Nas rodas da macumba: os poemas de Alo?sio Resende sob o signo da ancestralidade

Detalhes bibliográficos
Ano de defesa: 2009
Autor(a) principal: Santos, Denilson Lima lattes
Orientador(a): Seidel, Roberto Henrique
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Estadual de Feira de Santana
Programa de Pós-Graduação: Mestrado Acad?mico em Literatura e Diversidade Cultural
Departamento: DEPARTAMENTO DE LETRAS E ARTES
País: Brasil
Palavras-chave em Português:
poesia
identidade
candombl?
corpo
mito
Palavras-chave em Inglês:
poetry
Identity
Afro-Brazilian cult
body
myth
Palavras-chave em Espanhol:
poes?a
identidad
candombe
cuerpo
mito
Área do conhecimento CNPq:
LETRAS::LITERATURA BRASILEIRA
LINGUISTICA, LETRAS E ARTES
Link de acesso: http://tede2.uefs.br:8080/handle/tede/1215
Resumo: Making a way among the literary production and discussions about religiosity, we?ve made a study of Zinho Fa?la?s work ? as also has been known our poet showed in this dissertation ?, attempting to analyze the cultural Africans elements in Alo?sio Resende?s poems (1900-1941), that deals with ?Candombl?? religion in Brazil and its relation with poetic aesthetics. To get it, we worked with Ana Ang?lica Vergne de Morais? book: Alo?sio Resende: poemas; com ensaios cr?ticos e dossier ? from what we analyzed thirteen poems which have Africans elements ? these elements are faced as in mythical reality African tradition in Brazilian society as in valorization of African religious elements, from any African nation: Angola, Jeje, Nag? or Caboclo. In unveilment of word, tradition and text project themselves from poet?s mind and pen in memories? wall, doing this way African inheritances reactivations that the poet born in Feira de Santana will use like voice of those who were suffocated. By the poetic word we discourse as event, like sign that bases to anyone?s voice that can be listened, in the other words, people excluded from society and literature. Even far away the writing system, of word?s world, some individuals resounds like resistance voice. Bringing it to poems? analysis, we point to the social and literary questions that mold/molded the Brazilian cultural thought, as well as we set as limit, with identitary relations and with religious? elements into Resende?s lyric poetry. This way, we meet with ourselves in the crossroads? writing, this so emblematic and full of images place that point to faith?s vitality and the intellectual thought. Maybe we can, under Exu?s ax?, dynamize the communication intending to the black?s place in Brazilian poetry may be always respected and comprehended as local where body, voice and experience transmit perpetuation of an ancestral poetry.
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spelling Seidel, Roberto Henrique88994775587http://lattes.cnpq.br/5839032477410296Santos, Denilson Lima2020-09-17T17:22:42Z2009-07-31SANTOS, Denilson Lima. Nas rodas da macumba: os poemas de Alo?sio Resende sob o signo da ancestralidade. 2009. 151 f. Disserta??o (Mestrado Acad?mico em Literatura e Diversidade Cultural)- Universidade Estadual de Feira de Santana, Feira de Santana, 2009.http://tede2.uefs.br:8080/handle/tede/1215Making a way among the literary production and discussions about religiosity, we?ve made a study of Zinho Fa?la?s work ? as also has been known our poet showed in this dissertation ?, attempting to analyze the cultural Africans elements in Alo?sio Resende?s poems (1900-1941), that deals with ?Candombl?? religion in Brazil and its relation with poetic aesthetics. To get it, we worked with Ana Ang?lica Vergne de Morais? book: Alo?sio Resende: poemas; com ensaios cr?ticos e dossier ? from what we analyzed thirteen poems which have Africans elements ? these elements are faced as in mythical reality African tradition in Brazilian society as in valorization of African religious elements, from any African nation: Angola, Jeje, Nag? or Caboclo. In unveilment of word, tradition and text project themselves from poet?s mind and pen in memories? wall, doing this way African inheritances reactivations that the poet born in Feira de Santana will use