A representação do Nordeste nas letras das músicas da cantora Marinês
| Ano de defesa: | 2009 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | , |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Estadual da Paraíba
|
| Programa de Pós-Graduação: |
Programa de Pós-Graduação em Literatura e Interculturalidade - PPGLI
|
| Departamento: |
Literatura e Estudos Interculturais
Pró-Reitoria de Pós-Graduação e Pesquisa - PRPGP |
| País: |
BR
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | https://repositorio.uepb.edu.br/handle/123456789/72977 |
Resumo: | Inês Caetano de Oliveira (Marinês) initiated her career as a forró singer in the year of 1957 and gained space in the national market as the Queen of Xaxado , image that links her to the Northeast Brazilian culture. On this research we consider the lyrics of the songs in her repertoire as literature, from an extended concept, attributed by the Cultural Studies, which cover several diverse cultural productions, as chained forms of meaning. In this manner we formulated the following researche question: How is the Northeast of Brazil represented in the lyrics in the songs of the singer Marinês? Due to this, our objectives were: To do a research on the phonographic production of the singer between the years of 1957 to 2007; analyze how the Northeast population and the Northeast are represented in the lyrics of theses songs; analyze the contribution and the trajectory of the singer to the Northeast popular culture. For the composition of the corpus to be analyzed in this project, we selected 22 songs that were recorded the most by the artist in the 50 years of her career, that appear at least twice in different albums and addresses the Northeast as a theme. This choice had as base a digital database elaborated for the development of this research, that identifies the titles of the song and the names of their composers, how many times they were recorded by the singer, in which album and year of the production. We did the analyses of the lyrics based on the themes that were recurrent topics about the region: Northeast identity, drought, rain, cultural practices, the relationship with other living beings and nature. During the research, we verified that the lyrics of her songs demonstrate important aspects for the production of knowledge about the region and the Northeast culture: religion, traditional customs and a sense of being . We conclude stating that the songs in Marinês repertoire configure a construction of regional identity, based in tradition, through representations valued positively, revealing the pride in being from the northeast. |
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2015-09-25T12:23:36Z2026-02-26T14:35:35Z2010-11-252009-06-05SILVA, Claudeci Ribeiro da. A representação do Nordeste nas letras das músicas da cantora Marinês. 2009. 168 f. Dissertação (Mestrado em Literatura e Estudos Interculturais) - Universidade Estadual da Paraíba, Campina Grande, 2009.https://repositorio.uepb.edu.br/handle/123456789/7297724004014004P2Inês Caetano de Oliveira (Marinês) initiated her career as a forró singer in the year of 1957 and gained space in the national market as the Queen of Xaxado , image that links her to the Northeast Brazilian culture. On this research we consider the lyrics of the songs in her repertoire as literature, from an extended concept, attributed by the Cultural Studies, which cover several diverse cultural productions, as chained forms of meaning. In this manner we formulated the following researche question: How is the Northeast of Brazil represented in the lyrics in the songs of the singer Marinês? Due to this, our objectives were: To do a research on the phonographic production of the singer between the years of 1957 to 2007; analyze how the Northeast population and the Northeast are represented in the lyrics of theses songs; analyze the contribution and the trajectory of the singer to the Northeast popular culture. For the composition of the corpus to be analyzed in this project, we selected 22 songs that were recorded the most by the artist in the 50 years of her career, that appear at least twice in different albums and addresses the Northeast as a theme. This choice had as base a digital database elaborated for the development of this research, that identifies the titles of the song and the names of their composers, how many times they were recorded by the singer, in which album and year of the production. We did the analyses of the lyrics based on the themes that were recurrent topics about the region: Northeast identity, drought, rain, cultural practices, the relationship with other living beings and