Lygia Bojunga: imagens da escrita

Detalhes bibliográficos
Ano de defesa: 2021
Autor(a) principal: Passos, Vanessa Paulino Venancio
Orientador(a): Silva, Odalice de Castro
Banca de defesa: Não Informado pela instituição
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Não Informado pela instituição
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: http://www.repositorio.ufc.br/handle/riufc/62816
Resumo: This research comprises an investigation, from the autobiographical and metalinguistic works of Lygia Bojunga (1932-), about her process of literary creation to fictional creation. Therefore, we built an analytical and interpretive path in order to think, not only about the trajectory of a writer, but also about the relationship between word and image, considering that the author's creative process is related to the image, as well as with other arts such as painting and theatre. Furthermore, our interest was concentrated in the process of making each book written by Lygia Bojunga, specifically and in relation to the set of her work with a comparative bias. We seek to observe and explain how Bojungian literature achieves a complexity when relating to categories such as: autobiography, painting, the unconscious and the theater, in order to reach significant dimensions, guided by in-depth understandings of "life and work" and “autobiography”, as expressed by Dominique Maingueneau and Philippe Lejeune. Therefore, the research proposes the analysis of Lygia Bojunga's written images, based, in particular, on the theoretical assumptions of Dominique Maingueneau (1995), Philippe Lejeune (2014), Paul Ricoeur (2007), Fayga Ostrower (2013) and Carl Jung (2017).
id UFC-7_7abbf13a25b68c5421cd0ad32399ed62
oai_identifier_str oai:repositorio.ufc.br:riufc/62816
network_acronym_str UFC-7
network_name_str Repositório Institucional da Universidade Federal do Ceará (UFC)
repository_id_str
spelling Passos, Vanessa Paulino VenancioSilva, Odalice de Castro2021-12-08T14:28:32Z2021-12-08T14:28:32Z2021PASSOS, Vanessa Paulino Venancio. Orientadora: Odalice de Castro Silva. 2021. 113 f. Tese (Doutorado em Letras) - Programa de Pós-graduação em Letras, Centro de Humanidades, Universidade Federal do Ceará, Fortaleza, 2021.http://www.repositorio.ufc.br/handle/riufc/62816This research comprises an investigation, from the autobiographical and metalinguistic works of Lygia Bojunga (1932-), about her process of literary creation to fictional creation. Therefore, we built an analytical and interpretive path in order to think, not only about the trajectory of a writer, but also about the relationship between word and image, considering that the author's creative process is related to the image, as well as with other arts such as painting and theatre. Furthermore, our interest was concentrated in the process of making each book written by Lygia Bojunga, specifically and in relation to the set of her work with a comparative bias. We seek to observe and explain how Bojungian literature achieves a complexity when relating to categories such as: autobiography, painting, the unconscious and the theater, in order to reach significant dimensions, guided by in-depth understandings of "life and work" and “autobiography”, as expressed by Dominique Maingueneau and Philippe Lejeune. Therefore, the research proposes the analysis of Lygia Bojunga's written images, based, in particular, on the theoretical assumptions of Dominique Maingueneau (1995), Philippe Lejeune (2014), Paul Ricoeur (2007), Fayga Ostrower (2013) and Carl Jung (2017).Esta pesquisa compreende uma investigação, desde as obras autobiográficas e metalinguísticas de Lygia Bojunga (1932-), acerca do seu processo de criação literária à criação ficcional. Para tanto, construímos um percurso analítico e interpretativo a fim de pensarmos, não apenas sobre a trajetória de uma escritora, mas também, a respeito da relação entre palavra e imagem, tendo em vista que o processo criativo da autora se relaciona com a imagem, bem como com outras artes, como a pintura e o teatro. Além disso, nosso interesse esteve concentrado no processo de realização de cada livro escrito por Lygia Bojunga, especificamente e em relação ao conjunto de sua obra com um viés comparatista. Buscamos observar e explicar de que modo a literatura bojunguiana alcança uma complexidade ao se relacionar a categorias, como: a autobiografia, a pintura, o inconsciente e o teatro, a fim de alcançar dimensões significativas, norteadas por compreensões aprofundadas sobre “vida e obra” e “autobiografia”, segundo expressão de Dominique Maingueneau e Philippe Lejeune. Diante disso, a pesquisa propõe a análise das imagens escritas de Lygia Bojunga, baseando-se, em especial, nos pressupostos teóricos de Dominique Maingueneau (1995), Philippe Lejeune (2014), Paul Ricoeur (2007), Fayga Ostrower (2013) e Carl Jung (2017).Cette recherche comprend une enquête, à partir des oeuvres autobiographiques et métalinguistiques de Lygia Bojunga (1932-), sur son processus de création littéraire à la création fictionnelle. Par conséquent, nous avons construit un parcours analytique et interprétatif afin de réfléchir, non seulement à la trajectoire d'un écrivain, mais aussi à la relation entre le mot et l'image, considérant que le processus créatif de l'auteur est lié à l'image, ainsi qu'à d'autres arts tels que la peinture et le théâtre. De plus, notre intérêt s'est concentré sur le processus de réalisation de chaque livre écrit par Lygia Bojunga, spécifiquement et par rapport à l'ensemble de son oeuvre avec un biais comparatif. Nous cherchons à observer et à expliquer comment la littérature bojungienne atteint une complexité lorsqu'elle se rapporte