Paródia e escrita de autoria feminina em "Penelopeia", de Margaret Atwood
| Ano de defesa: | 2024 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | , , |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Estadual de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-Graduação Strito sensu em Língua, Literatura e Interculturalidade (POSLLI)
|
| Departamento: |
UEG ::Coordenação de Mestrado em Língua, Literatura e Interculturalidade
|
| País: |
Brasil
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | http://www.bdtd.ueg.br/handle/tede/1623 |
Resumo: | This dissertation analyzes the novel Penelopiad: The Myth of Penelope and Odisseus , by Margaret Atwood, which was translated into Brazilian Portuguese A odisseia de Penélope. This novel would be a narrative about the story of Odys seus and Penelope, told from the point of view of the queen of Ithaca. Thus, this dissertation analyzes Atwood's novel as a “Penelopeia”, that is, a version of the classical myth told from the point of view of Penelope, who, in the classical view, was sile nced, since the epic was a narrative genre predominantly masculine. By giving voice to a historically silenc ed character, Atwood updates the myth, giving it an alternative vision, which, at several points, dialogues, but differs from the Greek version, in particular, from the Homeric version. Parody would, in this way, be a centripetal and centrifugal force, because, at the same time as it brings versions closer together, it also differentiates them. A second point also stands out: the female authored narra tive. In this sense, it is possible to identify the main differences present in the epic written by Homer an d Atwood's narrative that addresses issues regarding the presence of women in fiction and in the authorship of a story. Thus, the idea of the paro dic intertextuality that the novel has with the participation of epic poetry will be presented, as well as the idea of the silencing and rise of the female voice in the literary world based on Margaret Atwood's narrative. |
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André, Adolfo José de Souzahttps://orcid.org/0000-0003-0986-4043http://lattes.cnpq.br/6718290160526555André, Adolfo José de Souzahttps://orcid.org/0000-0003-0986-4043http://lattes.cnpq.br/6718290160526555Sales, Paulo Alberto da Silvahttps://orcid.org/0000-0001-9980-2561http://lattes.cnpq.br/2235713534521313Vieira Júnior, Paulo Antôniohttps://orcid.org/0000-0001-5428-2080http://lattes.cnpq.br/8490405451576541https://orcid.org/0009-0006-0521-4122http://lattes.cnpq.br/5472643617005044Reis, Yasmin Kimberlyn Camargo dos2024-12-16T19:47:15Z2024-10-07REIS, Yasmin Kimberlyn. Paródia e escrita de autoria feminina em "Penelopeia", de Margaret Atwood. 2024. 110 f. Dissertação (Mestrado em Língua, Literatura e Interculturalidade) – Câmpus Cora Coralina, Universidade Estadual de Goiás, Goiás, GO, 2024.http://www.bdtd.ueg.br/handle/tede/1623This dissertation analyzes the novel Penelopiad: The Myth of Penelope and Odisseus , by Margaret Atwood, which was translated into Brazilian Portuguese A odisseia de Penélope. This novel would be a narrative about the story of Odys seus and Penelope, told from the point of view of the queen of Ithaca. Thus, this dissertation analyzes Atwood's novel as a “Penelopeia”, that is, a version of the classical myth told from the point of view of Penelope, who, in the classical view, was sile nced, since the epic was a narrative genre predominantly masculine. By giving voice to a historically silenc ed character, Atwood updates the myth, giving it an alternative vision, which, at several points, dialogues, but differs from the Greek version, in particular, from the Homeric version. Parody would, in this way, be a centripetal and centrifugal force, because, at the same time as it brings versions closer together, it also differentiates them. A second point also stands out: the female authored narra tive. In this sense, it is possible to identify the main differences present in the epic written by Homer an d Atwood's narrative that addresses issues regarding the presence of women in fiction and in the authorship of a story. Thus, the idea of the paro dic intertextuality that the novel has with the participation of epic poetry will be presented, as well as the idea of the silencing and rise of the female voice in the literary world based on Margaret Atwood's narrative.A present e dissertação analisa