Sexualidade: cosmo da vida expresso pelo desenho
| Ano de defesa: | 2014 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Estadual de Feira de Santana
|
| Programa de Pós-Graduação: |
Mestrado Acadêmico em Desenho Cultura e Interatividade
|
| Departamento: |
DEPARTAMENTO DE LETRAS E ARTES
|
| País: |
Brasil
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | http://localhost:8080/tede/handle/tede/122 |
Resumo: | Design is a polysemic word indicating, among other things, description, project, graphical representation, sketching, recording, drawing. Its use by humanity dates from prehistory. In fact, it is an area of human knowledge that has its own language and, although it does not replace words, does not require them to express a message. Hallawell (2004) defines the design as the interpretation of any reality - emotional, visual, mental - expressed graphically. On the other hand, Gomes (1996) proposes a distinction between drawing as graphical representation , called Sketching by him and drawing that indicates planning , mental intention, which the author calls design. At Renaissance, Mathematics, Geometry and other sciences resources associated with design allowed unique masterpieces productions, which pictures - made on flat surfaces - have three-dimensionality and light and shadow play. In this technique, Leonardo da Vinci (1452-1519) figured as greater name because the tones of light and dark present in drawings and paintings by this artist surpassed those found in his time - a time where it was aimed, as never before, represent the real through art. In this conflicted period - Renaissance - Leonardo composed “Coition of a Hemisected Man and Woman”, the drawing of a sexual relation anatomy. And, as all artists when print information in their Works are not always aware of their creative act, from the question "What elements or componentes of sexuality are represented in Coition of a Hemisected Man and Woman by Leonardo da Vinci? " we conducted an iconographic study aiming to reveal the elements of sexuality present in the mentioned masterpiece, verifying how it connotes or denotes these elements. To Renaissance culture - ruled by the Church thoughts, however, getting rid of it – it would be a sacrilege to represent the interior of human bodies during full intercourse. However, by investigating this "sacrilege" committed by Da Vinci, we could find valuable information nowadays. We have gone through a two-way road to reach our goals, which, regarding to the specific ones were to analyze the drawing aforementioned, relating it to three multifaces of Drawing (subject area): art, design, and graph (meaning graphic representation); identify elements / components of sexuality present in the masterpiece; relate design, health and sexuality from the image, that is, to bring them afloat through designed graphic content that makes up the work and highlight the importance of drawing and image which has elements of health, as the case of sexuality. On the way, we looked for the drawing of "Intercourse" in books and specialized websites; after finding it, we detailed the whole masterpiece in a moment called pre-iconographic description. We checked Leonardo’s artistic mottos associated with his knowledge of human health. And we allowed the drawing image to be the foreground, providing us to unveil its components. Thus, Drawing through its unique language exposed in "Coition" elements of sexuality sublimated in the lines and traces that compose it, referencing the social equilibrium through sexuality, drawn by the art of drawing, in this case, to help people produce health on respect of life, without neglecting the spirituality of this being so bio-psycho-socio-cultural that is the human being. |
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Ferreira, Edson Dias00289958563http://lattes.cnpq.br/8109356408291417Lima, Leidson da Silva2015-07-28T22:41:02Z2014-02-17LIMA, Leidson da Silva. Sexualidade: cosmo da vida expresso pelo desenho. 2014. 