A criação poética de Patativa do Assaré
| Ano de defesa: | 2006 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
http://www.teses.ufc.br
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: | |
| Link de acesso: | http://www.repositorio.ufc.br/handle/riufc/3463 |
Resumo: | The major goal of this research work is to investigate the process of creation of an important poet of the literature of the state of Ceara, Antonio Gonçalves da Silva, known as Patativa do Assaré. The research consisted of a bibliographic study through which a number of his poems were selected and analised. On observing his process of creating verses, memory, voice, language, and subject, we came to the following findings: his poetic work is all marked by orality. His poems were created and kept in his mind as if they were created to be told in a public solemnity. His poems were only put on paper after some time. It is worth stating that this trace of orality is perceived not only when their poems were told in public, but also when they were put in written form. This feature of orality through the writing is responsible for a kind of dynamics, which gives a really meaningful value to the combination and harmony of the verses. It is observed that the writing does not interfere with the origin of the poet’s work. The writing function is to register and disseminate it. The poet’s ability of producing orality is also clearly observed through origin, elaboration, and memorization of his verses. The country is the place where he produces his verses. Therefore, we can realize how the social dimension, beauty, language and the relations between nature and culture are strong in his poetry. This means that the country provides him with a kind of poetry which aims at showing the unfair conditions of living of those who live there. To sum up, his poetry is universal for its quality; and constitutes a strong voice that vibrates representing the country. |
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Pinheiro, Maria do SocorroKunz, Martine Suzanne2012-07-24T11:09:32Z2012-07-24T11:09:32Z2006PINHEIRO, Maria do Socorro. A criação poética de Patativa do Assaré. 2006. 130f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2006.http://www.repositorio.ufc.br/handle/riufc/3463The major goal of this research work is to investigate the process of creation of an important poet of the literature of the state of Ceara, Antonio Gonçalves da Silva, known as Patativa do Assaré. The research consisted of a bibliographic study through which a number of his poems were selected and analised. On observing his process of creating verses, memory, voice, language, and subject, we came to the following findings: his poetic work is all marked by orality. His poems were created and kept in his mind as if they were created to be told in a public solemnity. His poems were only put on paper after some time. It is worth stating that this trace of orality is perceived not only when their poems were told in public, but also when they were put in written form. This feature of orality through the writing is responsible for a kind of dynamics, which gives a really meaningful value to the combination and harmony of the verses. It is observed that the writing does not interfere with the origin of the poet’s work. The writing function is to register and disseminate it. The poet’s ability of producing orality is also clearly observed through origin, elaboration, and memorization of his verses. The country is the place where he produces his verses. Therefore, we can realize how the social dimension, beauty, language and the relations between nature and culture are strong in his poetry. This means that the country provides him with a kind of poetry which aims at showing the unfair conditions of living of those who live there. To sum up, his poetry is universal for its quality; and constitutes a strong voice that vibrates representing the country.Este trabalho tem como objetivo investigar o processo criativo do poeta Antonio Gonçalves da Silva, conhecido por Patativa do Assaré. Observando sua forma de criar os versos, a memória, a voz, a linguagem, a temática, verificamos que sua trajetória poética está marcada pela oralidade até mesmo quando sua obra chega a livro. Uma oralidade que convive com a escritura, sem que uma aniquile a outra, mas atuando com dinamicidade e atribuindo valor significativo na conjugação dos versos. É no contexto oral que Patativa se insere, sua poesia é feita para ser dita, portanto, a voz se mantém ouvida, vigorosa e produtiva. O suporte da escrita não interfere na gênese da obra, servindo como meio de garantir permanência e maior difusão. Analisamos a presença da oralidade nas fontes, na elaboração, na memória dos versos, como elemento constitutivo de sua produção poética. O lugar do fazer poético de Patativa é o sertão, onde podemos observar a relação natureza e cultura, a dimensão social, a beleza e a linguagem. É um sertão de poesia, que tem a intenção de mostrar em que condições vive o homem sertanejo. Percebemos que é esse o sentido maior da poesia de Patativa, uma poesia feita para todos, uma