A natureza monumental do Copacabana Palace

• Ano de defesa: 2006
• Autor(a) principal: Fernandes, Ulisses da Silva
• Orientador(a): Ribeiro, Miguel Angelo Campos
• Banca de defesa: Jesus, Gilmar Mascarenhas de , Pacheco, Susana Mara Miranda , Corrêa, Roberto Lobato Azevedo
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade do Estado do Rio de Janeiro
• Programa de Pós-Graduação: Programa de Pós-Graduação em Geografia
• Departamento: Centro de Tecnologia e Ciências::Instituto de Geografia
• País: BR
• Palavras-chave em Português: Paisagem; Monumento; Simbolismo; Copacabana; Copacabana Palace Hotel
• Palavras-chave em Inglês: Landscape; Monument; Symbolism; Copacabana; Copacabana Palace Hotel
• Área do conhecimento CNPq: CNPQ::CIENCIAS EXATAS E DA TERRA::GEOCIENCIAS
• Link de acesso: http://www.bdtd.uerj.br/handle/1/13291

The present study seeks to interact the monumental character of the Copacabana Palace Hotel with the symbolic conception of surrounding landscape with it associated, fundamentally opposing the one of urban origin to the one that concerns the beach and the ocean. In this sense, firstly, it s embraced the approach of the landscape in which the hotel was inserted, where its subjective capacity became necessary not only to form the monumental expression of the hotel but also, when interacted with it, permitted to foresee a series of transformations in the urban treatment of Copacabana. Later on, was observed an analysis of the representative forms of the monuments, intentional or not, but associated to their monumental expression in the middle of the surrounding landscapes. This way, being the landscape noted for its subjectivity, was verified in the symbology of the look the constitution of a reading for the Copacabana Palace Hotel while work of monumental character. In the subjectivity of the look was also interposed the necessity of comprehending how nature and myth join forces to constitute new intentions of use, like the ones observed in Copacabana, having, as main mark, the construction of the hotel. At the end, it s observed interaction between symbolic perception of landscape and urban space transformers action, focusing this conclusion on the mark conferred by the hotel to the foresight of the new established landscape.