A escrita de si e as representações do escritor em Cristovão Tezza

• Ano de defesa: 2014
• Autor(a) principal: Jacques, Amanda Farriá
• Orientador(a): Viegas, Ana Claudia Coutinho
• Banca de defesa: Rocha, Fátima Cristina Dias , Chiarelli, Stefania Rota
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade do Estado do Rio de Janeiro
• Programa de Pós-Graduação: Programa de Pós-Graduação em Letras
• Departamento: Centro de Educação e Humanidades::Instituto de Letras
• País: BR
• Palavras-chave em Português: Tezza, Cristóvão, 1952- Crítica e interpretação; Tezza, Cristóvão, 1952-. O filho eterno; Tezza, Cristóvão, 1952-. O filho da prosa; Ficção autobiográfica; Tezza, Cristóvão, 1952- Personagens; Cristovão Tezza; Literatura brasileira contemporânea; Escritas de si; Personagem-escritor
• Palavras-chave em Inglês: Brazilian contemporary literary; Writing of the self; Writer-character
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRA
• Link de acesso: http://www.bdtd.uerj.br/handle/1/6703

This work wants to look for two main characteristics of the brazilians contemporary literature: profusion of written of the self and the recurrence of writer-character in the romanesque production. In this context, the discussion focus in some works of the most acclaimed brazilian news writers: Cristovão Tezza. Talking about it writings, it discusses about the prizewinner romance O filho eterno (2007), cause it is a narrative which brings together factual elements and fictional creation. In that case, makes the relationship with his own son Down's syndrome the base material of a romance means engage the ways of autobiographical genres, establishing a new paradigm autobiographical between his previous works, since until then any space for approach of referential elements had been opened. The discussion of this work consider that despite lean the autobiography, the author distributive indices of functionality that puts in check the veracity of the speech, making it impossible for the delimitation of the genus between the autobiography and romance. Thus, what is at stake is the fictionalization of I front of literary creation. In another moment, we have established a discussion on inserting the writer-character in tezziana writing, widely used resource by author in various fictional works, investigating the reasons and implications of this recurrence. To undertake such analysis, we resort to notions of metafiction and literary gesture. Since the thematization of the intimate universe of the writer in the fictional ball highlights evidence the act of write and its inquisitive character. Last but not least, do a comparative reading between romance of hue biographical O filho eterno e O espírito da prosa, once the autobiography works as a key at the front desk of the fictional narrative