voz que vibra em nome do outro, numa linguagem que caracteriza o sertão.http://www.teses.ufc.brLiteratura BrasileiraPatativa, do Assaré, 1909-2002 - Crítica e InterpretaçãoOralidade na LiteraturaNatureza na LiteraturaPoesia Brasileira - Séc. XXBrazilian LiteratureA criação poética de Patativa do AssaréThe poetical creation of Patativa of the Assaréinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisporreponame:Repositório Institucional da Universidade Federal do Ceará (UFC)instname:Universidade Federal do Ceará (UFC)instacron:UFCinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufc.br/bitstream/riufc/3463/2/license.txt8a4605be74aa9ea9d79846c1fba20a33MD52ORIGINAL2006_DIS_MSPINHEIRO.pdf2006_DIS_MSPINHEIRO.pdfapplication/pdf300550http://repositorio.ufc.br/bitstream/riufc/3463/1/2006_DIS_MSPINHEIRO.pdf7a3cb9895c8eb51eac2fb887c19b1ba0MD51riufc/34632022-07-15 16:21:16.098oai:repositorio.ufc.br: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Repositório InstitucionalPUBhttp://www.repositorio.ufc.br/ri-oai/requestbu@ufc.br || repositorio@ufc.bropendoar:2022-07-15T19:21:16Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)false |
| dc.title.pt_BR.fl_str_mv |
A criação poética de Patativa do Assaré |
| dc.title.en.pt_BR.fl_str_mv |
The poetical creation of Patativa of the Assaré |
| title |
A criação poética de Patativa do Assaré |
| spellingShingle |
A criação poética de Patativa do Assaré Pinheiro, Maria do Socorro Literatura Brasileira Patativa, do Assaré, 1909-2002 - Crítica e Interpretação Oralidade na Literatura Natureza na Literatura Poesia Brasileira - Séc. XX Brazilian Literature |
| title_short |
A criação poética de Patativa do Assaré |
| title_full |
A criação poética de Patativa do Assaré |
| title_fullStr |
A criação poética de Patativa do Assaré |
| title_full_unstemmed |
A criação poética de Patativa do Assaré |
| title_sort |
A criação poética de Patativa do Assaré |
| author |
Pinheiro, Maria do Socorro |
| author_facet |
Pinheiro, Maria do Socorro |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Pinheiro, Maria do Socorro |
| dc.contributor.advisor1.fl_str_mv |
Kunz, Martine Suzanne |
| contributor_str_mv |
Kunz, Martine Suzanne |
| dc.subject.por.fl_str_mv |
Literatura Brasileira Patativa, do Assaré, 1909-2002 - Crítica e Interpretação Oralidade na Literatura Natureza na Literatura Poesia Brasileira - Séc. XX Brazilian Literature |
| topic |
Literatura Brasileira Patativa, do Assaré, 1909-2002 - Crítica e Interpretação Oralidade na Literatura Natureza na Literatura Poesia Brasileira - Séc. XX Brazilian Literature |
| description |
The major goal of this research work is to investigate the process of creation of an important poet of the literature of the state of Ceara, Antonio Gonçalves da Silva, known as Patativa do Assaré. The research consisted of a bibliographic study through which a number of his poems were selected and analised. On observing his process of creating verses, memory, voice, language, and subject, we came to the following findings: his poetic work is all marked by orality. His poems were created and kept in his mind as if they were created to be told in a public solemnity. His poems were only put on paper after some time. It is worth stating that this trace of orality is perceived not only when their poems were told in public, but also when they were put in written form. This feature of orality through the writing is responsible for a kind of dynamics, which gives a really meaningful value to the combination and harmony of the verses. It is observed that the writing does not interfere with the origin of the poet’s work. The writing function is to register and disseminate it. The poet’s ability of producing orality is also clearly observed through origin, elaboration, and memorization of his verses. The country is the place where he produces his verses. Therefore, we can realize how the social dimension, beauty, language and the relations between nature and culture are strong in his poetry. This means that the country provides him with a kind of poetry which aims at showing the unfair conditions of living of those who live there. To sum up, his poetry is universal for its quality; and constitutes a strong voice that vibrates representing the country. |
| publishDate |
2006 |
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2006 |
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2012-07-24T11:09:32Z |
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2012-07-24T11:09:32Z |
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info:eu-repo/semantics/publishedVersion |
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PINHEIRO, Maria do Socorro. A criação poética de Patativa do Assaré. 2006. 130f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2006. |
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http://www.repositorio.ufc.br/handle/riufc/3463 |
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PINHEIRO, Maria do Socorro. A criação poética de Patativa do Assaré. 2006. 130f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2006. |
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