o romance Penelopiad: The Myth of Penelope and Odisseus, de Margaret Atwood, que recebeu a tradução para o português brasileiro A odisseia de Penélope . Este romance seria uma narrativa sobre a história de Odisseu e de Penélope, contad a sob o ponto de vista da rainha de Ítaca. Assim, esta dissertação analisa o romance de Atwood como uma “ Penelopeia ”, ou seja, uma versão do mito clássico contada s ob o ponto de vista de Penélope que, na visão clássica, estava silenciada, já que a epopeia era um gênero narrativo predominantemente masculino. Ao dar voz a u ma personagem historicamente silenciada, Atwood atualiza o mito, dando lhe uma visão alternativa e que, em diversos pontos, dialoga, mas se diferencia da versão grega, em especial, da versã o homérica. A paródia seria, dess a forma, uma força centrípeta e centrífuga, pois, ao mesmo tempo que aproximam versões, também as diferenciam. Um segundo ponto também se destaca: a narrativa de autoria feminina. Nesse sentido, é possível identificar as pr incipais diferenças presentes na epopeia escrita por Homero e da narra tiva de Atwood que aborda questões com relação à presença da mulher na ficção e na autoria de uma história. Assim, serão apresentadas a ideia da intertextualidade paródica que o romance tem com participação da poesia épica, como também a ideia do silenciamento e da ascen s ão da voz feminina no meio literário tendo como base a narrativa de Margaret Atwood.Submitted by Marília Dias (bib.goias@ueg.br) on 2024-12-16T19:46:47Z No. of bitstreams: 2 DISSERTACAO_YASMIN_KIMBERLYN_CAMARGO_DOS_REIS.pdf: 1472476 bytes, checksum: 8de1e89f35cdb7c0a0d3f112eb5d9ca5 (MD5) license.txt: 2109 bytes, checksum: b76a28645f58b21aeda00ac459312a65 (MD5)Approved for entry into archive by Marília Dias (bib.goias@ueg.br) on 2024-12-16T19:47:14Z (GMT) No. of bitstreams: 2 DISSERTACAO_YASMIN_KIMBERLYN_CAMARGO_DOS_REIS.pdf: 1472476 bytes, checksum: 8de1e89f35cdb7c0a0d3f112eb5d9ca5 (MD5) license.txt: 2109 bytes, checksum: b76a28645f58b21aeda00ac459312a65 (MD5)Made available in DSpace on 2024-12-16T19:47:15Z (GMT). No. of bitstreams: 2 DISSERTACAO_YASMIN_KIMBERLYN_CAMARGO_DOS_REIS.pdf: 1472476 bytes, checksum: 8de1e89f35cdb7c0a0d3f112eb5d9ca5 (MD5) license.txt: 2109 bytes, checksum: b76a28645f58b21aeda00ac459312a65 (MD5) Previous issue date: 2024-10-07application/pdfporUniversidade Estadual de GoiásPrograma de Pós-Graduação Strito sensu em Língua, Literatura e Interculturalidade (POSLLI)UEGBrasilUEG ::Coordenação de Mestrado em Língua, Literatura e InterculturalidadeMargaret AtwoodPenelopeiaAutoria femininaParódiaFemale authorParodyLINGUISTICA, LETRAS E ARTESLETRAS::LITERATURAS ESTRANGEIRAS MODERNASParódia e escrita de autoria feminina em "Penelopeia", de Margaret AtwoodParody and writing by female authority in "Penelopeia", by Margaret Arwoodinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis3433046826870030623500500600600-56128498339162596694828026023044017992-3981866704659972547info:eu-repo/semantics/openAccessreponame:Biblioteca Digital Brasileira de Teses e Dissertações da UEGinstname:Universidade Estadual de Goiás (UEG)instacron:UEGORIGINALDISSERTACAO_YASMIN_KIMBERLYN_CAMARGO_DOS_REIS.pdfDISSERTACAO_YASMIN_KIMBERLYN_CAMARGO_DOS_REIS.pdfapplication/pdf1472476http://10.20.60.80:8080/tede/bitstream/tede/1623/2/DISSERTACAO_YASMIN_KIMBERLYN_CAMARGO_DOS_REIS.pdf8de1e89f35cdb7c0a0d3f112eb5d9ca5MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82109http://10.20.60.80:8080/tede/bitstream/tede/1623/1/license.txtb76a28645f58b21aeda00ac459312a65MD51tede/16232024-12-16 16:47:15.262oai:tede2: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 Digital de Teses e Dissertaçõeshttps://www.bdtd.ueg.br/PUBhttps://www.bdtd.ueg.br/oai/requestbibliotecaunucet@ueg.br||opendoar:2024-12-16T19:47:15Biblioteca Digital Brasileira de Teses e Dissertações da UEG - Universidade Estadual de Goiás (UEG)false |
| dc.title.por.fl_str_mv |
Paródia e escrita de autoria feminina em "Penelopeia", de Margaret Atwood |
| dc.title.alternative.eng.fl_str_mv |
Parody and writing by female authority in "Penelopeia", by Margaret Arwood |
| title |
Paródia e escrita de autoria feminina em "Penelopeia", de Margaret Atwood |
| spellingShingle |
Paródia e escrita de autoria feminina em "Penelopeia", de Margaret Atwood Reis, Yasmin Kimberlyn Camargo dos Margaret Atwood Penelopeia Autoria feminina Paródia Female author Parody LINGUISTICA, LETRAS E ARTES LETRAS::LITERATURAS ESTRANGEIRAS MODERNAS |