nature. During the research, we verified that the lyrics of her songs demonstrate important aspects for the production of knowledge about the region and the Northeast culture: religion, traditional customs and a sense of being . We conclude stating that the songs in Marinês repertoire configure a construction of regional identity, based in tradition, through representations valued positively, revealing the pride in being from the northeast.Inês Caetano de Oliveira (Marinês) iniciou sua carreira como cantora de forró no ano de 1957 e ganhou espaço no mercado nacional como a Rainha do Xaxado , imagem que marca o seu vínculo com a cultura nordestina. Neste trabalho, consideramos as letras das canções de seu repertório como literatura, dentro de uma concepção ampliada, tributária dos Estudos Culturais, que abarca produções culturais diversas, enquanto formas correntes de significação. Formulamos, assim, a seguinte questão de pesquisa: Como o Nordeste é representado nas letras das músicas da cantora Marinês? Por sua vez, nossos objetivos foram: fazer um levantamento da produção fonográfica da cantora entre os anos de 1957 e 2007; analisar como a região Nordeste e os nordestinos são representados nas letras das canções; analisar a contribuição e trajetória da cantora para a cultura popular nordestina. Para a composição do corpus a ser analisado no trabalho, selecionamos 22 músicas, dentre as mais gravadas pela artista no período dos 50 anos de sua carreira, que aparecem no mínimo duas vezes em discos diferentes e abordam o Nordeste como tema. Essa escolha teve como base um banco de dados digitalizado, elaborado para o desenvolvimento desta pesquisa, que identifica os títulos das músicas e os nomes de seus compositores, quantas vezes foram gravadas pela cantora, em qual disco e o ano de sua produção. Realizamos as análises das letras a partir dos temas recorrentes nos discursos sobre a região: identidade nordestina, estiagem, chuva, práticas culturais, relações entre os seres vivos e a natureza. No decorrer da pesquisa, verificamos que as letras das suas músicas mostram aspectos de importância para a produção de conhecimento sobre a região e a cultura nordestina: religião, costumes, tradições e o sentimento de lugar . Concluímos mostrando que as canções do repertório de Marinês configuram uma construção de identidade regional com base na tradição, através de representações valoradas positivamente, revelando o orgulho em ser nordestino.application/pdfUniversidade Estadual da ParaíbaPrograma de Pós-Graduação em Literatura e Interculturalidade - PPGLIUEPBBRLiteratura e Estudos InterculturaisPró-Reitoria de Pós-Graduação e Pesquisa - PRPGPForróNortheast RepresentationSinger MarinêsCNPQForrórepresentação do Nordestecantora MarinêsA representação do Nordeste nas letras das músicas da cantora Marinêsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisQueiroz, Luis Ricardo SilvaBezerra, Rosilda Alveshttp://lattes.cnpq.br/6401249635890403Penna, Maura Lucia Fernandeshttp://lattes.cnpq.br/2951230933735758Silva, Claudeci Ribeiro dainfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da Universidade Estadual da Paraíba (UEPB)instname:Universidade Estadual da Paraíba (UEPB)instacron:UEPBORIGINALClaudeci_PDF.pdfapplication/pdf1959106https://repositorio.uepb.edu.br/bitstreams/f3ddc6a1-fa49-489a-a5b3-3fe0f3ceedf2/downloadb90c920d5007c594cff6116bbfecf661MD51trueAnonymousREADTHUMBNAILClaudeci_PDF.pdf.jpgClaudeci_PDF.pdf.jpgGenerated Thumbnailimage/jpeg3303https://repositorio.uepb.edu.br/bitstreams/c249f202-efdd-46b5-b3af-f60c2f145f54/download76f91cafbb83d16176100aded43a2949MD52falseAnonymousREADLICENSElicense.txtlicense.txttext/plain; charset=utf-81324https://repositorio.uepb.edu.br/bitstreams/8acd6479-f8f6-463e-b40f-d6c91db17813/downloadea12793326f265c7d8ea2bcdd2c49d6fMD53falseAnonymousREAD123456789/729772026-05-06T11:50:18.107287Zopen.accessoai:repositorio.uepb.edu.br:123456789/72977https://repositorio.uepb.edu.brRepositório InstitucionalPUBhttp://dspace.bc.uepb.edu.br/oai/requestsibuepb@setor.uepb.edu.bropendoar:2026-05-06T11:50:18Repositório Institucional da Universidade Estadual da Paraíba (UEPB) - Universidade Estadual da Paraíba (UEPB)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 |
| dc.title.none.fl_str_mv |
A representação do Nordeste nas letras das músicas da cantora Marinês |
| title |
A representação do Nordeste nas letras das músicas da cantora Marinês |
| spellingShingle |
A representação do Nordeste nas letras das músicas da cantora Marinês Silva, Claudeci Ribeiro da Forró Northeast Representation Singer Marinês CNPQ Forró representação do Nordeste cantora Marinês |
| title_short |
