A mulher como performance: as máscaras poéticas no Livro de “Soror Saudade”, de Florbela Espanca.

• Ano de defesa: 2023
• Autor(a) principal: Andrade, Danielle Meireles de
• Outros Autores: [e-mail]
• Orientador(a): Samyn, Henrique Marques
• Banca de defesa: Carvalho, Elisa Costa Brandão de , Sousa, Marcio Jean Fialho de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade do Estado do Rio de Janeiro
• Programa de Pós-Graduação: Programa de Pós-Graduação em Letras
• Departamento: Centro de Educação e Humanidades::Instituto de Letras
• País: Brasil
• Palavras-chave em Português: Florbela Espanca; Soneto; Máscaras poéticas; Mulher; Performatividade; Espanca, Florbela, 1894-1930 - Crítica e interpretação; Espanca, Florbela, 1894-1930. Livro de “Soror Saudade”; Mulheres na literatura; Poesia portuguesa – História e crítica; Performatividade de gênero
• Palavras-chave em Inglês: Sonnet; Poetic masks; Woman; Performativity
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::LETRAS::OUTRAS LITERATURAS VERNACULAS
• Link de acesso: http://www.bdtd.uerj.br/handle/1/19073

In this dissertation, analyzes were carried out about the poetic masks present in the Livro de “Soror Saudade” (1923), a book of sonnets by the Portuguese poet Florbela Espanca. The nun's mask will be the main female figure portrayed in this text, in which, in a detailed reading, divergent characteristics of that image are noticed. Following tradition, the figure of the nun would be linked to the convent, to confinement and restraint. However, when analyzed in detail, the nun begins to show signs of a desire for freedom, seeking to explore corporality and sexual pleasure. In addition to approaching and deepening the female images in the book, the purpose of this dissertation aims to explore the very meaning of "gender" and "woman". For this, opportunely, the work of Judith Butler will be one of the theoretical references in this text. The researcher defends the performativity of gender, and proposes to analyze the gendering of the body as a social construction, that is, as a regulation of subjects. The definition of women as performance would, therefore, be understood in the use of poetic masks present in Florbela's work, in which female figures served as attempts to adapt to the current model and imaginary in patriarchal society.