| title_short |
Paródia e escrita de autoria feminina em "Penelopeia", de Margaret Atwood |
| title_full |
Paródia e escrita de autoria feminina em "Penelopeia", de Margaret Atwood |
| title_fullStr |
Paródia e escrita de autoria feminina em "Penelopeia", de Margaret Atwood |
| title_full_unstemmed |
Paródia e escrita de autoria feminina em "Penelopeia", de Margaret Atwood |
| title_sort |
Paródia e escrita de autoria feminina em "Penelopeia", de Margaret Atwood |
| author |
Reis, Yasmin Kimberlyn Camargo dos |
| author_facet |
Reis, Yasmin Kimberlyn Camargo dos |
| author_role |
author |
| dc.contributor.advisor1.fl_str_mv |
André, Adolfo José de Souza |
| dc.contributor.advisor1ID.fl_str_mv |
https://orcid.org/0000-0003-0986-4043 |
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http://lattes.cnpq.br/6718290160526555 |
| dc.contributor.referee1.fl_str_mv |
André, Adolfo José de Souza |
| dc.contributor.referee1ID.fl_str_mv |
https://orcid.org/0000-0003-0986-4043 |
| dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/6718290160526555 |
| dc.contributor.referee2.fl_str_mv |
Sales, Paulo Alberto da Silva |
| dc.contributor.referee2ID.fl_str_mv |
https://orcid.org/0000-0001-9980-2561 |
| dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/2235713534521313 |
| dc.contributor.referee3.fl_str_mv |
Vieira Júnior, Paulo Antônio |
| dc.contributor.referee3ID.fl_str_mv |
https://orcid.org/0000-0001-5428-2080 |
| dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/8490405451576541 |
| dc.contributor.authorID.fl_str_mv |
https://orcid.org/0009-0006-0521-4122 |
| dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/5472643617005044 |
| dc.contributor.author.fl_str_mv |
Reis, Yasmin Kimberlyn Camargo dos |
| contributor_str_mv |
André, Adolfo José de Souza André, Adolfo José de Souza Sales, Paulo Alberto da Silva Vieira Júnior, Paulo Antônio |
| dc.subject.por.fl_str_mv |
Margaret Atwood Penelopeia Autoria feminina Paródia |
| topic |
Margaret Atwood Penelopeia Autoria feminina Paródia Female author Parody LINGUISTICA, LETRAS E ARTES LETRAS::LITERATURAS ESTRANGEIRAS MODERNAS |
| dc.subject.eng.fl_str_mv |
Female author Parody |
| dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES LETRAS::LITERATURAS ESTRANGEIRAS MODERNAS |
| description |
This dissertation analyzes the novel Penelopiad: The Myth of Penelope and Odisseus , by Margaret Atwood, which was translated into Brazilian Portuguese A odisseia de Penélope. This novel would be a narrative about the story of Odys seus and Penelope, told from the point of view of the queen of Ithaca. Thus, this dissertation analyzes Atwood's novel as a “Penelopeia”, that is, a version of the classical myth told from the point of view of Penelope, who, in the classical view, was sile nced, since the epic was a narrative genre predominantly masculine. By giving voice to a historically silenc ed character, Atwood updates the myth, giving it an alternative vision, which, at several points, dialogues, but differs from the Greek version, in particular, from the Homeric version. Parody would, in this way, be a centripetal and centrifugal force, because, at the same time as it brings versions closer together, it also differentiates them. A second point also stands out: the female authored narra tive. In this sense, it is possible to identify the main differences present in the epic written by Homer an d Atwood's narrative that addresses issues regarding the presence of women in fiction and in the authorship of a story. Thus, the idea of the paro dic intertextuality that the novel has with the participation of epic poetry will be presented, as well as the idea of the silencing and rise of the female voice in the literary world based on Margaret Atwood's narrative. |
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REIS, Yasmin Kimberlyn. Paródia e escrita de autoria feminina em "Penelopeia", de Margaret Atwood. 2024. 110 f. Dissertação (Mestrado em Língua, Literatura e Interculturalidade) – Câmpus Cora Coralina, Universidade Estadual de Goiás, Goiás, GO, 2024. |
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REIS, Yasmin Kimberlyn. Paródia e escrita de autoria feminina em "Penelopeia", de Margaret Atwood. 2024. 110 f. Dissertação (Mestrado em Língua, Literatura e Interculturalidade) – Câmpus Cora Coralina, Universidade Estadual de Goiás, Goiás, GO, 2024. |
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