like voice of those who were suffocated. By the poetic word we discourse as event, like sign that bases to anyone?s voice that can be listened, in the other words, people excluded from society and literature. Even far away the writing system, of word?s world, some individuals resounds like resistance voice. Bringing it to poems? analysis, we point to the social and literary questions that mold/molded the Brazilian cultural thought, as well as we set as limit, with identitary relations and with religious? elements into Resende?s lyric poetry. This way, we meet with ourselves in the crossroads? writing, this so emblematic and full of images place that point to faith?s vitality and the intellectual thought. Maybe we can, under Exu?s ax?, dynamize the communication intending to the black?s place in Brazilian poetry may be always respected and comprehended as local where body, voice and experience transmit perpetuation of an ancestral poetry.Al trazar un camino entre la producci?n literaria y las discusiones sobre religiosidad, nos dedicamos al estudio de la obra de Zinho Fa?la ? como tambi?n era conocido lo nuestro poeta en evidencia en esa investigaci?n ?, con el prop?sito de analizar los elementos de africanidade en las poes?as de Alo?sio Resende (1900-1941) que tratan de la cuesti?n del Candombe e su relaci?n con la est?tica po?tica. Para eso, trabajamos con la obra Alo?sio Resende: poemas; com ensaios cr?ticos e dossi? de la profesora Ana Ang?lica Vergne de Morais ? de lo cual analizamos el conjunto de trece poes?as de tem?tica de la africanidad ? esta aqu? es comprendida tanto como realidad m?tica de la tradici?n africana en la sociedad brasile?a, como valorizaci?n del culto de matriz africana, sea ?l de cualquiera naci?n de candombe de Brasil: Angola, Jeje, Nag? ou Caboclo. En el desvelar de la palabra, la tradici?n y el texto se proyectan de la mente y bol?grafo del poeta y se dise?a en las paredes de la memoria, elaborando as? el curso de reactivaci?n de las herencias africanas que el poeta de Feira de Santana se constituir? con voz de los que fueran sufocados. Es por la palabra po?tica que percibimos el discurso como evento, como signo que da base para que se hagan o?das otras voces, es decir, la de los excluidos de la sociedad y de la literatura. Mismo lejos del sistema de la escrita, es decir, de un mundo letrado, algunos individuos pueden resonar como voz de resistencia. Para hacer el an?lisis de los poemas, ponemos atenci?n en las cuestiones sociales y literarias que molduran/molduraran el pensamiento cultural brasile?o, bien como delimitamos las relaciones de identidad desde los elementos religiosos presentes en los escritos l?ricos del poeta ya mencionado. Sin embargo, nos encontramos en la encrucijada de la escrita, este local tan emblem?tico y lleno de im?genes que apuntan para la vitalidad de la fe y del pensamiento.Ao tra?ar um caminho entre a produ??o liter?ria e as discuss?es sobre religiosidade, nos debru?amos sobre o estudo da obra de Zinho Fa?la ? como tamb?m era conhecido o nosso poeta evidenciado nessa disserta??o ?, com o prop?sito de analisar os elementos de africanidade nos poemas de Alo?sio Resende (1900-1941) que tratam da quest?o do Candombl? e sua rela??o com a est?tica po?tica. Para isso, trabalhamos com a obra Alo?sio Resende: poemas; com ensaios cr?ticos e dossi? da professora Ana Ang?lica Vergne de Morais ? do qual analisamos o conjunto de treze poesias da tem?tica da africanidade ? esta aqui encarada tanto como realidade m?tica da tradi??o africana na sociedade brasileira, quanto como valoriza??o do culto de matriz africana, seja ele de qualquer na??o: Angola, Jeje, Nag? ou Caboclo. No desvelar da palavra, a tradi??o e o texto se projetam da mente e pena do poeta e se desenham nas paredes das mem?rias, elaborando assim o intercurso de reativa??o das heran?as africanas que o poeta feirense se constituir? como voz dos que foram sufocados. ? pela palavra po?tica que percebemos o discurso como evento, como signo que d? base para que se fa?am aud?veis outras vozes, ou seja, a dos exclu?dos s?cio-literariamente. Mesmo alijados do