Estruturas narrativas e transições emocionais em pilotos de série: um estudo da mitologia de The Walking Dead

• Ano de defesa: 2019
• Autor(a) principal: Lemos, Roberto da Silveira
• Orientador(a): Kieling, Alexandre
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Católica de Brasília
• Programa de Pós-Graduação: Programa Stricto Sensu em Comunicação
• Departamento: Escola de Educação, Tecnologia e Comunicação
• País: Brasil
• Palavras-chave em Português: Narratologia; Séries de TV; Transição de valor; Estruturas narrativas
• Palavras-chave em Inglês: Narrative structures; The Walking Dead; Value transition; Narratology; TV series
• Área do conhecimento CNPq: CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
• Resumo em Inglês: This study proposes an analysis of narratives in TV series to verify correlations of its structure and the emotional rewards offered to the viewer. The successful audiovisual narratives are supported, many of them, in classic structures that stimulate the involvement of the spectator. These formats meet the expectations of the public to provide them with cognitive rewards. In recent years, studies on emotion and their relation to these rewards obtained through immersion and projection-identification processes have grown. To do this, he does an analysis with two pilots of TV series of great success in the concurred US market, both characteristically of complex narrative and belonging to the same mythological universe, of The Walking Dead. When comparing the two pilot series, this study demonstrates the symmetry in the use of strategies that aim to thrill the viewer.
• Link de acesso: https://bdtd.ucb.br:8443/jspui/handle/tede/2566

This study proposes an analysis of narratives in TV series to verify correlations of its structure and the emotional rewards offered to the viewer. The successful audiovisual narratives are supported, many of them, in classic structures that stimulate the involvement of the spectator. These formats meet the expectations of the public to provide them with cognitive rewards. In recent years, studies on emotion and their relation to these rewards obtained through immersion and projection-identification processes have grown. To do this, he does an analysis with two pilots of TV series of great success in the concurred US market, both characteristically of complex narrative and belonging to the same mythological universe, of The Walking Dead. When comparing the two pilot series, this study demonstrates the symmetry in the use of strategies that aim to thrill the viewer.