Respirar no topo da montanha: arte como refluxo à biopolítica
| Ano de defesa: | 2024 |
|---|---|
| Autor(a) principal: | |
| Outros Autores: | |
| Orientador(a): | |
| Banca de defesa: | , , , |
| Tipo de documento: | Tese |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade do Estado do Rio de Janeiro
|
| Programa de Pós-Graduação: |
Programa de Pós-Graduação em Artes
|
| Departamento: |
Centro de Educação e Humanidades::Instituto de Artes
|
| País: |
Brasil
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | http://www.bdtd.uerj.br/handle/1/24639 |
Resumo: | The thesis is organized in three chapters, addressing the relationship between art, biopolitics and contemporary experience. In the first chapter, we examine the impact of the COVID-19 pandemic in Brazil, contextualizing it within a global panorama after September 11, 2001, marked by exacerbated capitalism and the rise of neo-fascist governments, which resulted in the erosion of rights and the intensification of inequality. Through Michel Foucault's concepts of biopolitics and biopower, together with contributions from Boaventura de Sousa Santos and Franco Berardi, it seeks to understand the alternatives that art can offer in times of terror and dehumanization. The second chapter proposes a new artistic approach centered on the body as a vital element, exploring underground connections, inspired by the theory of mycorrhizae, and analyzing the works of artists such as Allan Kaprow and Tehching Hsieh. In the third chapter, is established dialogues between Camus' Sisyphus and Nietzsche's Zarathustra, proposing the concept of “that space between” as a field of artistic creation. The thesis reflects on how art can be a means of imagining and building new possibilities in a world in crisis |
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Paixão, Alexandre Sá Barretto dahttps://orcid.org/0000-0002-7846-5145http://lattes.cnpq.br/0137944963846547Cesar, Marisa Flóridohttps://orcid.org/0000-0001-9915-1041http://lattes.cnpq.br/6579316913909055Gesomino, Renata de Oliveirahttps://orcid.org/0000-0002-0063-1078http://lattes.cnpq.br/9818488667824810Magalhães, Maria Elisa Campelo dehttps://orcid.org/0000-0002-6317-2227http://lattes.cnpq.br/3634320208508286Basbaum, Ricardo Roclawhttps://orcid.org/0000-0002-6886-8987http://lattes.cnpq.br/2307960927958416https://orcid.org/0000-0001-7066-5794http://lattes.cnpq.br/9601484914171340Pereira, Davi Silvadavi.pereira.ufrj@gmail.com2025-09-05T13:52:37Z2024-02-23PEREIRA, Davi Silva. Respirar no topo da montanha: arte como refluxo à biopolítica. 2024. 238 f. Tese (Doutorado em Artes) – Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2024.http://www.bdtd.uerj.br/handle/1/24639The thesis is organized in three chapters, addressing the relationship between art, biopolitics and contemporary experience. In the first chapter, we examine the impact of the COVID-19 pandemic in Brazil, contextualizing it within a global panorama after September 11, 2001, marked by exacerbated capitalism and the rise of neo-fascist governments, which resulted in the erosion of rights and the intensification of inequality. Through Michel Foucault's concepts of biopolitics and biopower, together with contributions from Boaventura de Sousa Santos and Franco Berardi, it seeks to understand the alternatives that art can offer in times of terror and dehumanization. The second chapter proposes a new artistic approach centered on the body as a vital element, exploring underground connections, inspired by the theory of mycorrhizae, and analyzing the works of artists such as Allan Kaprow and Tehching Hsieh. In the third chapter, is established dialogues between Camus' Sisyphus and Nietzsche's Zarathustra, proposing the concept of “that space between” as a field of artistic creation. The thesis reflects on how art can be a means of imagining and building new possibilities in a world in crisisA tese se organiza em três capítulos, abordando a relação entre arte, biopolítica e a experiência contemporânea. No primeiro capítulo examina-se o impacto da pandemia de COVID-19 no Brasil, contextualizando-o dentro de um panorama global pós 11 de setembro de 2001, marcado pelo capitalismo exacerbado e pela ascensão de governos neofascistas, que resultaram na erosão de direitos e na intensificação da desigualdade. Através dos conceitos de biopolítica e biopoder de Michel Foucault, junto com contribuições de Boaventura de Sousa Santos e Franco Berardi, busca-se entender as alternativas que a arte pode oferecer em tempos de terror e desumanização. O segundo