, Ilza Zenker Leme
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/5569335876343450
dc.contributor.authorID.fl_str_mv a4c13b1b-d5d8-46df-9e72-5399e0eeaa50
contributor_str_mv Joly, Ilza Zenker Leme
dc.subject.por.fl_str_mv Educação musical
Formação inicial
Música na educação
Processo educativo
PIBID
topic Educação musical
Formação inicial
Música na educação
Processo educativo
PIBID
Humanizing music education
Teaching education
Music in schools
Educative processes
CIENCIAS HUMANAS::EDUCACAO
dc.subject.eng.fl_str_mv Humanizing music education
Teaching education
Music in schools
Educative processes
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::EDUCACAO
description This research is based on Paulo Freire, Carlos Rodrigues Brandão and Ernani Maria Fiori ideas about education for dialogue, respect and not oppression, known as humanizing education. According to that, authors as HJ Koellreutter, Carlos Kater, Maura Penna and Ilza Joly, help us to defend humanizing education within the field of Music Education. When advocating for humanizing musical education we must also defend the teaching fomation to work within this perspective. Thus, a qualitative research accompanied a group of undergraduate students in music education, which are working with music in public schools through a scholarship program named Institutional Scholarship Program for Teaching Initiation (PIBID). From the framework adopted, the observations made as a music mentor of these students, and the use of a daily field diary, we raised a list of skills and attitudes necessary for an educator seeking to act under the humanizing perspective. The researcher made interventions, and dynamic activities with these undergraduate students to instigate them, to question them, and propose a reflection on their own teaching practice. From these interventions, several pathways and its obstacles were pointed to a teaching formation that aims and cares about the human as a being. During these two years of research, a cyclic pattern was identified regards to how the licensees relates with their job in PIBID. This cycle was analysed from Michaël Huberman analysis about the teaching career cycle, which gave elements to comprehend the teaching experience and their formation. We noticed that to the student become a loving, respectful and dialogical musical educator, therefore humanizing, their formation must be founded in this same principles. This means that the training teacher, who accompainying the undergraduate from the beggining of their program must be loving, respectfull and dialogical. Hopefully, this research will contribute to the field of education and music education, presenting a new concept of music education and showing the necessity and importance of thinking, with commitment and respect, the teaching formation of musical educators to act in Brazilian schools.
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2016-06-02T19:39:41Z
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dc.identifier.uri.fl_str_mv https://repositorio.ufscar.br/handle/20.500.14289/2702
identifier_str_mv SEVERINO, Natália Búrigo. Formação de educadores musicais: em busca de uma formação humanizadora. 2014. 149 f. Dissertação (Mestrado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2014.
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