Arte e catástrofe : manifestações artísticas sobre o acidente com o Césio-137 em Goiânia (1987 - 2019)

• Ano de defesa: 2021
• Autor(a) principal: Pires, Sarah Cabral Cesar
• Orientador(a): Silva, Ademir Luiz da
• Banca de defesa: Silva , Ademir Luiz da, Oliveira, Eliézer Cardoso de, Silva, Joanise Levy da
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Estadual de Goiás
• Programa de Pós-Graduação: Programa de Pós-Graduação em Territórios e Expressões Culturais no Cerrado (PPG-TECCER)
• Departamento: UEG ::Coordenação de Mestrado Territórios Expressões Culturais do Cerrado
• País: Brasil
• Palavras-chave em Português: Arte; Catástrofe; Césio 137
• Palavras-chave em Inglês: Art; Catastrophe - Goiânia(GO); Cesium 137
• Área do conhecimento CNPq: CIENCIAS SOCIAIS APLICADAS
• Link de acesso: http://www.bdtd.ueg.br/handle/tede/697

This research seeks to understand the ways in which the art evolves when it treats about a catastrophic event. Starting from the accident with cesium - 137, we try to show the evolution of artistic manifestations that addressed the theme of contamination of cesium – 137, in 1987, in Goiânia. From this, works performed in the initial period, simultaneous to the event, and works produced in a period after thirty years of the event are opposed in order to understand the different ways in which the artists behaved in the face of the historical moment of the state of Goiás. Through such works, it will seek to understand how the artists' postures changed in the face of the catastrophe, how they absorbed the accident and how this tragedy was transformed into an artistic manifestation; about how a catastrophic event can be transformed into art, and how such content changes according to the distance in time and in context of the artistic creation. Therefore, the study enters the universe of the art, focusing the catastrophe as a catalyst for artistic works and the ways how their production crosses the artists and proves their attitudes uncommitted with the obviousness of the real.