capítulo propõe uma nova abordagem artística centrada no corpo como elemento vital, explorando conexões subterrâneas, inspiradas na teoria das micorrizas, e analisando as obras de artistas como Allan Kaprow e Tehching Hsieh. No terceiro capítulo, estabelece-se diálogos entre Sísifo, de Camus, e Zaratustra, de Nietzsche, propondo o conceito de "esse espaço entre" como um campo de criação artística. Reflete-se sobre como a arte pode ser um meio de imaginar e construir novas possibilidades em um mundo em criseSubmitted by Helio CEH/B (hagoncalves137@yahoo.com.br) on 2025-09-03T20:04:48Z No. of bitstreams: 3 Tese - Davi Silva Pereira - 2024 - Completa.pdf: 8241720 bytes, checksum: cb4915b499994d780acce073a61fcbc4 (MD5) CRN - Davi Silva Pereira - 2024.pdf: 216457 bytes, checksum: c06eeb4fc400efea019c470d7b7f63fb (MD5) Termo - Davi Silva Pereira - 2024.pdf: 421028 bytes, checksum: c907a5eded57b65882305eabf8389fc7 (MD5)Approved for entry into archive by Eliane CEH/B (liliprata2000@gmail.com) on 2025-09-05T13:52:37Z (GMT) No. of bitstreams: 3 Tese - Davi Silva Pereira - 2024 - Completa.pdf: 8241720 bytes, checksum: cb4915b499994d780acce073a61fcbc4 (MD5) CRN - Davi Silva Pereira - 2024.pdf: 216457 bytes, checksum: c06eeb4fc400efea019c470d7b7f63fb (MD5) Termo - Davi Silva Pereira - 2024.pdf: 421028 bytes, checksum: c907a5eded57b65882305eabf8389fc7 (MD5)Made available in DSpace on 2025-09-05T13:52:37Z (GMT). No. of bitstreams: 3 Tese - Davi Silva Pereira - 2024 - Completa.pdf: 8241720 bytes, checksum: cb4915b499994d780acce073a61fcbc4 (MD5) CRN - Davi Silva Pereira - 2024.pdf: 216457 bytes, checksum: c06eeb4fc400efea019c470d7b7f63fb (MD5) Termo - Davi Silva Pereira - 2024.pdf: 421028 bytes, checksum: c907a5eded57b65882305eabf8389fc7 (MD5) Previous issue date: 2024-02-23application/pdfporUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em ArtesUERJBrasilCentro de Educação e Humanidades::Instituto de ArtesArte contemporâneaBiopolíticaSísifoImagemCapitalismoArte moderna - Séc. XXIArte – Aspectos políticosImagem (Filosofia)Capitalismo – Aspectos sociaisContemporary artBiopoliticsSisyphusImageCapitalismLINGUISTICA, LETRAS E ARTES::ARTESRespirar no topo da montanha: arte como refluxo à biopolíticaBreathing at the top of the mountain: art as a reflux to biopoliticsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALTese - Davi Silva Pereira - 2024 - Completa.pdfTese - Davi Silva Pereira - 2024 - Completa.pdfapplication/pdf8241720http://www.bdtd.uerj.br/bitstream/1/24639/2/Tese+-+Davi+Silva+Pereira+-+2024+-+Completa.pdfcb4915b499994d780acce073a61fcbc4MD52CRN - Davi Silva Pereira - 2024.pdfCRN - Davi Silva Pereira - 2024.pdfapplication/pdf216457http://www.bdtd.uerj.br/bitstream/1/24639/3/CRN+-+Davi+Silva+Pereira+-+2024.pdfc06eeb4fc400efea019c470d7b7f63fbMD53Termo - Davi Silva Pereira - 2024.pdfTermo - Davi Silva Pereira - 2024.pdfapplication/pdf421028http://www.bdtd.uerj.br/bitstream/1/24639/4/Termo+-+Davi+Silva+Pereira+-+2024.pdfc907a5eded57b65882305eabf8389fc7MD54LICENSElicense.txtlicense.txttext/plain; charset=utf-82011http://www.bdtd.uerj.br/bitstream/1/24639/1/license.txtba23dde015e31ff1802d858071d990cdMD511/246392025-09-05 10:53:06.9oai:www.bdtd.uerj.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://www.bdtd.uerj.br/PUBhttps://www.bdtd.uerj.br:8443/oai/requestbdtd.suporte@uerj.bropendoar:29032026-05-27T10:56:17.958925Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)false |
| dc.title.por.fl_str_mv |
Respirar no topo da montanha: arte como refluxo à biopolítica |
| dc.title.alternative.eng.fl_str_mv |
Breathing at the top of the mountain: art as a reflux to biopolitics |
| title |
Respirar no topo da montanha: arte como refluxo à biopolítica |
| spellingShingle |
Respirar no topo da montanha: arte como refluxo à biopolítica Pereira, Davi Silva Arte contemporânea Biopolítica Sísifo Imagem Capitalismo Arte moderna - Séc. XXI Arte – Aspectos políticos Imagem (Filosofia) Capitalismo – Aspectos sociais Contemporary art Biopolitics Sisyphus Image Capitalism LINGUISTICA, LETRAS E ARTES::ARTES |
| title_short |
Respirar no topo da montanha: arte como refluxo à biopolítica |
| title_full |
Respirar no topo da montanha: arte como refluxo à biopolítica |
| title_fullStr |
Respirar no topo da montanha: arte como refluxo à biopolítica |
| title_full_unstemmed |
Respirar no topo da montanha: arte como refluxo à biopolítica |
| title_sort |
Respirar no topo da montanha: arte como refluxo à biopolítica |
| author |
Pereira, Davi Silva |
| author_facet |
Pereira, Davi Silva davi.pereira.ufrj@gmail.com |
| author_role |
