A representa??o de Ant?nio Conselheiro na literatura de cordel : leitura das obras de Rodolfo Coelho Cavalcante, Minelvino Francisco Silva e Geraldo Am?ncio

• Ano de defesa: 2019
• Autor(a) principal: Oliveira, Jessica Melo de
• Orientador(a): Fonseca, Aleilton Santana da
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Estadual de Feira de Santana
• Programa de Pós-Graduação: Mestrado Acad?mico em Estudos Liter?rios
• Departamento: DEPARTAMENTO DE LETRAS E ARTES
• País: Brasil
• Palavras-chave em Português: Conselheiro; Cordel; Hist?ria; Literatura
• Palavras-chave em Inglês: Story; Literature
• Área do conhecimento CNPq: LETRAS::LITERATURA BRASILEIRA
• Link de acesso: http://tede2.uefs.br:8080/handle/tede/1363

In this work, it is proposed to reflect, as the popular Literature of cordel produced in different times represents the figure of Ant?nio Conselheiro. More specifically, we study the poetry of the leaflets: Ant?nio Conselheiro History and the Canudos War (1977), Minelvino Francisco Silva's line; Ant?nio Conselheiro, the holy warrior of Canudos (1977), by Rodolfo Coelho Cavalcante; and the History of Ant?nio Conselheiro (2010), the line of Geraldo Am?ncio. These productions carried out in distinct periods constitute private speeches and representations of the Blessed One, since each string presents the Conselheiro in a singular way. In the early works of Cavalcante and Francisco da Silva, Cear? was adjectivized as a mad, messianic fanatic and responsible for the clash. On the other hand, in the booklets of Am?ncio, the conselheiro appears like a visionary figure of Belo Monte, who defended the earth and resisted to the coronelista system. In this context, the brochures reflect different representations, being possible to understand and to reflect the various interpretations and versions made on the conflict. Since all these versions presented by popular literature are necessary to reflect on the concepts that were formed around this event. Within this context, the cordel, which discusses the Belo Monte as thematic serves as historical source for the Academy. As well, the cordel by its historical importance, is considered ?the most popular document? of the sert?o. Thus, the aforementioned leaflets have a critical social vision, besides incorporating aspects such as culture, orality, history and Northeastern identity. All this serves for the sertanejo to understand his reality. Therefore, in analyzing Ant?nio Conselheiro representation in cordel literature, it is important to seek the theoretical contribution of Edmundo Moniz (1984), Rog?rio Souza Silva (2001), Lindiane Santos de Lima Pinheiro (2015), Franklin Maxado (1980), Lu?s da (1998), Wellington Freire (2017), Joseph M. Luyten (1983), Berthold Zilly (1996), Jos? de Ribamar Lopes (1994), Maria ?ngela de Faria (1996), and the use of the term Edilene Matos (1986), Eno Teodoro Wanke (1983), Jairo Carvalho de Nascimento (2008), Rute Brito Terra (1983), Pedro Lima Vasconcellos (2019) and others. Thus, the literary fiction, as literary production, through its images resignifies the memory of historical figures, which are striking and unique in the backlands.