sistema de escrita, isto ?, de um mundo letrado, alguns indiv?duos ressoam como voz de resist?ncia. Para efetivar a an?lise dos poemas, apontamos as quest?es sociais e liter?rias que molduram/molduraram o pensamento cultural brasileiro, bem como delimitamos as rela??es identit?rias a partir de elementos religiosos presentes nos escritos l?ricos do poeta supracitado. Sendo assim, nos encontramos na encruzilhada da escrita, este local t?o emblem?tico e pleno de imagens que apontam para a vitalidade da f? e do pensamento intelectual. Talvez, possamos, sob o ax? de Exu, dinamizar a comunica??o para que o local do negro na poesia brasileira seja sempre respeitado e compreendido como espa?o onde o corpo, a voz e a viv?ncia transmitem a perpetua??o de uma po?tica da ancestralidade.Submitted by Bruno Matos Nascimento (brunomatos@uefs.br) on 2020-09-17T17:22:42Z No. of bitstreams: 1 NAS RODAS DA MACUMBA OS POEMAS DE ALO?SIO RESENDE SOB O SIGN (1).pdf: 1481042 bytes, checksum: e4e8c2fb1104a6ccf0031b2088fc717f (MD5)Made available in DSpace on 2020-09-17T17:22:42Z (GMT). No. of bitstreams: 1 NAS RODAS DA MACUMBA OS POEMAS DE ALO?SIO RESENDE SOB O SIGN (1).pdf: 1481042 bytes, checksum: e4e8c2fb1104a6ccf0031b2088fc717f (MD5) Previous issue date: 2009-07-31application/pdfporUniversidade Estadual de Feira de SantanaMestrado Acad?mico em Literatura e Diversidade CulturalUEFSBrasilDEPARTAMENTO DE LETRAS E ARTESpoesiaidentidadecandombl?corpomitopoetryIdentityAfro-Brazilian cultbodymythpoes?aidentidadcandombecuerpomitoLETRAS::LITERATURA BRASILEIRALINGUISTICA, LETRAS E ARTESNas rodas da macumba: os poemas de Alo?sio Resende sob o signo da ancestralidadeinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis41214306366573067286006006006006451293484473876986-3247043155988735114828026023044017992info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UEFSinstname:Universidade Estadual de Feira de Santana (UEFS)instacron:UEFSORIGINALNAS RODAS DA MACUMBA OS POEMAS DE ALO?SIO RESENDE SOB O SIGN (1).pdfNAS RODAS DA MACUMBA OS POEMAS DE ALO?SIO RESENDE SOB O SIGN (1).pdfapplication/pdf1481042http://tede2.uefs.br:8080/bitstream/tede/1215/2/NAS+RODAS+DA+MACUMBA+OS+POEMAS+DE+ALO%C3%8DSIO+RESENDE+SOB+O+SIGN+%281%29.pdfe4e8c2fb1104a6ccf0031b2088fc717fMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82089http://tede2.uefs.br:8080/bitstream/tede/1215/1/license.txt7b5ba3d2445355f386edab96125d42b7MD51tede/12152020-09-17 14:22:42.996oai:tede2.uefs.br:8080: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.uefs.br:8080/PUBhttp://tede2.uefs.br:8080/oai/requestbcuefs@uefs.br|| bcref@uefs.br||bcuefs@uefs.bropendoar:2020-09-17T17:22:42Biblioteca Digital de Teses e Dissertações da UEFS - Universidade Estadual de Feira de Santana (UEFS)false
dc.title.por.fl_str_mv Nas rodas da macumba: os poemas de Alo?sio Resende sob o signo da ancestralidade
title Nas rodas da macumba: os poemas de Alo?sio Resende sob o signo da ancestralidade
spellingShingle Nas rodas da macumba: os poemas de Alo?sio Resende sob o signo da ancestralidade
Santos, Denilson Lima
poesia
identidade
candombl?
corpo
mito
poetry
Identity
Afro-Brazilian cult
body
myth
poes?a
identidad
candombe
cuerpo
mito
LETRAS::LITERATURA BRASILEIRA
LINGUISTICA, LETRAS E ARTES
title_short Nas rodas da macumba: os poemas de Alo?sio Resende sob o signo da ancestralidade
title_full Nas rodas da macumba: os poemas de Alo?sio Resende sob o signo da ancestralidade
title_fullStr Nas rodas da macumba: os poemas de Alo?sio Resende sob o signo da ancestralidade
title_full_unstemmed Nas rodas da macumba: os poemas de Alo?sio Resende sob o signo da ancestralidade
title_sort Nas rodas da macumba: os poemas de Alo?sio Resende sob o signo da ancestralidade
author Santos, Denilson Lima
author_facet Santos, Denilson Lima
author_role author
dc.contributor.advisor1.fl_str_mv Seidel, Roberto Henrique
dc.contributor.authorID.fl_str_mv 88994775587
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/5839032477410296
dc.contributor.author.fl_str_mv Santos, Denilson Lima
contributor_str_mv Seidel, Roberto Henrique
dc.subject.por.fl_str_mv poesia
identidade
candombl?
