Do feminino mais além do falo à escrita feminina em Clarice Lispector.

• Ano de defesa: 2019
• Autor(a) principal: Sobral, Ayanne Priscilla Alves
• Orientador(a): Queiroz, Edilene Freire de
• Banca de defesa: Castello Branco, Lucia, Barros, Paula Cristina Monteiro de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Católica de Pernambuco
• Programa de Pós-Graduação: Mestrado em Psicologia Clínica
• Departamento: Departamento de Pós-Graduação
• País: Brasil
• Palavras-chave em Português: Psicologia clínica; Psicanálise; Escrita; Dissertações
• Palavras-chave em Inglês: Clinical psychology; Psychoanalysis; Writing; Dissertations
• Área do conhecimento CNPq: CIENCIAS HUMANAS::PSICOLOGIA
• Link de acesso: http://tede2.unicap.br:8080/handle/tede/1167

While the phallic writing, also called official or traditional writing, integrates the symbolic register into a process of representation by and of the word, the feminine writing subverts this principle when approaching the Real, that is, that which can not be named or represented because it is below and beyond language. Like the feminine that, for Psychoanalysis, escapes everything that can be said of it. In this sense, starting from the concept of feminine writing developed by Lucia Castello Branco, this work seeks to demonstrate how this writing is fruitfully revealed in the work of Clarice Lispector, more specifically in the novels Perto do coração selvage (1943), A paixão segundo G.H. (1964) and A hora da estrela (1977). The path was based on a double border: first, researching the psychoanalytic notions of feminine and of writing, besides the existing theory on the concept of feminine writing in both Psychoanalysis and in the Literature, to, in a second moment, make connections with the text of Clarice Lispector. The reading of the claricean works, based on these questions, showed how with her feminine writing Clarice Lispector offers theoretical advances to the psychoanalytic notion of feminine, to its unfolding in contemporary clinical listening and to the imaginary field from which women constitute themselves as subjects, revealing one more than the reference to the phallus that ends up widening the possibilities of talking about women, feminine and femininity.