A Poética de Adélia Prado: espaço de articulação entre língua portuguesa e língua literária

• Ano de defesa: 2010
• Autor(a) principal: Machado, Maria Celeste de Castro
• Orientador(a): Pereira, Maria Teresa Gonçalves
• Banca de defesa: Azeredo, José Carlos Santos de , Camara, Tania Maria Nunes de Lima , Santos, Denise Salim , Oliveira Neto, Godofredo de
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade do Estado do Rio de Janeiro
• Programa de Pós-Graduação: Programa de Pós-Graduação em Letras
• Departamento: Centro de Educação e Humanidades::Instituto de Letras
• País: BR
• Palavras-chave em Português: Prado, Adélia, 1935- Crítica e interpretação; Prado, Adélia, 1935- Estilo literário; Metáfora; Intertextualidade; Análise do discurso literário; Poesia brasileira; Estilística; Polifonia; Poesia Telegráfica; Língua Literária
• Palavras-chave em Inglês: Stylistics; Metaphor; Polyphony; Intertextuality; Telegraph Poetry; Literary Language
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA
• Link de acesso: http://www.bdtd.uerj.br/handle/1/6002

The thesis studies the poetry of Adelia Prado in the view of the stylistics. It shows that the use of metaphor is more used to construct the literary language and in the case of the poet, model it in Portuguese. The study shows that the connotative language of the poet reaches the three levels of language and promotes the unexpected and far from the common expression. Emphasizes the importance of polyphony and intertextuality, and the excellence of free indirect discourse in literary creation not only of the poet, but all use the English language as a tool of poetic expression, especially if the author's intention is to create the surreal speech. Research shows that there is in the works, a large number of poems in the language that dominates religious Catholic. Is the expression of the feminine soul, marked with pride by poet. The author creates prosodemas inaugurates new words, taking advantage of all the processes of creation vocabulary. Thus, the work is distinguished by the use of the sound of words, the lexical choice unprecedented, for a test patch phrasing, evocative, succinct and nominal, not enslaved to the rules of registration as a cult literary standard. The thesis acknowledges that the author deals effectively with classes of words, with the building face and a syntactic structure peculiar in that it highlights the relative clause which functions as subject, although it contains verb: the relative clause subjectivized. The essence of the research is the sets metaphorically true "universal models" for recognizing the possible existence of a literary language in Portuguese. In the same context, focuses on a group of poems called "telegraph", short and philosophical content. This metaphorical quality shows the importance of the poet Adelia Prado for the articulation of the literary language in Portuguese