author |
| author2 |
davi.pereira.ufrj@gmail.com |
| author2_role |
author |
| dc.contributor.advisor1.fl_str_mv |
Paixão, Alexandre Sá Barretto da |
| dc.contributor.advisor1ID.fl_str_mv |
https://orcid.org/0000-0002-7846-5145 |
| dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0137944963846547 |
| dc.contributor.referee1.fl_str_mv |
Cesar, Marisa Flórido |
| dc.contributor.referee1ID.fl_str_mv |
https://orcid.org/0000-0001-9915-1041 |
| dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/6579316913909055 |
| dc.contributor.referee2.fl_str_mv |
Gesomino, Renata de Oliveira |
| dc.contributor.referee2ID.fl_str_mv |
https://orcid.org/0000-0002-0063-1078 |
| dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/9818488667824810 |
| dc.contributor.referee3.fl_str_mv |
Magalhães, Maria Elisa Campelo de |
| dc.contributor.referee3ID.fl_str_mv |
https://orcid.org/0000-0002-6317-2227 |
| dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/3634320208508286 |
| dc.contributor.referee4.fl_str_mv |
Basbaum, Ricardo Roclaw |
| dc.contributor.referee4ID.fl_str_mv |
https://orcid.org/0000-0002-6886-8987 |
| dc.contributor.referee4Lattes.fl_str_mv |
http://lattes.cnpq.br/2307960927958416 |
| dc.contributor.authorID.fl_str_mv |
https://orcid.org/0000-0001-7066-5794 |
| dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/9601484914171340 |
| dc.contributor.author.fl_str_mv |
Pereira, Davi Silva davi.pereira.ufrj@gmail.com |
| contributor_str_mv |
Paixão, Alexandre Sá Barretto da Cesar, Marisa Flórido Gesomino, Renata de Oliveira Magalhães, Maria Elisa Campelo de Basbaum, Ricardo Roclaw |
| dc.subject.por.fl_str_mv |
Arte contemporânea Biopolítica Sísifo Imagem Capitalismo Arte moderna - Séc. XXI Arte – Aspectos políticos Imagem (Filosofia) Capitalismo – Aspectos sociais |
| topic |
Arte contemporânea Biopolítica Sísifo Imagem Capitalismo Arte moderna - Séc. XXI Arte – Aspectos políticos Imagem (Filosofia) Capitalismo – Aspectos sociais Contemporary art Biopolitics Sisyphus Image Capitalism LINGUISTICA, LETRAS E ARTES::ARTES |
| dc.subject.eng.fl_str_mv |
Contemporary art Biopolitics Sisyphus Image Capitalism |
| dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES |
| description |
The thesis is organized in three chapters, addressing the relationship between art, biopolitics and contemporary experience. In the first chapter, we examine the impact of the COVID-19 pandemic in Brazil, contextualizing it within a global panorama after September 11, 2001, marked by exacerbated capitalism and the rise of neo-fascist governments, which resulted in the erosion of rights and the intensification of inequality. Through Michel Foucault's concepts of biopolitics and biopower, together with contributions from Boaventura de Sousa Santos and Franco Berardi, it seeks to understand the alternatives that art can offer in times of terror and dehumanization. The second chapter proposes a new artistic approach centered on the body as a vital element, exploring underground connections, inspired by the theory of mycorrhizae, and analyzing the works of artists such as Allan Kaprow and Tehching Hsieh. In the third chapter, is established dialogues between Camus' Sisyphus and Nietzsche's Zarathustra, proposing the concept of “that space between” as a field of artistic creation. The thesis reflects on how art can be a means of imagining and building new possibilities in a world in crisis |
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2024 |
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2024-02-23 |
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2025-09-05T13:52:37Z |
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PEREIRA, Davi Silva. Respirar no topo da montanha: arte como refluxo à biopolítica. 2024. 238 f. Tese (Doutorado em Artes) – Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2024. |
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http://www.bdtd.uerj.br/handle/1/24639 |
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PEREIRA, Davi Silva. Respirar no topo da montanha: arte como refluxo à biopolítica. 2024. 238 f. Tese (Doutorado em Artes) – Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2024. |
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UERJ |
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Brasil |
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Centro de Educação e Humanidades::Instituto de Artes |
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Universidade do Estado do Rio de Janeiro |
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