Futuro do pretérito : do patrimônio vivido ao patrimônio tombado na Cidade de Goiás 2000/2021

• Ano de defesa: 2022
• Autor(a) principal: Silva , Pedro Augusto Diniz
• Orientador(a): Silva, Fernando Sant’Anna e
• Banca de defesa: Silva, Thiago Fernando Sant Anna e , Tamaso, Izabela Maria , Silva, Neemias Oliveira da
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Estadual de Goiás
• Programa de Pós-Graduação: Programa de Pós-Graduação em Estudos Culturais, Memória e Patrimônio (PROMEP)
• Departamento: UEG ::Coordenação de Mestrado Profissional em Estudos Culturais, Memória e Patrimônio
• País: Brasil
• Palavras-chave em Português: Memória e patrimônio; Festas populares; Documentário; Filmes patrimoniais; Cerratense
• Palavras-chave em Inglês: Memory and heritage; Popular parties; Documentary; Heritage movies
• Área do conhecimento CNPq: CIENCIAS HUMANAS::HISTORIA
• Link de acesso: http://www.bdtd.ueg.br/handle/tede/1336

This is a study that seeks to understand the course of two decades of the recent history of the Cidade de Goiás. This path begins when a part of this community mobilized to demand and to receive the most important patrimonial recognition title, Humanity´s Cultural Heritage, in 2001, and ends with the Pandemic period of Covid-19, 2020 to nowadays. Using as a reference the popular participation in annual celebrations of their religious traditions. I tried to identify the projection to the future that the Vilaboense people to do to their community, their expectations, their frustrations, and demands from this received. Highlighting the cultural socio-economic division between the recognized urban polygon as a heritage of humanity and the adjacent region that feels discriminated against managers and their local policies. The results of this analyses and study was the elaboration of a documentary called: “Futuro do pretérito: entre diálogos pratimoniais”. The Goiás city will complete 300 years of urban occupation in 2027, and, that´s why I considered the pertinence of this theme and in reason of the extensive professional activity of researcher that I exercise in this community. As well my heritage film productions as over these 2 decades, I used as research support the collection of moving images generated during that time, as much as a starting point and reference for the development of actions in the field, recording interviews and application of forms. I tried to articulate the material and cultural factors in these social analyses, being identified the recurring conflicts of interest in power disputes (Centro histórico x Periferia) in the dynamic trajectory of the constitution of collective memory.