à des catégories telles que: l'autobiographie, la peinture, l'inconscient et le théâtre, afin d'atteindre des dimensions significatives, guidées par des compréhensions approfondies de "la vie et le travail" et " autobiographie », selon les mots de Dominique Maingueneau et Philippe Lejeune. Ainsi, la recherche propose l'analyse des images écrites de Lygia Bojunga, en s'appuyant notamment sur les hypothèses théoriques de Dominique Maingueneau (1995), Philippe Lejeune (2014), Paul Ricoeur (2007), Fayga Ostrower (2013) et Carl Jung ( 2017).Lygia BojungaLiteraturaImagemAutobiografiaPinturaLiteratureImageAutobiographyPaintingLittératureAutobiographiePeintureLygia Bojunga: imagens da escritainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisporreponame:Repositório Institucional da Universidade Federal do Ceará (UFC)instname:Universidade Federal do Ceará (UFC)instacron:UFCinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufc.br/bitstream/riufc/62816/2/license.txt8a4605be74aa9ea9d79846c1fba20a33MD52ORIGINAL2021_tese_vpvpassos.pdf2021_tese_vpvpassos.pdfapplication/pdf2098073http://repositorio.ufc.br/bitstream/riufc/62816/3/2021_tese_vpvpassos.pdf5f09a3dcbc5a5c4dc074ffaeb30ae6f8MD53riufc/628162021-12-30 17:08:03.156oai:repositorio.ufc.br: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Repositório InstitucionalPUBhttp://www.repositorio.ufc.br/ri-oai/requestbu@ufc.br || repositorio@ufc.bropendoar:2021-12-30T20:08:03Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)false
dc.title.pt_BR.fl_str_mv Lygia Bojunga: imagens da escrita
title Lygia Bojunga: imagens da escrita
spellingShingle Lygia Bojunga: imagens da escrita
Passos, Vanessa Paulino Venancio
Lygia Bojunga
Literatura
Imagem
Autobiografia
Pintura
Literature
Image
Autobiography
Painting
Littérature
Autobiographie
Peinture
title_short Lygia Bojunga: imagens da escrita
title_full Lygia Bojunga: imagens da escrita
title_fullStr Lygia Bojunga: imagens da escrita
title_full_unstemmed Lygia Bojunga: imagens da escrita
title_sort Lygia Bojunga: imagens da escrita
author Passos, Vanessa Paulino Venancio
author_facet Passos, Vanessa Paulino Venancio
author_role author
dc.contributor.author.fl_str_mv Passos, Vanessa Paulino Venancio
dc.contributor.advisor1.fl_str_mv Silva, Odalice de Castro
contributor_str_mv Silva, Odalice de Castro
dc.subject.por.fl_str_mv Lygia Bojunga
Literatura
Imagem
Autobiografia
Pintura
Literature
Image
Autobiography
Painting
Littérature
Autobiographie
Peinture
topic Lygia Bojunga
Literatura
Imagem
Autobiografia
Pintura
Literature
Image
Autobiography
Painting
Littérature
Autobiographie
Peinture
description This research comprises an investigation, from the autobiographical and metalinguistic works of Lygia Bojunga (1932-), about her process of literary creation to fictional creation. Therefore, we built an analytical and interpretive path in order to think, not only about the trajectory of a writer, but also about the relationship between word and image, considering that the author's creative process is related to the image, as well as with other arts such as painting and theatre. Furthermore, our interest was concentrated in the process of making each book written by Lygia Bojunga, specifically and in relation to the set of her work with a comparative bias. We seek to observe and explain how Bojungian literature achieves a complexity when relating to categories such as: autobiography, painting, the unconscious and the theater, in order to reach significant dimensions, guided by in-depth understandings of "life and work" and “autobiography”, as expressed by Dominique Maingueneau and Philippe Lejeune. Therefore, the research proposes the analysis of Lygia Bojunga's written images, based, in particular, on the theoretical assumptions of Dominique Maingueneau (1995), Philippe Lejeune (2014), Paul Ricoeur (2007), Fayga Ostrower (2013) and Carl Jung (2017).
publishDate 2021
dc.date.accessioned.fl_str_mv 2021-12-08T14:28:32Z
dc.date.available.fl_str_mv 2021-12-08T14:28:32Z
dc.date.issued.fl_str_mv 2021
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/doctoralThesis
format doctoralThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv PASSOS, Vanessa Paulino Venancio. Orientadora: Odalice de Castro Silva. 2021. 113 f. Tese (Doutorado em Letras) - Programa de Pós-graduação em Letras, Centro de Humanidades, Universidade Federal do Ceará, Fortaleza, 2021.
dc.identifier.uri.fl_str_mv http://www.repositorio.ufc.br/handle/riufc/62816
identifier_str_mv PASSOS, Vanessa Paulino Venancio. Orientadora: Odalice de Castro Silva. 2021. 113 f. Tese (Doutorado em Letras) - Programa de Pós-graduação em Letras, Centro de Humanidades, Universidade Federal do Ceará, Fortaleza, 2021.
url http://www.repositorio.ufc.br/handle/riufc/62816
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.source.none.fl_str_mv reponame:Repositório Institucional da Universidade Federal do Ceará (UFC)
instname:Universidade Federal do Ceará (UFC)
instacron:UFC
instname_str Universidade Federal do Ceará (UFC)
instacron_str UFC
institution UFC
reponame_str Repositório Institucional da Universidade Federal do Ceará (UFC)
collection Repositório Institucional da Universidade Federal do Ceará (UFC)
bitstream.url.fl_str_mv http://repositorio.ufc.br/bitstream/riufc/62816/2/license.txt
http://repositorio.ufc.br/bitstream/riufc/62816/3/2021_tese_vpvpassos.pdf
bitstream.checksum.fl_str_mv 8a4605be74aa9ea9d79846c1fba20a33
5f09a3dcbc5a5c4dc074ffaeb30ae6f8
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
repository.name.fl_str_mv Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)
repository.mail.fl_str_mv bu@ufc.br || repositorio@ufc.br
_version_ 1847792961183547392