A representação do Nordeste nas letras das músicas da cantora Marinês |
| title_full |
A representação do Nordeste nas letras das músicas da cantora Marinês |
| title_fullStr |
A representação do Nordeste nas letras das músicas da cantora Marinês |
| title_full_unstemmed |
A representação do Nordeste nas letras das músicas da cantora Marinês |
| title_sort |
A representação do Nordeste nas letras das músicas da cantora Marinês |
| author |
Silva, Claudeci Ribeiro da |
| author_facet |
Silva, Claudeci Ribeiro da |
| author_role |
author |
| dc.contributor.referee1.fl_str_mv |
Queiroz, Luis Ricardo Silva |
| dc.contributor.referee2.fl_str_mv |
Bezerra, Rosilda Alves |
| dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/6401249635890403 |
| dc.contributor.advisor1.fl_str_mv |
Penna, Maura Lucia Fernandes |
| dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/2951230933735758 |
| dc.contributor.author.fl_str_mv |
Silva, Claudeci Ribeiro da |
| contributor_str_mv |
Queiroz, Luis Ricardo Silva Bezerra, Rosilda Alves Penna, Maura Lucia Fernandes |
| dc.subject.eng.fl_str_mv |
Forró Northeast Representation Singer Marinês |
| topic |
Forró Northeast Representation Singer Marinês CNPQ Forró representação do Nordeste cantora Marinês |
| dc.subject.cnpq.fl_str_mv |
CNPQ |
| dc.subject.por.fl_str_mv |
Forró representação do Nordeste cantora Marinês |
| description |
Inês Caetano de Oliveira (Marinês) initiated her career as a forró singer in the year of 1957 and gained space in the national market as the Queen of Xaxado , image that links her to the Northeast Brazilian culture. On this research we consider the lyrics of the songs in her repertoire as literature, from an extended concept, attributed by the Cultural Studies, which cover several diverse cultural productions, as chained forms of meaning. In this manner we formulated the following researche question: How is the Northeast of Brazil represented in the lyrics in the songs of the singer Marinês? Due to this, our objectives were: To do a research on the phonographic production of the singer between the years of 1957 to 2007; analyze how the Northeast population and the Northeast are represented in the lyrics of theses songs; analyze the contribution and the trajectory of the singer to the Northeast popular culture. For the composition of the corpus to be analyzed in this project, we selected 22 songs that were recorded the most by the artist in the 50 years of her career, that appear at least twice in different albums and addresses the Northeast as a theme. This choice had as base a digital database elaborated for the development of this research, that identifies the titles of the song and the names of their composers, how many times they were recorded by the singer, in which album and year of the production. We did the analyses of the lyrics based on the themes that were recurrent topics about the region: Northeast identity, drought, rain, cultural practices, the relationship with other living beings and nature. During the research, we verified that the lyrics of her songs demonstrate important aspects for the production of knowledge about the region and the Northeast culture: religion, traditional customs and a sense of being . We conclude stating that the songs in Marinês repertoire configure a construction of regional identity, based in tradition, through representations valued positively, revealing the pride in being from the northeast. |
| publishDate |
2009 |
| dc.date.issued.fl_str_mv |
2009-06-05 |
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2010-11-25 |
| dc.date.accessioned.fl_str_mv |
2015-09-25T12:23:36Z 2026-02-26T14:35:35Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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SILVA, Claudeci Ribeiro da. A representação do Nordeste nas letras das músicas da cantora Marinês. 2009. 168 f. Dissertação (Mestrado em Literatura e Estudos Interculturais) - Universidade Estadual da Paraíba, Campina Grande, 2009. |
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https://repositorio.uepb.edu.br/handle/123456789/72977 |
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24004014004P2 |
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SILVA, Claudeci Ribeiro da. A representação do Nordeste nas letras das músicas da cantora Marinês. 2009. 168 f. Dissertação (Mestrado em Literatura e Estudos Interculturais) - Universidade Estadual da Paraíba, Campina Grande, 2009. 24004014004P2 |
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Universidade Estadual da Paraíba |
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Universidade Estadual da Paraíba |
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