109 f. Dissertação (Mestrado Acadêmico em Desenho Cultura e Interatividade) - Universidade Estadual de Feira de Santana, Feira de Santana, 2014.http://localhost:8080/tede/handle/tede/122Design is a polysemic word indicating, among other things, description, project, graphical representation, sketching, recording, drawing. Its use by humanity dates from prehistory. In fact, it is an area of human knowledge that has its own language and, although it does not replace words, does not require them to express a message. Hallawell (2004) defines the design as the interpretation of any reality - emotional, visual, mental - expressed graphically. On the other hand, Gomes (1996) proposes a distinction between drawing as graphical representation , called Sketching by him and drawing that indicates planning , mental intention, which the author calls design. At Renaissance, Mathematics, Geometry and other sciences resources associated with design allowed unique masterpieces productions, which pictures - made on flat surfaces - have three-dimensionality and light and shadow play. In this technique, Leonardo da Vinci (1452-1519) figured as greater name because the tones of light and dark present in drawings and paintings by this artist surpassed those found in his time - a time where it was aimed, as never before, represent the real through art. In this conflicted period - Renaissance - Leonardo composed “Coition of a Hemisected Man and Woman”, the drawing of a sexual relation anatomy. And, as all artists when print information in their Works are not always aware of their creative act, from the question "What elements or componentes of sexuality are represented in Coition of a Hemisected Man and Woman by Leonardo da Vinci? " we conducted an iconographic study aiming to reveal the elements of sexuality present in the mentioned masterpiece, verifying how it connotes or denotes these elements. To Renaissance culture - ruled by the Church thoughts, however, getting rid of it – it would be a sacrilege to represent the interior of human bodies during full intercourse. However, by investigating this "sacrilege" committed by Da Vinci, we could find valuable information nowadays. We have gone through a two-way road to reach our goals, which, regarding to the specific ones were to analyze the drawing aforementioned, relating it to three multifaces of Drawing (subject area): art, design, and graph (meaning graphic representation); identify elements / components of sexuality present in the masterpiece; relate design, health and sexuality from the image, that is, to bring them afloat through designed graphic content that makes up the work and highlight the importance of drawing and image which has elements of health, as the case of sexuality. On the way, we looked for the drawing of "Intercourse" in books and specialized websites; after finding it, we detailed the whole masterpiece in a moment called pre-iconographic description. We checked Leonardo’s artistic mottos associated with his knowledge of human health. And we allowed the drawing image to be the foreground, providing us to unveil its components. Thus, Drawing through its unique language exposed in "Coition" elements of sexuality sublimated in the lines and traces that compose it, referencing the social equilibrium through sexuality, drawn by the art of drawing, in this case, to help people produce health on respect of life, without neglecting the spirituality of this being so bio-psycho-socio-cultural that is the human being.Desenho é uma palavra polissêmica que indica, dentre outras coisas, descrição, projeto, representação gráfica, debuxo, registro, desígnio. Sua utilização pela humanidade data da préhistória. Na verdade, ele é uma área do conhecimento humano que possui linguagem própria e, embora não substitua as palavras, não necessita delas para expressar uma mensagem. O pesquisador Hallawell (2004) define o desenho com a interpretação de realidades quaisquer – emocional, visual, mental – expressa de forma gráfica. Por sua vez, Gomes (1996) propõe a diferenciação entre o desenho no sentido de representação gráfica, chamado por ele de debuxo, e o desenho que indica planejamento, intenção mental, que o autor chama de desígnio. Na Renascença, utilizaram-se recursos da Matemática, Geometria e outras ciências, os quais, associados ao desenho, permitiram a feitura de obras ímpares, cujas imagens – compostas em superfícies planas – possuem tridimensionalidade e jogo de luz e sombra. Nesta última técnica, Leonardo da Vinci (1452-1519) figurou como maior nome, porque os tons de claro e escuro presentes nos desenhos e pinturas deste artista sobrepujaram aos encontrados em seu tempo – uma época onde se buscou, como nunca antes, representar o real por meio da arte. Nesse período conflituoso – Renascimento – Leonardo compôs Coito de Homem e Mulher Hemisseccionados, o desenho da anatomia de uma relação sexual. E, como todo artista imprime em suas obras informações nem sempre conscientes por ele no ato criativo, a partir da questão “Quais os