corpo
mito
topic poesia
identidade
candombl?
corpo
mito
poetry
Identity
Afro-Brazilian cult
body
myth
poes?a
identidad
candombe
cuerpo
mito
LETRAS::LITERATURA BRASILEIRA
LINGUISTICA, LETRAS E ARTES
dc.subject.eng.fl_str_mv poetry
Identity
Afro-Brazilian cult
body
myth
dc.subject.spa.fl_str_mv poes?a
identidad
candombe
cuerpo
mito
dc.subject.cnpq.fl_str_mv LETRAS::LITERATURA BRASILEIRA
LINGUISTICA, LETRAS E ARTES
description Making a way among the literary production and discussions about religiosity, we?ve made a study of Zinho Fa?la?s work ? as also has been known our poet showed in this dissertation ?, attempting to analyze the cultural Africans elements in Alo?sio Resende?s poems (1900-1941), that deals with ?Candombl?? religion in Brazil and its relation with poetic aesthetics. To get it, we worked with Ana Ang?lica Vergne de Morais? book: Alo?sio Resende: poemas; com ensaios cr?ticos e dossier ? from what we analyzed thirteen poems which have Africans elements ? these elements are faced as in mythical reality African tradition in Brazilian society as in valorization of African religious elements, from any African nation: Angola, Jeje, Nag? or Caboclo. In unveilment of word, tradition and text project themselves from poet?s mind and pen in memories? wall, doing this way African inheritances reactivations that the poet born in Feira de Santana will use like voice of those who were suffocated. By the poetic word we discourse as event, like sign that bases to anyone?s voice that can be listened, in the other words, people excluded from society and literature. Even far away the writing system, of word?s world, some individuals resounds like resistance voice. Bringing it to poems? analysis, we point to the social and literary questions that mold/molded the Brazilian cultural thought, as well as we set as limit, with identitary relations and with religious? elements into Resende?s lyric poetry. This way, we meet with ourselves in the crossroads? writing, this so emblematic and full of images place that point to faith?s vitality and the intellectual thought. Maybe we can, under Exu?s ax?, dynamize the communication intending to the black?s place in Brazilian poetry may be always respected and comprehended as local where body, voice and experience transmit perpetuation of an ancestral poetry.
publishDate 2009
dc.date.issued.fl_str_mv 2009-07-31
dc.date.accessioned.fl_str_mv 2020-09-17T17:22:42Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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status_str publishedVersion
dc.identifier.citation.fl_str_mv SANTOS, Denilson Lima. Nas rodas da macumba: os poemas de Alo?sio Resende sob o signo da ancestralidade. 2009. 151 f. Disserta??o (Mestrado Acad?mico em Literatura e Diversidade Cultural)- Universidade Estadual de Feira de Santana, Feira de Santana, 2009.
dc.identifier.uri.fl_str_mv http://tede2.uefs.br:8080/handle/tede/1215
identifier_str_mv SANTOS, Denilson Lima. Nas rodas da macumba: os poemas de Alo?sio Resende sob o signo da ancestralidade. 2009. 151 f. Disserta??o (Mestrado Acad?mico em Literatura e Diversidade Cultural)- Universidade Estadual de Feira de Santana, Feira de Santana, 2009.
url http://tede2.uefs.br:8080/handle/tede/1215
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language por
dc.relation.program.fl_str_mv 4121430636657306728
dc.relation.confidence.fl_str_mv 600
600
600
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dc.relation.cnpq.fl_str_mv -324704315598873511
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dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.publisher.none.fl_str_mv Universidade Estadual de Feira de Santana
dc.publisher.program.fl_str_mv Mestrado Acad?mico em Literatura e Diversidade Cultural
dc.publisher.initials.fl_str_mv UEFS
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv DEPARTAMENTO DE LETRAS E ARTES
publisher.none.fl_str_mv Universidade Estadual de Feira de Santana
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UEFS
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collection Biblioteca Digital de Teses e Dissertações da UEFS
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