Nas Trilhas de Schiller e Kant: Beleza e Moral, uma síntese antropológica

Detalhes bibliográficos
Ano de defesa: 2018
Autor(a) principal: Bezerra, Ralphe Alves
Orientador(a): Amora, Kleber Carneiro
Banca de defesa: Não Informado pela instituição
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Não Informado pela instituição
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: http://www.repositorio.ufc.br/handle/riufc/39342
Resumo: Since the greek philosophy to the present day, the unilateral anthropological conception has prevailed that privileges rationality to the detriment physical, sensitive and emotional nature. In this theoretical horizon, this research starts from the hypothesis that Schiller's aesthetic philosophy assumes completely a original position on this question, which remains as the most fundamental question of Philosophy, that is, what is man? In this sense, this work has as démarche the fact that Schiller constitutes, as Hegel recognizes, a new concept of Ideal Art as a solution to the main problem of his time, as known, the realization of "true political Freedom". However, it draws attention to the fact that the Schiller’s concepts of Art and Beauty (Schönheit) seem to be methodologically deduced from the nature of an ideal artistic Genius, which, in turn, also refers to the concept of Ideal Humanity. Moreover, this research raises the hypothesis that the Beauty, for having assumed the role of a transcendental moral principle, reveals that Art, rather than representing a mere and "pure instrument" for political education (politische Erziehung), serves Schiller for the foundation of a new anthropology. In this sense, this research also proposes the task of understanding the anthropological-moral content that Art assumes in Schiller's aesthetics. In other words, this investigation intends to discover what allowed the philosopher to convert the Beauty into a "regulative principle." With this purpose, it starts from the assumption that the transcendental thesis of the "conflicts of the antinomies of pure reason", as well as the methodological strategy used to solve them, provide the evidence of an unprecedented path that Schiller walked from the trails opened by the old Kant with his Kritik der reinen Vernunft.
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spelling Bezerra, Ralphe AlvesAmora, Kleber Carneiro2019-02-04T17:13:52Z2019-02-04T17:13:52Z2018BEZERRA, Ralphe Alves. Nas trilhas de Schiller e Kant: beleza e moral, uma síntese antropológica. 2018. 137 f. Tese (Doutorado em Filosofia) - Universidade Federal do Ceará, Fortaleza, 2018.http://www.repositorio.ufc.br/handle/riufc/39342Since the greek philosophy to the present day, the unilateral anthropological conception has prevailed that privileges rationality to the detriment physical, sensitive and emotional nature. In this theoretical horizon, this research starts from the hypothesis that Schiller's aesthetic philosophy assumes completely a original position on this question, which remains as the most fundamental question of Philosophy, that is, what is man? In this sense, this work has as démarche the fact that Schiller constitutes, as Hegel recognizes, a new concept of Ideal Art as a solution to the main problem of his time, as known, the realization of "true political Freedom". However, it draws attention to the fact that the Schiller’s concepts of Art and Beauty (Schönheit) seem to be methodologically deduced from the nature of an ideal artistic Genius, which, in turn, also refers to the concept of Ideal Humanity. Moreover, this research raises the hypothesis that the Beauty, for having assumed the role of a transcendental moral principle, reveals that Art, rather than representing a mere and "pure instrument" for political education (politische Erziehung), serves Schiller for the foundation of a new anthropology. In this sense, this research also proposes the task of understanding the anthropological-moral content that Art assumes in Schiller's aesthetics. In other words, this investigation intends to discover what allowed the philosopher to convert the Beauty into a "regulative principle." With this purpose, it starts from the assumption that the transcendental thesis of the "conflicts of the antinomies of pure reason", as well as the methodological strategy used to solve them, provide the evidence of an unprecedented path that Schiller walked from the trails opened by the old Kant with his Kritik der reinen Vernunft.Desde a filosofia grega até a atualidade tem vigorado a concepção antropológica unilateral que privilegia a racionalidade em detrimento da natureza física, sensível e emocional. Nesse horizonte teórico, essa pesquisa parte da hipótese de que a filosofia estética de Schiller assume uma posição completamente original frente a essa questão, a qual continua sendo a questão fundamental da Filosofia, a saber, o que é o homem? Nesse sentido, esse trabalho tem como démarche o fato de que Schiller constitui, como Hegel reconhece, um novo conceito de Arte Ideal como solução para o problema capital de sua época, a saber, a efetivação da “verdadeira Liberdade política”. Entretanto, chama a atenção o fato de que os conceitos schillerianos de Arte e Beleza (Schönheit) parecem ser deduzidos metodologicamente da natureza de um gênio artístico ideal, o qual, por sua vez, remete também ao conceito de Humanidade Ideal. Além disso, essa pesquisa levanta a hipótese de que o belo, por haver assumido o papel de um princípio moral transcendental, revela que a Arte, mais do que representar um mero e “puro instrumento” para a educação política (politische Erziehung), serve a Schiller para a fundamentação de uma nova antropologia. Nesse sentido, essa pesquisa se propõe também a tarefa de compreender o teor antropológico-moral que a Arte assume na estética de Schiller. Dito de outra forma, essa investigação pretende descobrir o que permitiu ao filósofo a converção do belo num “princípio regulativo”. Com esse propósito, parte-se do pressuposto de que a tese transcendental dos “conflitos das antinomias da razão pura”, bem como a estratégia metodológica adotada para solucioná-las, fornecem a evidência de uma inédita vereda que Schiller percorreu a partir das trilhas abertas pelo velho Kant com sua Kritik der reinen Vernunft.SchillerKantBelezaAntropologiaMétodoBeautyAnthropologyMethodNas Trilhas de Schiller e Kant: Beleza e Moral, uma síntese antropológicaIn the Trails of Schiller and Kant: Beauty and Morals, an anthropological synthesisinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisporreponame:Repositório Institucional da Universidade Federal do Ceará (UFC)instname:Universidade Federal do Ceará (UFC)instacron:UFCinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufc.br/bitstream/riufc/39342/4/license.txt8a4605be74aa9ea9d79846c1fba20a33MD54ORIGINAL2018_tese_rabezerra.pdf2018_tese_rabezerra.pdfapplication/pdf1123813http://repositorio.ufc.br/bitstream/riufc/39342/3/2018_tese_rabezerra.pdfa96d51ea752cef257287b26c5893a177MD53riufc/393422019-12-12 10:49:55.876oai:repositorio.ufc.br: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Repositório InstitucionalPUBhttp://www.repositorio.ufc.br/ri-oai/requestbu@ufc.br || repositorio@ufc.bropendoar:2019-12-12T13:49:55Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)false
dc.title.pt_BR.fl_str_mv Nas Trilhas de Schiller e Kant: Beleza e Moral, uma síntese antropológica
dc.title.en.pt_BR.fl_str_mv In the Trails of Schiller and Kant: Beauty and Morals, an anthropological synthesis
title Nas Trilhas de Schiller e Kant: Beleza e Moral, uma síntese antropológica
spellingShingle Nas Trilhas de Schiller e Kant: Beleza e Moral, uma síntese antropológica
Bezerra, Ralphe Alves
Schiller
Kant
Beleza
Antropologia
Método
Beauty
Anthropology
Method
title_short Nas Trilhas de Schiller e Kant: Beleza e Moral, uma síntese antropológica
title_full Nas Trilhas de Schiller e Kant: Beleza e Moral, uma síntese antropológica
title_fullStr Nas Trilhas de Schiller e Kant: Beleza e Moral, uma síntese antropológica
title_full_unstemmed Nas Trilhas de Schiller e Kant: Beleza e Moral, uma síntese antropológica
title_sort Nas Trilhas de Schiller e Kant: Beleza e Moral, uma síntese antropológica
author Bezerra, Ralphe Alves
author_facet Bezerra, Ralphe Alves
author_role author
dc.contributor.author.fl_str_mv Bezerra, Ralphe Alves
dc.contributor.advisor1.fl_str_mv Amora, Kleber Carneiro
contributor_str_mv Amora, Kleber Carneiro
dc.subject.por.fl_str_mv Schiller
Kant
Beleza
Antropologia
Método
Beauty
Anthropology
Method
topic Schiller
Kant
Beleza
Antropologia
Método
Beauty
Anthropology
Method
description Since the greek philosophy to the present day, the unilateral anthropological conception has prevailed that privileges rationality to the detriment physical, sensitive and emotional nature. In this theoretical horizon, this research starts from the hypothesis that Schiller's aesthetic philosophy assumes completely a original position on this question, which remains as the most fundamental question of Philosophy, that is, what is man? In this sense, this work has as démarche the fact that Schiller constitutes, as Hegel recognizes, a new concept of Ideal Art as a solution to the main problem of his time, as known, the realization of "true political Freedom". However, it draws attention to the fact that the Schiller’s concepts of Art and Beauty (Schönheit) seem to be methodologically deduced from the nature of an ideal artistic Genius, which, in turn, also refers to the concept of Ideal Humanity. Moreover, this research raises the hypothesis that the Beauty, for having assumed the role of a transcendental moral principle, reveals that Art, rather than representing a mere and "pure instrument" for political education (politische Erziehung), serves Schiller for the foundation of a new anthropology. In this sense, this research also proposes the task of understanding the anthropological-moral content that Art assumes in Schiller's aesthetics. In other words, this investigation intends to discover what allowed the philosopher to convert the Beauty into a "regulative principle." With this purpose, it starts from the assumption that the transcendental thesis of the "conflicts of the antinomies of pure reason", as well as the methodological strategy used to solve them, provide the evidence of an unprecedented path that Schiller walked from the trails opened by the old Kant with his Kritik der reinen Vernunft.
publishDate 2018
dc.date.issued.fl_str_mv 2018
dc.date.accessioned.fl_str_mv 2019-02-04T17:13:52Z
dc.date.available.fl_str_mv 2019-02-04T17:13:52Z
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dc.identifier.citation.fl_str_mv BEZERRA, Ralphe Alves. Nas trilhas de Schiller e Kant: beleza e moral, uma síntese antropológica. 2018. 137 f. Tese (Doutorado em Filosofia) - Universidade Federal do Ceará, Fortaleza, 2018.
dc.identifier.uri.fl_str_mv http://www.repositorio.ufc.br/handle/riufc/39342
identifier_str_mv BEZERRA, Ralphe Alves. Nas trilhas de Schiller e Kant: beleza e moral, uma síntese antropológica. 2018. 137 f. Tese (Doutorado em Filosofia) - Universidade Federal do Ceará, Fortaleza, 2018.
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