elementos ou componentes da sexualidade encontram-se representados no desenho Coito de Homem e de Mulher Hemisseccionados (Coition of a Hemisected Man and Woman) de Leonardo da Vinci?”, realizamos um estudo iconográfico com o objetivo geral de desvelar os elementos da sexualidade presentes no desenho mencionado, verificando como ele os denota e/ou conota. Para a cultura renascentista – regida pelo pensamento da Igreja, contudo, desgarrando-se dele – seria um sacrilégio representar o interior de corpos humanos em pleno ato sexual. No entanto, ao investigar esse “sacrilégio” cometido por Da Vinci, encontramos informações preciosas para os dias atuais. Percorremos um caminho cheio de idas e vindas para satisfazer nossos objetivos, os quais, no que tange aos específicos foram: analisar o desenho supracitado, relacionando-o a três multifaces do Desenho (área do conhecimento): arte, desígnio e grafia (no sentido de representação gráfica); identificar os elementos/componentes da sexualidade presentes na obra; relacionar desenho, sexualidade e saúde a partir da imagem, isto é, trazê-los à tona por meio do conteúdo gráfico desenhado que compõe a obra e evidenciar a importância do Desenho e da imagem para investigações que possuam componentes da área da saúde, como é o caso da própria sexualidade. No trajeto, buscamos o desenho do “Coito” em livros e sites especializados; após encontrá-lo, detalhamos toda a obra, no momento chamado descrição pré-iconográfica. Verificamos os motivos artísticos de Leonardo associados aos saberes da saúde humana. E permitimos que a imagem do desenho assumisse o primeiro plano, proporcionando-nos, assim, desvendar seus componentes. Então, o Desenho, através de sua linguagem ímpar, revelou no “Coito” elementos da sexualidade sublimados nas linhas e traços que o compõem, fazendo menção ao equilíbrio social através da mesma – neste caso, desenhada pela arte –, para ajudar as pessoas a produzirem saúde embasadas no respeito à vida, sem desprezar a espiritualidade deste ser tão bio-psico-sócio-cultural que é o humano.Submitted by Natalie Mendes (nataliermendes@gmail.com) on 2015-07-28T22:41:02Z No. of bitstreams: 1 Sexualidade cosmo da vida expresso pelo Desenho.pdf: 30082051 bytes, checksum: ad7be3a0c6f66677807d9e6ee82b5780 (MD5)Made available in DSpace on 2015-07-28T22:41:02Z (GMT). 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Sexualidade: cosmo da vida expresso pelo desenho |
| title |
Sexualidade: cosmo da vida expresso pelo desenho |
| spellingShingle |
Sexualidade: cosmo da vida expresso pelo desenho Lima, Leidson da Silva Desenho Sexualidade Cultura Renascimento / Renascença Coito de homem Design / drawing Sexuality Culture Renaissance Coition of a hemisected man ARTES PLASTICAS::DESENHO |
| title_short |
Sexualidade: cosmo da vida expresso pelo desenho |
| title_full |
Sexualidade: cosmo da vida expresso pelo desenho |
| title_fullStr |
Sexualidade: cosmo da vida expresso pelo desenho |
| title_full_unstemmed |
Sexualidade: cosmo da vida expresso pelo desenho |
| title_sort |
Sexualidade: cosmo da vida expresso pelo desenho |
| author |
Lima, Leidson da Silva |
| author_facet |
Lima, Leidson da Silva |
| author_role |
author |
| dc.contributor.advisor1.fl_str_mv |
Ferreira, Edson Dias |
| dc.contributor.authorID.fl_str_mv |
00289958563 |
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http://lattes.cnpq.br/8109356408291417 |
| dc.contributor.author.fl_str_mv |
Lima, Leidson da Silva |
| contributor_str_mv |
Ferreira, Edson Dias |
| dc.subject.por.fl_str_mv |
Desenho Sexualidade Cultura Renascimento / Renascença Coito de homem |
| topic |
Desenho Sexualidade Cultura Renascimento / Renascença Coito de homem Design / drawing Sexuality Culture Renaissance Coition of a hemisected man ARTES PLASTICAS::DESENHO |
| dc.subject.eng.fl_str_mv |
Design / drawing Sexuality Culture Renaissance Coition of a hemisected man |
| dc.subject.cnpq.fl_str_mv |
ARTES PLASTICAS::DESENHO |
| description |
