Angústia das sensações em desassossego

• Ano de defesa: 2022
• Autor(a) principal: Martins, Julia Neiva Gonçalves
• Outros Autores: [e-mail]
• Orientador(a): Bruno, Mario
• Banca de defesa: Hue, Sheila Moura , Pita, Luiz Fernando Dias , Maciel Junior, Auterives , Souza, Elton Luiz Leite de
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade do Estado do Rio de Janeiro
• Programa de Pós-Graduação: Programa de Pós-Graduação em Letras
• Departamento: Centro de Educação e Humanidades::Instituto de Letras
• País: Brasil
• Palavras-chave em Português: Álvaro de Campos; Bernardo Soares; Literatura portuguesa; Poética; Angústia; Tédio; Desassossego; Ontologia; Pessoa, Fernando, 1888-1935 – Crítica e interpretação; Pessoa, Fernando, 1888-1935. Livro do desassossego; Angústia (Psicologia); Ontologia na literatura; Filosofia na literatura
• Palavras-chave em Inglês: Portuguese Literature; Poetics; Anguish; Boredom; Disquiet; Ontology
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::LETRAS::OUTRAS LITERATURAS VERNACULAS
• Link de acesso: http://www.bdtd.uerj.br/handle/1/18407

The ability to be amazed by what he could find around him and even what he had seen countless times before turned Fernando Pessoa's work into a kaleidoscope of sensations that make existences multiply. Everything that was happening around and inside him could be the object of his "language laboratory". Pessoa's creative process and the depth contained in his heteronyms unveil the enchantment that comes from the encounter with the path, with the processes, and with the movements, since destiny is secondary. In the work of Pessoa and his heteronyms, the confluence of literary and philosophical paths in the process of Pessoa's creation is perceptible. Based on the assumption that sensation is intensified by consciousness, this research will use Pessoa's critical fortune to ground literature as a propellant of this aesthetic, mainly based on texts by José Gil, besides finding relevant points in Heidegger's work, considering the issue of ontology, boredom and anguish in Pessoa's poetry, mainly in Álvaro de Campos' poetic work and in Bernardo Soares' Livro do Desassossego. The theoretical contribution will rely on the most relevant researchers and on Pessoa's critical fortune, such as LeylaPerrone-Moisés, Jorge de Sena, Leda Miranda Huhne, Georg Rudolf Lind, Jerónimo Pizarro and Richard Zenith, in order to investigate the theme of ontology and how it is essential to unveil the process of elaboration of poetic expression from the construction of metaphysical emotion.