Curadoria e fertilização da sensibilidade
| Ano de defesa: | 2024 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Não Informado pela instituição
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Área do conhecimento CNPq: | |
| Link de acesso: | http://repositorio.ufc.br/handle/riufc/79227 |
Resumo: | Our time suffers from a crisis of sensitivity, in which our contained energies are captured by neoliberal capitalism and our sensory-perceptual apparatus is brutalized by excess stimuli. Given this scenario of sensorial manipulation, this research investigates the power of curating to carry out a survey of the symptoms that emerge from the works and, at the same time, intervene in the public's aesthetic reception through what we call "poetics of fertilization". In the first chapter, we carry out an archeology of sensitivity, excavating the speeches that have historically been given about the field of the sensitive, in which we write a small history of sensitivity and the relationships between aesthetics and politics; decolonial aesthetics and the crisis of sensitivity. In the second chapter, we rehearse the hypothesis that poetics is an artifice that gives access to the field of the sensitive through the collapse of language and the appearance of the image, crossing the discussion around the body, desire and reenergization. In the third chapter, we rehearse the poetics of curation and its critical power in diagnosing the world, and clinically transforming subjectivities. In the fourth chapter, we present the eco-curatorial thinking presented in 15 (fifteen) text-documents that were born from curatorial experiments carried out during the Master's in Arts period (2022-2024). |
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Lacerda, Lucas Oliveira deCosta, Pablo Assumpção Barros2024-12-23T18:58:37Z2024-12-23T18:58:37Z2024LACERDA, Lucas Oliveira de. Curadoria e fertilização da sensibilidade. 2024. 147 f. Dissertação (Mestrado em Artes) – Instituto de Cultura e Arte, Universidade Federal do Ceará, Fortaleza, 2024.http://repositorio.ufc.br/handle/riufc/79227Our time suffers from a crisis of sensitivity, in which our contained energies are captured by neoliberal capitalism and our sensory-perceptual apparatus is brutalized by excess stimuli. Given this scenario of sensorial manipulation, this research investigates the power of curating to carry out a survey of the symptoms that emerge from the works and, at the same time, intervene in the public's aesthetic reception through what we call "poetics of fertilization". In the first chapter, we carry out an archeology of sensitivity, excavating the speeches that have historically been given about the field of the sensitive, in which we write a small history of sensitivity and the relationships between aesthetics and politics; decolonial aesthetics and the crisis of sensitivity. In the second chapter, we rehearse the hypothesis that poetics is an artifice that gives access to the field of the sensitive through the collapse of language and the appearance of the image, crossing the discussion around the body, desire and reenergization. In the third chapter, we rehearse the poetics of curation and its critical power in diagnosing the world, and clinically transforming subjectivities. In the fourth chapter, we present the eco-curatorial thinking presented in 15 (fifteen) text-documents that were born from curatorial experiments carried out during the Master's in Arts period (2022-2024).A nossa época padece de uma crise da sensibilidade, na qual as nossas energias vitais são capturadas pelo capitalismo neoliberal e o nosso aparelho sensório- perceptivo é embrutecido pelo excesso de estímulos. Diante desse cenário de degradação sensorial, esta pesquisa busca investigar qual é a potência da curadoria em realizar um levantamento dos sintomas que emergem das obras e, ao mesmo tempo, intervir na recepção estética do público por meio do que chamamos de "poética da fertilização". No primeiro capítulo, realizamos uma arqueologia da sensibilidade, escavando os discursos que historicamente foram proferidos sobre o campo do sensível, no qual escrevemos uma pequena história da sensibilidade e as relações entre estética e política; estética decolonial e a crise da sensibilidade. No segundo capítulo, ensaiamos a hipótese de que a poética é um artifício que dá acesso ao campo do sensível por meio da derrocada da linguagem e da aparição da imagem, atravessando discussões em torno do corpo, do desejo e da reenergização. No terceiro capitulo, ensaiamos a poética da curadoria e a sua potência crítica, de diagnóstico do mundo, e clínica, de transformação das subjetividades. No quarto capítulo, apresentamos o pensamento eco-curarorial presente em 15 (quinze) textos- documentos que nasceram de experimentações curatoriais realizadas durante o período do Mestrado em Artes (2022-2024).Curadoria e fertilização da sensibilidadeCurating and the fertilization of sensitivityinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisCuradoriaSensibilidadeEstéticaPolíticaEcologiaArte visuaisCuratingSensibilityAestheticsPoliticsEcologyVisual artsCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da Universidade Federal do Ceará (UFC)instname:Universidade Federal do Ceará (UFC)instacron:UFChttps://orcid.org/0000-0003-0072-5880http://lattes.cnpq.br/5909467713679553http://lattes.cnpq.br/23520959126598532024-12-23ORIGINAL2024_dis_lolacerda.pdf2024_dis_lolacerda.pdfapplication/pdf8206892http://repositorio.ufc.br/bitstream/riufc/79227/3/2024_dis_lolacerda.pdfc027657b345e52d5c02d91b1428edbc3MD53LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufc.br/bitstream/riufc/79227/4/license.txt8a4605be74aa9ea9d79846c1fba20a33MD54riufc/792272024-12-23 15:58:38.155oai:repositorio.ufc.br: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Repositório InstitucionalPUBhttp://www.repositorio.ufc.br/ri-oai/requestbu@ufc.br || repositorio@ufc.bropendoar:2024-12-23T18:58:38Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)false |
| dc.title.pt_BR.fl_str_mv |
Curadoria e fertilização da sensibilidade |
| dc.title.en.pt_BR.fl_str_mv |
Curating and the fertilization of sensitivity |
| title |
Curadoria e fertilização da sensibilidade |
| spellingShingle |
Curadoria e fertilização da sensibilidade Lacerda, Lucas Oliveira de CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES Curadoria Sensibilidade Estética Política Ecologia Arte visuais Curating Sensibility Aesthetics Politics Ecology Visual arts |
| title_short |
Curadoria e fertilização da sensibilidade |
| title_full |
Curadoria e fertilização da sensibilidade |
| title_fullStr |
Curadoria e fertilização da sensibilidade |
| title_full_unstemmed |
Curadoria e fertilização da sensibilidade |
| title_sort |
Curadoria e fertilização da sensibilidade |
| author |
Lacerda, Lucas Oliveira de |
| author_facet |
Lacerda, Lucas Oliveira de |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Lacerda, Lucas Oliveira de |
| dc.contributor.advisor1.fl_str_mv |
Costa, Pablo Assumpção Barros |
| contributor_str_mv |
Costa, Pablo Assumpção Barros |
| dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
| topic |
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES Curadoria Sensibilidade Estética Política Ecologia Arte visuais Curating Sensibility Aesthetics Politics Ecology Visual arts |
| dc.subject.ptbr.pt_BR.fl_str_mv |
Curadoria Sensibilidade Estética Política Ecologia Arte visuais |
| dc.subject.en.pt_BR.fl_str_mv |
Curating Sensibility Aesthetics Politics Ecology Visual arts |
| description |
Our time suffers from a crisis of sensitivity, in which our contained energies are captured by neoliberal capitalism and our sensory-perceptual apparatus is brutalized by excess stimuli. Given this scenario of sensorial manipulation, this research investigates the power of curating to carry out a survey of the symptoms that emerge from the works and, at the same time, intervene in the public's aesthetic reception through what we call "poetics of fertilization". In the first chapter, we carry out an archeology of sensitivity, excavating the speeches that have historically been given about the field of the sensitive, in which we write a small history of sensitivity and the relationships between aesthetics and politics; decolonial aesthetics and the crisis of sensitivity. In the second chapter, we rehearse the hypothesis that poetics is an artifice that gives access to the field of the sensitive through the collapse of language and the appearance of the image, crossing the discussion around the body, desire and reenergization. In the third chapter, we rehearse the poetics of curation and its critical power in diagnosing the world, and clinically transforming subjectivities. In the fourth chapter, we present the eco-curatorial thinking presented in 15 (fifteen) text-documents that were born from curatorial experiments carried out during the Master's in Arts period (2022-2024). |
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2024 |
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2024-12-23T18:58:37Z |
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2024-12-23T18:58:37Z |
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2024 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
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LACERDA, Lucas Oliveira de. Curadoria e fertilização da sensibilidade. 2024. 147 f. Dissertação (Mestrado em Artes) – Instituto de Cultura e Arte, Universidade Federal do Ceará, Fortaleza, 2024. |
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http://repositorio.ufc.br/handle/riufc/79227 |
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LACERDA, Lucas Oliveira de. Curadoria e fertilização da sensibilidade. 2024. 147 f. Dissertação (Mestrado em Artes) – Instituto de Cultura e Arte, Universidade Federal do Ceará, Fortaleza, 2024. |
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