Design is a polysemic word indicating, among other things, description, project, graphical representation, sketching, recording, drawing. Its use by humanity dates from prehistory. In fact, it is an area of human knowledge that has its own language and, although it does not replace words, does not require them to express a message. Hallawell (2004) defines the design as the interpretation of any reality - emotional, visual, mental - expressed graphically. On the other hand, Gomes (1996) proposes a distinction between drawing as graphical representation , called Sketching by him and drawing that indicates planning , mental intention, which the author calls design. At Renaissance, Mathematics, Geometry and other sciences resources associated with design allowed unique masterpieces productions, which pictures - made on flat surfaces - have three-dimensionality and light and shadow play. In this technique, Leonardo da Vinci (1452-1519) figured as greater name because the tones of light and dark present in drawings and paintings by this artist surpassed those found in his time - a time where it was aimed, as never before, represent the real through art. In this conflicted period - Renaissance - Leonardo composed “Coition of a Hemisected Man and Woman”, the drawing of a sexual relation anatomy. And, as all artists when print information in their Works are not always aware of their creative act, from the question "What elements or componentes of sexuality are represented in Coition of a Hemisected Man and Woman by Leonardo da Vinci? " we conducted an iconographic study aiming to reveal the elements of sexuality present in the mentioned masterpiece, verifying how it connotes or denotes these elements. To Renaissance culture - ruled by the Church thoughts, however, getting rid of it – it would be a sacrilege to represent the interior of human bodies during full intercourse. However, by investigating this "sacrilege" committed by Da Vinci, we could find valuable information nowadays. We have gone through a two-way road to reach our goals, which, regarding to the specific ones were to analyze the drawing aforementioned, relating it to three multifaces of Drawing (subject area): art, design, and graph (meaning graphic representation); identify elements / components of sexuality present in the masterpiece; relate design, health and sexuality from the image, that is, to bring them afloat through designed graphic content that makes up the work and highlight the importance of drawing and image which has elements of health, as the case of sexuality. On the way, we looked for the drawing of "Intercourse" in books and specialized websites; after finding it, we detailed the whole masterpiece in a moment called pre-iconographic description. We checked Leonardo’s artistic mottos associated with his knowledge of human health. And we allowed the drawing image to be the foreground, providing us to unveil its components. Thus, Drawing through its unique language exposed in "Coition" elements of sexuality sublimated in the lines and traces that compose it, referencing the social equilibrium through sexuality, drawn by the art of drawing, in this case, to help people produce health on respect of life, without neglecting the spirituality of this being so bio-psycho-socio-cultural that is the human being. |
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2014 |
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2014-02-17 |
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2015-07-28T22:41:02Z |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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LIMA, Leidson da Silva. Sexualidade: cosmo da vida expresso pelo desenho. 2014. 109 f. Dissertação (Mestrado Acadêmico em Desenho Cultura e Interatividade) - Universidade Estadual de Feira de Santana, Feira de Santana, 2014. |
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LIMA, Leidson da Silva. Sexualidade: cosmo da vida expresso pelo desenho. 2014. 109 f. Dissertação (Mestrado Acadêmico em Desenho Cultura e Interatividade) - Universidade Estadual de Feira de Santana, Feira de Santana, 2014. |
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Mestrado Acadêmico em Desenho Cultura e Interatividade |
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UEFS |
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Brasil |
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DEPARTAMENTO DE LETRAS E ARTES |
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Universidade Estadual de Feira de Santana |
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Biblioteca Digital de Teses e Dissertações da UEFS |
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Biblioteca Digital de Teses e Dissertações da UEFS |
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Biblioteca Digital de Teses e Dissertações da UEFS - Universidade Estadual de Feira de Santana (UEFS) |
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bcuefs@uefs.br|| bcref@uefs.br||bcuefs@uefs.br |
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